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Where to begin listing the virtues of this gorgeous double-CD release by mezzo-soprano Ann Hallenberg? Perhaps with the unique programming concept, re-creating the operas staged during Carnival season in the year 1729 in Venice, a special year because all the big stars of Italian opera had come back home after disagreements with their impresario, Handel, in England. The arias, written for the likes of the castrato Senesino and the soprano Faustina Bordoni, have all the technical fireworks of the Handel operas of the 1720s that have gained popularity. And consider that the music is virtually unknown, with much of it here receiving its premiere on recordings; much of the research was done by Hallenberg herself, along with her husband, with performers once again leaving musicology in the dust. Is it second-order opera? Hardly, and here you can rely on the opinion of Handel himself, who dropped in to hear this remarkable stretch of music and took some of it back to London to make pastiches out of it. You can stop in anywhere for vocal heroics, but sample one of the more melodic pieces, such as "Bel piacer saria d'un core", from Semiramide riconosciuta of Nicola Porpora, Haydn's teacher. The program is intelligently put together, with most of the pieces grouped together by individual opera, but two altogether fascinating selections from Gianguir, by the all-but-unknown Geminiano Giacomelli framing the arias from Giuseppe Maria Orlandini's Adelaide on CD 1. The sharp, sensitive orchestral work of Il Pomo d'Oro under Stefano Montanari is a major attraction. And last, but certainly not least, is the voice of Hallenberg herself, arguably at its absolute peak, easily tackling arias across a wide range, delivering plenty of power in the big runs and yet entering into each character. Oh, yes, Pentatone's audiophile-quality sound, recorded at the entirely appropriate Villa San Fermo in Lonigo, is superb. Sit back and enjoy, says Pentatone's little logo. Indeed: this is one of those rare recordings that breaks entirely new ground yet remains a pure pleasure, fully realized on its own terms.
© TiVo
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Gianguir (Geminiano Giacomelli)
Ann Hallenberg, Artist, MainArtist - Stefano Montanari, Conductor - Geminiano Giacomelli, Composer - Il Pomo d'Oro, Ensemble
(C) 2017 PENTATONE (P) 2017 PENTATONE
Adelaide (Giuseppe Maria Orlandini)
Ann Hallenberg, Artist, MainArtist - Stefano Montanari, Conductor - Giuseppe Maria Orlandini, Composer - Il Pomo d'Oro, Ensemble
(C) 2017 PENTATONE (P) 2017 PENTATONE
Ann Hallenberg, Artist, MainArtist - Stefano Montanari, Conductor - Giuseppe Maria Orlandini, Composer - Il Pomo d'Oro, Ensemble
(C) 2017 PENTATONE (P) 2017 PENTATONE
Ann Hallenberg, Artist, MainArtist - Stefano Montanari, Conductor - Giuseppe Maria Orlandini, Composer - Il Pomo d'Oro, Ensemble
(C) 2017 PENTATONE (P) 2017 PENTATONE
Ann Hallenberg, Artist, MainArtist - Stefano Montanari, Conductor - Giuseppe Maria Orlandini, Composer - Il Pomo d'Oro, Ensemble
(C) 2017 PENTATONE (P) 2017 PENTATONE
Gianguir (Geminiano Giacomelli)
Ann Hallenberg, Artist, MainArtist - Stefano Montanari, Conductor - Geminiano Giacomelli, Composer - Il Pomo d'Oro, Ensemble
(C) 2017 PENTATONE (P) 2017 PENTATONE
DISCO 2
Filandro (Tomaso Giovanni Albinoni)
Tomaso Giovanni Albinoni, Composer - Ann Hallenberg, Artist, MainArtist - Stefano Montanari, Conductor - Il Pomo d'Oro, Ensemble
(C) 2017 PENTATONE (P) 2017 PENTATONE
Tomaso Giovanni Albinoni, Composer - Ann Hallenberg, Artist, MainArtist - Stefano Montanari, Conductor - Il Pomo d'Oro, Ensemble
