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Jack White|Boarding House Reach

Boarding House Reach

Jack White

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Se l’avessimo detto dieci anni fa, Jack White avrebbe riso. O avrebbe arrossito. Il ragazzo solitario del blues, confinato nell’analogico, scappa per la prima volta fuori da suo campo d’azione abituale. Dopo tutte le collaborazioni degli ultimi anni, questo passaggio alla carriera solista sorprende. È sempre attorno al riff blues che Jack White, all’età di 42 anni, articola il suo primo cruciverba. Questo linguaggio misterioso, all’alba del 2018, sa comunque farsi capire alla perfezione. Schizzi di rock (Respect Commander), jam session turbolente (Ice Station Zebra), congas e percussioni per ritmi afro-cubani spennellati su inserti digitali (Over and Over and Over, Everything’s You’ve ever Learned), momenti gospel su fughe d’organo con le McCrary Sisters di Nashville (Connected by Love), country posato al pianoforte (What’s done is done), intermezzo da camera con CW Stoneking (Abulia e Akrusia), vocoder per miniature funk (Get In The Mind Shaft), parole di Al Capone scritte ad Alcatraz sulla scia dell’Humoresque di Dvořák in stile jazz, qui va bene tutto.


 Per questo salto nel buio, l’antico Stripes se l’è presa comoda, fregandosene. Ma anche assumendone tutti i rischi. Prima rinchiudendosi per mesi in studio a Nashville, fuori dalle mura familiari della Third Man Records, scrivendo brani senza il suo strumento, ritrovandosi tra sintetizzatori e nastri sui quali ha registrato. Poi è scappato a New York e a Los Angeles con Carla Azar degli Autolux, Louis Cato, Justin Poree e Bobby Allende, tutti musicisti che di recente hanno collaborato con Kendrick Lamar, tutti crème dell’hip-hop. Artisti con cui non aveva lavorato prima d’ora. Ha dichiarato a proposito: “Alcuni pezzi sarebbero pututi essere un lato intero del disco, un po’ come Miles Davis nel suo periodo Funkadelic. Ma poi, non appena un altro musicista dava il suo apporto, tutto prendeva un’altra forma, cambiando l’intera atmosfera musicale.” Sempre fuori dalla sua comfort zone, White, a cui piace catturare la brutalità di un suono vivace, sporco e ancora palpitante, nato nel sudore, ha scelto di rieditare quelle registrazioni fredde a Los Angeles. Infine, le tredici tracce di Boarding House Reach rappresentano piuttosto bene l’album più frenetico, eccentrico e caldo di Jack White. Eccellente. © Charlotte Saintoin/Qobuz

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Boarding House Reach

Jack White

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1
Connected by Love
00:04:37

Neal Evans, AssociatedPerformer - Bob Ludwig, Engineer - Jack White, Producer, Engineer, MainArtist, AssociatedPerformer, ComposerLyricist, MixingEngineer - Bill Skibbe, Engineer, MixingEngineer - Bobby Allende, AssociatedPerformer - Regina McCrary, AssociatedPerformer - Joshua Vance Smith, MixingEngineer - Ben Schmitz, Engineer - Ann McCrary, AssociatedPerformer - Louis Cato, AssociatedPerformer - Grant Valentine, Engineer - DJ Harrison, AssociatedPerformer - Third String Tunes (BMI), Administered by Songs of Universal, Inc. (BMI), MusicPublisher - Charlotte Kemp, AssociatedPerformer

2018 Third Face, LLC under exclusive license to XL Recordings Ltd 2018 Third Man Records under exclusive license to XL Recordings Ltd

