Categorie:
Carrello 0

Il tuo carrello è vuoto

Coleman Hawkins - Coleman Hawkins Encounters Ben Webster

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Coleman Hawkins Encounters Ben Webster

Coleman Hawkins, Ben Webster

Disponibile in
logo Hi-Res
24-Bit 192.0 kHz - Stereo

Streaming illimitato

Ascolta subito questo album in alta qualità sulle nostre app

Inizia il mio periodo di prova e riproduci l'album

Goditi questo album sulle app Qobuz con il tuo abbonamento

Resgistrati

Goditi questo album sulle app Qobuz con il tuo abbonamento

Download digitale

Seleziona la qualità audio

Per avere diritto a questo prezzo, abbonati a Sublime+

Lingua disponibile: inglese

On the 16th of October 1957, Coleman Hawkins (aged 52) and Ben Webster (48) were shut away in Hollywood’s legendary Capitol studios putting together, under the guidance of Verve producer Norman Granz, an album that would go on to be an absolute classic. With Lester Young, these two tenor saxophone giants were then considered unmatchable in their skill with the instrument as confirmed in this session in which four other musicians lend their expertise: pianist Oscar Peterson, guitarist Herb Ellis, bassist Ray Brown and drummer Alvin Stoller. The respect is tangible between these two “big sound” saxophonists as they deliver a warm and often lyrical performance like never before. From Hawk’s opening Blues For Yolande a classy and classical tone is present. Nothing stands in the way of the musicians’ faultless tango as their instruments expertly yowl and stretch the tenor to its limits. The ballads are an achievement as heard on It Never Entered My Mind and Prisoner of Love. Published two years later in November 1959, Coleman Hawkins Encounters Ben Webster would doubtless make up one of the pillars of any ideal jazz nightclub worthy of the name. © Marc Zisman/Qobuz

Maggiori informazioni

Coleman Hawkins Encounters Ben Webster

Coleman Hawkins

launch qobuz app Ho già scaricato Qobuz per Windows/MacOS Apri

download qobuz app Non ho ancora scaricato Qobuz per Windows/MacOS Scarica l'app Qobuz

Copia il seguente link per condividerlo

Al momento stai ascoltando degli estratti.

Ascolta oltre 50 milioni di brani con un abbonamento streaming illimitato.

Ascolta questo album e oltre 50 milioni di brani con i gli abbonamenti di streaming illimitato.

1
Blues For Yolande
00:06:47

Ben Webster, Saxophone, MainArtist, AssociatedPerformer - RAY BROWN, Bass Guitar, AssociatedPerformer - Coleman Hawkins, Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Herb Ellis, Guitar, AssociatedPerformer - Oscar Peterson, Piano, AssociatedPerformer - Alvin Stoller, Drums, AssociatedPerformer - Norman Granz, Producer

℗ 1959 UMG Recordings, Inc.

2
It Never Entered My Mind
00:05:49

Richard Rodgers, ComposerLyricist - Lorenz Hart, ComposerLyricist - Ben Webster, Saxophone, MainArtist, AssociatedPerformer - RAY BROWN, Bass Guitar, AssociatedPerformer - Coleman Hawkins, Saxophone, MainArtist, AssociatedPerformer - Herb Ellis, Guitar, AssociatedPerformer - Oscar Peterson, Piano, AssociatedPerformer - Alvin Stoller, Drums, AssociatedPerformer - Norman Granz, Producer

℗ 1959 UMG Recordings, Inc.

3
Rosita
00:05:05

Ben Webster, Saxophone, MainArtist, AssociatedPerformer - RAY BROWN, Bass Guitar, AssociatedPerformer - Coleman Hawkins, Saxophone, MainArtist, AssociatedPerformer - Herb Ellis, Guitar, AssociatedPerformer - Oscar Peterson, Piano, AssociatedPerformer - Alvin Stoller, Drums, AssociatedPerformer - Norman Granz, Producer - Gustave Haenschen, ComposerLyricist - Lester O'Keefe, ComposerLyricist - Gustave Walter Hanschen, ComposerLyricist

℗ 1959 UMG Recordings, Inc.

4
You'd Be So Nice To Come Home To
00:04:18

Cole Porter, ComposerLyricist - Ben Webster, Saxophone, MainArtist, AssociatedPerformer - RAY BROWN, Bass Guitar, AssociatedPerformer - Coleman Hawkins, Saxophone, MainArtist, AssociatedPerformer - Herb Ellis, Guitar, AssociatedPerformer - Oscar Peterson, Piano, AssociatedPerformer - Alvin Stoller, Drums, AssociatedPerformer - Norman Granz, Producer

℗ 1959 UMG Recordings, Inc.

