Categorie:
Carrello 0

Il tuo carrello è vuoto

Sonny Landreth - Blacktop Run

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Blacktop Run

Sonny Landreth

Disponibile in
logo Hi-Res
24-Bit 96.0 kHz - Stereo

Streaming illimitato

Ascolta subito questo album in alta qualità sulle nostre app

Inizia il mio periodo di prova e riproduci l'album

Goditi questo album sulle app Qobuz con il tuo abbonamento

Resgistrati

Goditi questo album sulle app Qobuz con il tuo abbonamento

Download digitale

Seleziona la qualità audio

Per avere diritto a questo prezzo, abbonati a Sublime+

Lingua disponibile: inglese

Louisiana guitar slinger Sonny Landreth returns to the studio with his quartet two years after 2017's Grammy-nominated Recorded Live in Lafayette. Blacktop Run is more than just a new studio outing, however. Landreth reunites with producer R.S. Field for the first time since 2005's Grant Street. Field produced Landreth's three breakout sets for Zoo as well as several later albums. He is a studio empath and extends artists full faith and credit. Landreth possesses a distinct sound to be sure, direct, resonant, and simple, but he's restless when it comes to experimenting with styles. He juxtaposes, combines, and balances them with alarming regularity and reckless abandon. But he always anchors them into easily relatable grooves. He and the band recorded live to tape at Dockside Studios. Landreth's band includes keyboardist Steve Conn, drummer Brian Brignac, and bassist David Ranson. The guitarist wrote eight of these ten tunes; Conn penned the other two, which include the stellar instrumental "Beyond Borders," a jam that melds hard Southern swamp rock, electric slide blues, and Latin cumbia. The opening title track begins with fingerpicked National Steel guitar, a droning bassline, washboard, and bumping tom-toms. Landreth's singing voice at almost 70 years of age is better than ever: he glides through the lyrics, allowing his guitar to help carry them with his deft plectrum and slide-guitar picking, often in the same line. The tune is a rambling blues, infused with the energy of a pickup rolling down the open highway. "Lover Dance with Me" is a dirty Cajun blues instrumental with funky overtones. Landreth's scorching leads crisscross jazz, R&B, and garage rock on his way to blues while Ranson's bass growls with distorted passion in the backdrop propelling him forward. "Mule" is a Cajun stomper complete with button accordion; zydeco and Delta blues melt together on a honky tonk dancefloor. "Groovy Goddess" is a spiky instrumental showcasing Landreth's electric slide-playing swing. It has a hooky chorus line inserted to break up the pyrotechnics, but only holds them in check momentarily "Somebody Gotta Make a Move" is a cautionary tale with a reggae-cum-R&B backbeat injected into swamp blues. "Don’t Ask Me" brings the acoustic National Steel back to the fore in front of a shuffling drumkit and singing accordion. While "Many Worlds" commences as a slow-ish Americana tune, Landreth's nasty electric slide delves deep into shades of Southern blue. "Something Grand" is a country song written by Landreth. Accompanied by martial snares and a shimmering, soulful Hammond B-3, Landreth's fingerpicked acoustic frames a vulnerable lyric that amounts to narrative poetry. It argues the place for love: one that heals tragedy, ruin, and broken promises. It sends Blacktop Run out on notes of tenderness and mercy born of grit. Landreth and Field bring out the best in one another. They are symbiotic in their restless energies and experimental visions, and have consistently delivered excellence together; Blacktop Run is no exception.
© Thom Jurek /TiVo

Maggiori informazioni

Blacktop Run

Sonny Landreth

launch qobuz app Ho già scaricato Qobuz per Windows/MacOS Apri

download qobuz app Non ho ancora scaricato Qobuz per Windows/MacOS Scarica l'app Qobuz

Copia il seguente link per condividerlo

Al momento stai ascoltando degli estratti.

Ascolta oltre 50 milioni di brani con un abbonamento streaming illimitato.

Ascolta questo album e oltre 50 milioni di brani con i gli abbonamenti di streaming illimitato.