(C) 2017 PENTATONE (P) 2017 PENTATONE
Semiramide riconosciuta (Nicola Porpora)
Nicola Porpora, Composer - Ann Hallenberg, Artist, MainArtist - Stefano Montanari, Conductor - Il Pomo d'Oro, Ensemble
(C) 2017 PENTATONE (P) 2017 PENTATONE
Nicola Porpora, Composer - Ann Hallenberg, Artist, MainArtist - Stefano Montanari, Conductor - Il Pomo d'Oro, Ensemble
(C) 2017 PENTATONE (P) 2017 PENTATONE
Nicola Porpora, Composer - Ann Hallenberg, Artist, MainArtist - Stefano Montanari, Conductor - Il Pomo d'Oro, Ensemble
(C) 2017 PENTATONE (P) 2017 PENTATONE
Catone in Utica (Leonardo Leo)
Ann Hallenberg, Artist, MainArtist - Leonardo Leo, Composer - Stefano Montanari, Conductor - Il Pomo d'Oro, Ensemble
(C) 2017 PENTATONE (P) 2017 PENTATONE
Ann Hallenberg, Artist, MainArtist - Leonardo Leo, Composer - Stefano Montanari, Conductor - Il Pomo d'Oro, Ensemble
(C) 2017 PENTATONE (P) 2017 PENTATONE
L'abbandono di Armida (Leonardo Vinci)
Ann Hallenberg, Artist, MainArtist - Stefano Montanari, Conductor - Leonardo Vinci, Composer - Il Pomo d'Oro, Ensemble
(C) 2017 PENTATONE (P) 2017 PENTATONE
Approfondimenti
Where to begin listing the virtues of this gorgeous double-CD release by mezzo-soprano Ann Hallenberg? Perhaps with the unique programming concept, re-creating the operas staged during Carnival season in the year 1729 in Venice, a special year because all the big stars of Italian opera had come back home after disagreements with their impresario, Handel, in England. The arias, written for the likes of the castrato Senesino and the soprano Faustina Bordoni, have all the technical fireworks of the Handel operas of the 1720s that have gained popularity. And consider that the music is virtually unknown, with much of it here receiving its premiere on recordings; much of the research was done by Hallenberg herself, along with her husband, with performers once again leaving musicology in the dust. Is it second-order opera? Hardly, and here you can rely on the opinion of Handel himself, who dropped in to hear this remarkable stretch of music and took some of it back to London to make pastiches out of it. You can stop in anywhere for vocal heroics, but sample one of the more melodic pieces, such as "Bel piacer saria d'un core", from Semiramide riconosciuta of Nicola Porpora, Haydn's teacher. The program is intelligently put together, with most of the pieces grouped together by individual opera, but two altogether fascinating selections from Gianguir, by the all-but-unknown Geminiano Giacomelli framing the arias from Giuseppe Maria Orlandini's Adelaide on CD 1. The sharp, sensitive orchestral work of Il Pomo d'Oro under Stefano Montanari is a major attraction. And last, but certainly not least, is the voice of Hallenberg herself, arguably at its absolute peak, easily tackling arias across a wide range, delivering plenty of power in the big runs and yet entering into each character. Oh, yes, Pentatone's audiophile-quality sound, recorded at the entirely appropriate Villa San Fermo in Lonigo, is superb. Sit back and enjoy, says Pentatone's little logo. Indeed: this is one of those rare recordings that breaks entirely new ground yet remains a pure pleasure, fully realized on its own terms.
© TiVo
A proposito dell'album
- 2 disco(i) - 14 traccia(e)
- Durata totale: 01:38:36
- 1 Libretto digitale
- Artisti principali: Ann Hallenberg Stefano Montanari Il Pomo D'oro
- Compositore: Various Composers
- Etichetta: Pentatone
- Zona: Italie
- Genere: Classica Opera
- Periodo: Musica barocca
(C) 2017 PENTATONE (P) 2017 PENTATONE
Distinzioni:
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