2
Why Walk a Dog?
00:02:29

Neal Evans, AssociatedPerformer - Bob Ludwig, Engineer - Todd Monfalcone, Engineer - Jack White, Producer, MainArtist, AssociatedPerformer, ComposerLyricist - Bill Skibbe, Engineer - Bobby Allende, AssociatedPerformer - Regina McCrary, AssociatedPerformer - Joshua Vance Smith, Engineer - Ben Schmitz, Engineer - Ann McCrary, AssociatedPerformer - Louis Cato, Programmer - Grant Valentine, Engineer - DJ Harrison, AssociatedPerformer - Third String Tunes (BMI), Administered by Songs of Universal, Inc. (BMI), MusicPublisher - Ian Montone, AssociatedPerformer - Gianluca Braccio Montone, AssociatedPerformer - Charlotte Kemp, AssociatedPerformer

2018 Third Face, LLC under exclusive license to XL Recordings Ltd 2018 Third Man Records under exclusive license to XL Recordings Ltd

3
Corporation
00:05:39

Neal Evans, AssociatedPerformer - Bob Ludwig, Engineer - Todd Monfalcone, Engineer - Jack White, Producer, MainArtist, AssociatedPerformer, ComposerLyricist - Bill Skibbe, Engineer - Bobby Allende, AssociatedPerformer - Regina McCrary, AssociatedPerformer - Joshua Vance Smith, Engineer - Ben Schmitz, Engineer - Ann McCrary, AssociatedPerformer - Louis Cato, Programmer - Grant Valentine, Engineer - DJ Harrison, AssociatedPerformer - Third String Tunes (BMI), Administered by Songs of Universal, Inc. (BMI), MusicPublisher - Ian Montone, AssociatedPerformer - Gianluca Braccio Montone, AssociatedPerformer - Charlotte Kemp, AssociatedPerformer

2018 Third Face, LLC under exclusive license to XL Recordings Ltd 2018 Third Man Records under exclusive license to XL Recordings Ltd

4
Abulia and Akrasia
00:01:28

Bob Ludwig, Engineer - Jack White, Producer, MainArtist, ComposerLyricist - Vance Powell, Engineer - Bill Skibbe, Engineer - Keith Smith, AssociatedPerformer - Joshua Vance Smith, Engineer - Ben Schmitz, Engineer - Brooke Waggoner, AssociatedPerformer - Fats Kaplin, AssociatedPerformer - Daru Jones, AssociatedPerformer - C.W. Stoneking, AssociatedPerformer - Grant Valentine, Engineer - Dominic Davis, AssociatedPerformer - Justin Carpenter, AssociatedPerformer - Neil Konouchi, AssociatedPerformer - Third String Tunes (BMI), Administered by Songs of Universal, Inc. (BMI), MusicPublisher - Joshua Gillis, AssociatedPerformer - Charlotte Kemp, AssociatedPerformer

2018 Third Face, LLC under exclusive license to XL Recordings Ltd 2018 Third Man Records under exclusive license to XL Recordings Ltd

5
Hypermisophoniac
00:03:34

Bob Ludwig, Engineer - Jack White, Producer, MainArtist, AssociatedPerformer, ComposerLyricist - Bill Skibbe, Engineer - Carla Azar, AssociatedPerformer - Joshua Vance Smith, Engineer - Justin Poree, AssociatedPerformer - Chandler Harrod, Engineer - Quincy McCrary, AssociatedPerformer - Third String Tunes (BMI), Administered by Songs of Universal, Inc. (BMI), MusicPublisher - Anthony Brewster, AssociatedPerformer - Neon Phoenix, AssociatedPerformer

2018 Third Face, LLC under exclusive license to XL Recordings Ltd 2018 Third Man Records under exclusive license to XL Recordings Ltd

6
Ice Station Zebra
00:03:59

Bob Ludwig, Engineer - Jack White, Producer, MainArtist, AssociatedPerformer, ComposerLyricist - Bill Skibbe, Engineer - Carla Azar, AssociatedPerformer - Joshua Vance Smith, Engineer - Justin Poree, AssociatedPerformer - Chandler Harrod, Engineer - Quincy McCrary, AssociatedPerformer - Third String Tunes (BMI), Administered by Songs of Universal, Inc. (BMI), MusicPublisher - Anthony Brewster, AssociatedPerformer - Neon Phoenix, AssociatedPerformer