5
Prisoner Of Love
00:04:16

Russ Columbo, ComposerLyricist - Ben Webster, Saxophone, MainArtist, AssociatedPerformer - RAY BROWN, Bass Guitar, AssociatedPerformer - Leo Robin, ComposerLyricist - Coleman Hawkins, Saxophone, MainArtist, AssociatedPerformer - Herb Ellis, Guitar, AssociatedPerformer - Clarence Gaskill, ComposerLyricist - Oscar Peterson, Piano, AssociatedPerformer - Alvin Stoller, Drums, AssociatedPerformer - Norman Granz, Producer

℗ 1959 UMG Recordings, Inc.

6
Tangerine
00:05:23

Johnny Mercer, ComposerLyricist - Ben Webster, Saxophone, MainArtist, AssociatedPerformer - RAY BROWN, Bass Guitar, AssociatedPerformer - Victor Schertzinger, ComposerLyricist - Coleman Hawkins, Saxophone, MainArtist, AssociatedPerformer - Herb Ellis, Guitar, AssociatedPerformer - Oscar Peterson, Piano, AssociatedPerformer - Alvin Stoller, Drums, AssociatedPerformer - Norman Granz, Producer

℗ 1959 UMG Recordings, Inc.

7
Shine On Harvest Moon
00:04:51

Ben Webster, Saxophone, MainArtist, AssociatedPerformer - RAY BROWN, Bass Guitar, AssociatedPerformer - Coleman Hawkins, Saxophone, MainArtist, AssociatedPerformer - Herb Ellis, Guitar, AssociatedPerformer - Oscar Peterson, Piano, AssociatedPerformer - Alvin Stoller, Drums, AssociatedPerformer - Jack Norworth, ComposerLyricist - Nora Bayes, ComposerLyricist - Norman Granz, Producer

℗ 1959 UMG Recordings, Inc.

Descrizione dell'album

On the 16th of October 1957, Coleman Hawkins (aged 52) and Ben Webster (48) were shut away in Hollywood’s legendary Capitol studios putting together, under the guidance of Verve producer Norman Granz, an album that would go on to be an absolute classic. With Lester Young, these two tenor saxophone giants were then considered unmatchable in their skill with the instrument as confirmed in this session in which four other musicians lend their expertise: pianist Oscar Peterson, guitarist Herb Ellis, bassist Ray Brown and drummer Alvin Stoller. The respect is tangible between these two “big sound” saxophonists as they deliver a warm and often lyrical performance like never before. From Hawk’s opening Blues For Yolande a classy and classical tone is present. Nothing stands in the way of the musicians’ faultless tango as their instruments expertly yowl and stretch the tenor to its limits. The ballads are an achievement as heard on It Never Entered My Mind and Prisoner of Love. Published two years later in November 1959, Coleman Hawkins Encounters Ben Webster would doubtless make up one of the pillars of any ideal jazz nightclub worthy of the name. © Marc Zisman/Qobuz

A proposito dell'album

Migliora questa pagina

Qobuz logo Perché acquistare su Qobuz

ORA IN OFFERTA...
Munich 2016 Keith Jarrett
After The Fall Keith Jarrett
Songs In The Key Of Life Stevie Wonder
Altro su Qobuz
Di Coleman Hawkins

Playlist

Ti potrebbe piacere anche...
Nelle Panoramiche...
Kamasi Washington, il sax degli Angeli

Dopo un triplo album che lo ha piazzato in cima alle classifiche, eccolo di ritorno con un doppio! Kamasi Washington intriga e affascina non solo i patiti di jazz… Al fianco di Kendrick Lamar e Snoop Dogg, ma soprattutto a capo del collettivo West Coast Get Down, il carismatico sassofonista di Los Angeles porta una ventata di follia sulla scena jazz contemporanea.

John Barry, il genio è nella varietà

La musica per il cinema richiede sensibilità e destrezza speciale per poter far fronte ad ogni stile con dignità: dal suono disco per una scena da night-club ad un madrigale per un film d’epoca, il compositore cinematografico deve essere in grado di cimentarsi in ogni stile. John Barry ha dimostrato, una e più volte, d’essere stato uno dei più grandi autori di colonne sonore, capace di abbracciare tutti i generi nel cinema e nella musica.

Obbiettivo la luna: The Dark Side Of The Moon

The Dark Side of the Moon, album-chiave dei Pink Floyd fu il risultato di un lungo processo creativo iniziato intorno al 1968. A Saucerful of Secrets (il brano principale dell'omonimo album) fu, almeno per Nick Mason, il punto di partenza. L'album successivo, Ummagumma (1969), diede a ciascun membro della band l'opportunità di creare un brano solista, anche se avrebbero dovuto unire i loro talenti per fare davvero il jackpot. I Pink Floyd hanno continuato a cercare il disco perfetto con Meddle, un album che ha messo in evidenza le loro abilità in studio, e Atom Heart Mother, prima del tanto atteso nirvana con The Dark Side of the Moon. E la perfezione di quest'opera non è stata intaccata nel tempo, nemmeno a quarantacinque anni dalla sua uscita.

Nel magazine...