1
Blacktop Run
00:03:38

Sonny Landreth, Composer, MainArtist

2020 Mascot Label Group/Provogue 2020 Mascot Label Group/Provogue

2
Lover Dance With Me
00:02:48

Sonny Landreth, Composer, MainArtist

2020 Mascot Label Group/Provogue 2020 Mascot Label Group/Provogue

3
Mule
00:02:58

Sonny Landreth, Composer, MainArtist

2020 Mascot Label Group/Provogue 2020 Mascot Label Group/Provogue

4
Groovy Goddess
00:03:47

Sonny Landreth, Composer, MainArtist

2020 Mascot Label Group/Provogue 2020 Mascot Label Group/Provogue

5
Somebody Gotta Make A Move
00:03:54

Sonny Landreth, MainArtist - Steve Conn, Composer

2020 Mascot Label Group/Provogue 2020 Mascot Label Group/Provogue

6
Beyond Borders
00:04:09

Sonny Landreth, Composer, MainArtist

2020 Mascot Label Group/Provogue 2020 Mascot Label Group/Provogue

7
Don't Ask Me
00:04:13

Sonny Landreth, MainArtist - Steve Conn, Composer

2020 Mascot Label Group/Provogue 2020 Mascot Label Group/Provogue

8
The Wilds Of Wonder
00:03:06

Sonny Landreth, Composer, MainArtist

2020 Mascot Label Group/Provogue 2020 Mascot Label Group/Provogue

9
Many Worlds
00:03:01

Sonny Landreth, Composer, MainArtist

2020 Mascot Label Group/Provogue 2020 Mascot Label Group/Provogue

10
Something Grand
00:03:57

Sonny Landreth, Composer, MainArtist

2020 Mascot Label Group/Provogue 2020 Mascot Label Group/Provogue

Descrizione dell'album

Louisiana guitar slinger Sonny Landreth returns to the studio with his quartet two years after 2017's Grammy-nominated Recorded Live in Lafayette. Blacktop Run is more than just a new studio outing, however. Landreth reunites with producer R.S. Field for the first time since 2005's Grant Street. Field produced Landreth's three breakout sets for Zoo as well as several later albums. He is a studio empath and extends artists full faith and credit. Landreth possesses a distinct sound to be sure, direct, resonant, and simple, but he's restless when it comes to experimenting with styles. He juxtaposes, combines, and balances them with alarming regularity and reckless abandon. But he always anchors them into easily relatable grooves. He and the band recorded live to tape at Dockside Studios. Landreth's band includes keyboardist Steve Conn, drummer Brian Brignac, and bassist David Ranson. The guitarist wrote eight of these ten tunes; Conn penned the other two, which include the stellar instrumental "Beyond Borders," a jam that melds hard Southern swamp rock, electric slide blues, and Latin cumbia. The opening title track begins with fingerpicked National Steel guitar, a droning bassline, washboard, and bumping tom-toms. Landreth's singing voice at almost 70 years of age is better than ever: he glides through the lyrics, allowing his guitar to help carry them with his deft plectrum and slide-guitar picking, often in the same line. The tune is a rambling blues, infused with the energy of a pickup rolling down the open highway. "Lover Dance with Me" is a dirty Cajun blues instrumental with funky overtones. Landreth's scorching leads crisscross jazz, R&B, and garage rock on his way to blues while Ranson's bass growls with distorted passion in the backdrop propelling him forward. "Mule" is a Cajun stomper complete with button accordion; zydeco and Delta blues melt together on a honky tonk dancefloor. "Groovy Goddess" is a spiky instrumental showcasing Landreth's electric slide-playing swing. It has a hooky chorus line inserted to break up the pyrotechnics, but only holds them in check momentarily "Somebody Gotta Make a Move" is a cautionary tale with a reggae-cum-R&B backbeat injected into swamp blues. "Don’t Ask Me" brings the acoustic National Steel back to the fore in front of a shuffling drumkit and singing accordion. While "Many Worlds" commences as a slow-ish Americana tune, Landreth's nasty electric slide delves deep into shades of Southern blue. "Something Grand" is a country song written by Landreth. Accompanied by martial snares and a shimmering, soulful Hammond B-3, Landreth's fingerpicked acoustic frames a vulnerable lyric that amounts to narrative poetry. It argues the place for love: one that heals tragedy, ruin, and broken promises. It sends Blacktop Run out on notes of tenderness and mercy born of grit. Landreth and Field bring out the best in one another. They are symbiotic in their restless energies and experimental visions, and have consistently delivered excellence together; Blacktop Run is no exception.
© Thom Jurek /TiVo

A proposito dell'album

Migliora questa pagina

Qobuz logo Perché acquistare su Qobuz

ORA IN OFFERTA...
Altro su Qobuz
Di Sonny Landreth
Grant Street Sonny Landreth
Don't Ask Me Sonny Landreth
The Road We're On Sonny Landreth
The Wilds Of Wonder Sonny Landreth
Ti potrebbe piacere anche...
War In My Mind Beth Hart
Oklahoma Keb' Mo'
Blood Siren Sarah McCoy
Walking To New Orleans George Benson
Nelle Panoramiche...
J.J. Cale: l’eremita del blues

A più di cinque anni dalla sua scomparsa, non si può dimenticare quella fonte vitale di musica che è stato il lavoro di J.J. Cale. Con la sua fusione unica di blues, folk, country e jazz, quest'uomo venerato da Eric Clapton, che visse per un po' anche in un trailer-park, continua ad essere uno degli asceti più influenti del rock.

Johnny Cash dietro le sbarre

Due leggendari album dal vivo pubblicati alla fine degli anni Sessanta hanno dato un enorme spinta alla carriera di Johnny Cash trasformandolo in una star internazionale. Si tratta di due dischi diversi da tutti gli altri: sono stati registrati in prigione. Ma cosa ha portato il Man in Black a ritrovarsi in una sala da concerto così insolita?

British blues boom, cronaca di una rivoluzione

Se Joe Bonamassa ritornò con British Blues Explosion, un anno dopo Blue And Lonesome dei Rolling Stones, fu perché il boom del blues inglese si rivelò essere qualcosa di più di una semplice moda... Più che una semplice tendenza musicale, l'interesse di una giovane generazione per le grandi icone del blues americano, ignorate nella loro terra, generò un'autentica rivoluzione guidata da tre principali agitatori: Eric Clapton, Jeff Beck e Jimmy Page, considerati oltre la Manica, niente meno che la Santissima Trinità della storia del rock o della chitarra. Sebbene non fossero gli unici musicisti coinvolti, fu attraverso le loro rispettive carriere che si scoprì che il blues, lungi dall'essere una musica che aveva passato la sua data di scadenza, era come un salto verso altre dimensioni musicali che avrebbe permesso molteplici innovazioni.

Nel magazine...