2018 Third Face, LLC under exclusive license to XL Recordings Ltd 2018 Third Man Records under exclusive license to XL Recordings Ltd

7
Over and Over and Over
00:03:36

Neal Evans, AssociatedPerformer - Bob Ludwig, Engineer - Jack White, Producer, MainArtist, AssociatedPerformer, ComposerLyricist - Bill Skibbe, Engineer - Bobby Allende, AssociatedPerformer - Joshua Vance Smith, Engineer - Ben Schmitz, Engineer - Daru Jones, AssociatedPerformer - Louis Cato, AssociatedPerformer - Grant Valentine, Engineer - DJ Harrison, AssociatedPerformer - Third String Tunes (BMI), Administered by Songs of Universal, Inc. (BMI), MusicPublisher - Charlotte Kemp, AssociatedPerformer

2018 Third Face, LLC under exclusive license to XL Recordings Ltd 2018 Third Man Records under exclusive license to XL Recordings Ltd

8
Everything You've Ever Learned
00:02:13

Neal Evans, AssociatedPerformer - Bob Ludwig, Engineer - Jack White, Producer, Engineer, MainArtist, AssociatedPerformer, ComposerLyricist - Bill Skibbe, Engineer - Bobby Allende, AssociatedPerformer - Joshua Vance Smith, Engineer - Ben Schmitz, Engineer - Grant Valentine, Engineer - DJ Harrison, AssociatedPerformer - Third String Tunes (BMI), Administered by Songs of Universal, Inc. (BMI), MusicPublisher - Charlotte Kemp, AssociatedPerformer

2018 Third Face, LLC under exclusive license to XL Recordings Ltd 2018 Third Man Records under exclusive license to XL Recordings Ltd

9
Respect Commander
00:04:33

Neal Evans, AssociatedPerformer - Bob Ludwig, Engineer - Jack White, Producer, MainArtist, AssociatedPerformer, ComposerLyricist, MixingEngineer - Vance Powell, Engineer - Bill Skibbe, Engineer, MixingEngineer - Bobby Allende, AssociatedPerformer - Carla Azar, AssociatedPerformer - Joshua Vance Smith, MixingEngineer - Justin Poree, AssociatedPerformer - Chandler Harrod, Engineer - Quincy McCrary, AssociatedPerformer - Louis Cato, AssociatedPerformer - Third String Tunes (BMI), Administered by Songs of Universal, Inc. (BMI), MusicPublisher - Anthony Brewster, AssociatedPerformer - Charlotte Kemp, AssociatedPerformer - Neon Phoenix, AssociatedPerformer

2018 Third Face, LLC under exclusive license to XL Recordings Ltd 2018 Third Man Records under exclusive license to XL Recordings Ltd

10
Ezmerelda Steals the Show
00:01:42

Bob Ludwig, Engineer - Jack White, Producer, Engineer, MainArtist, AssociatedPerformer, ComposerLyricist - Third String Tunes (BMI), Administered by Songs of Universal, Inc. (BMI), MusicPublisher

2018 Third Face, LLC under exclusive license to XL Recordings Ltd 2018 Third Man Records under exclusive license to XL Recordings Ltd

11
Get in the Mind Shaft
00:04:13

Bob Ludwig, Engineer - Jack White, Producer, Engineer, MainArtist, AssociatedPerformer, ComposerLyricist - Bill Skibbe, Engineer - Carla Azar, AssociatedPerformer - Regina McCrary, AssociatedPerformer - Joshua Vance Smith, Engineer - Justin Poree, AssociatedPerformer - Ann McCrary, AssociatedPerformer - Chandler Harrod, Engineer - Quincy McCrary, AssociatedPerformer - Third String Tunes (BMI), Administered by Songs of Universal, Inc. (BMI), MusicPublisher - Esther Rose, AssociatedPerformer - Anthony Brewster, AssociatedPerformer - Neon Phoenix, AssociatedPerformer

2018 Third Face, LLC under exclusive license to XL Recordings Ltd 2018 Third Man Records under exclusive license to XL Recordings Ltd

12
What's Done is Done
00:02:54

Bob Ludwig, Engineer - Jack White, Producer, MainArtist, AssociatedPerformer, ComposerLyricist - Bill Skibbe, Engineer - Carla Azar, AssociatedPerformer - Joshua Vance Smith, Engineer - Justin Poree, AssociatedPerformer - Chandler Harrod, Engineer - Quincy McCrary, AssociatedPerformer - Third String Tunes (BMI), Administered by Songs of Universal, Inc. (BMI), MusicPublisher - Esther Rose, AssociatedPerformer - Anthony Brewster, AssociatedPerformer - Neon Phoenix, AssociatedPerformer

2018 Third Face, LLC under exclusive license to XL Recordings Ltd 2018 Third Man Records under exclusive license to XL Recordings Ltd

13
Humoresque
00:03:10

Neal Evans, Arranger, AssociatedPerformer - Bob Ludwig, Engineer - Antonín Dvorák, Composer - Jack White, Producer, Arranger, MainArtist, AssociatedPerformer - Bill Skibbe, Engineer - Howard Johnson, Lyricist - Joshua Vance Smith, Engineer - Ben Schmitz, Engineer - EMI ROBBINS CATALOG INC. (ASCAP), MusicPublisher - Louis Cato, Arranger, AssociatedPerformer - Grant Valentine, Engineer

2018 Third Face, LLC under exclusive license to XL Recordings Ltd 2018 Third Man Records under exclusive license to XL Recordings Ltd

Approfondimenti

Se l’avessimo detto dieci anni fa, Jack White avrebbe riso. O avrebbe arrossito. Il ragazzo solitario del blues, confinato nell’analogico, scappa per la prima volta fuori da suo campo d’azione abituale. Dopo tutte le collaborazioni degli ultimi anni, questo passaggio alla carriera solista sorprende. È sempre attorno al riff blues che Jack White, all’età di 42 anni, articola il suo primo cruciverba. Questo linguaggio misterioso, all’alba del 2018, sa comunque farsi capire alla perfezione. Schizzi di rock (Respect Commander), jam session turbolente (Ice Station Zebra), congas e percussioni per ritmi afro-cubani spennellati su inserti digitali (Over and Over and Over, Everything’s You’ve ever Learned), momenti gospel su fughe d’organo con le McCrary Sisters di Nashville (Connected by Love), country posato al pianoforte (What’s done is done), intermezzo da camera con CW Stoneking (Abulia e Akrusia), vocoder per miniature funk (Get In The Mind Shaft), parole di Al Capone scritte ad Alcatraz sulla scia dell’Humoresque di Dvořák in stile jazz, qui va bene tutto.


 Per questo salto nel buio, l’antico Stripes se l’è presa comoda, fregandosene. Ma anche assumendone tutti i rischi. Prima rinchiudendosi per mesi in studio a Nashville, fuori dalle mura familiari della Third Man Records, scrivendo brani senza il suo strumento, ritrovandosi tra sintetizzatori e nastri sui quali ha registrato. Poi è scappato a New York e a Los Angeles con Carla Azar degli Autolux, Louis Cato, Justin Poree e Bobby Allende, tutti musicisti che di recente hanno collaborato con Kendrick Lamar, tutti crème dell’hip-hop. Artisti con cui non aveva lavorato prima d’ora. Ha dichiarato a proposito: “Alcuni pezzi sarebbero pututi essere un lato intero del disco, un po’ come Miles Davis nel suo periodo Funkadelic. Ma poi, non appena un altro musicista dava il suo apporto, tutto prendeva un’altra forma, cambiando l’intera atmosfera musicale.” Sempre fuori dalla sua comfort zone, White, a cui piace catturare la brutalità di un suono vivace, sporco e ancora palpitante, nato nel sudore, ha scelto di rieditare quelle registrazioni fredde a Los Angeles. Infine, le tredici tracce di Boarding House Reach rappresentano piuttosto bene l’album più frenetico, eccentrico e caldo di Jack White. Eccellente. © Charlotte Saintoin/Qobuz

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