Categorie:
Carrello 0

Il tuo carrello è vuoto

Jakub Józef Orliński - Anima Sacra

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Anima Sacra

Jakub Józef Orliński

Libretto digitale

Disponibile in
16-Bit CD Quality 44.1 kHz - Stereo

Streaming illimitato

Ascolta subito questo album in alta qualità sulle nostre app

Inizia il mio periodo di prova e riproduci l'album

Goditi questo album sulle app Qobuz con il tuo abbonamento

Resgistrati

Goditi questo album sulle app Qobuz con il tuo abbonamento

Download digitale

Acquista e scarica questo album in più formati, secondo le tue esigenze.

Lingua disponibile: inglese

The countertentor Jakub Józef Orliński emerged as a vocal phenomenon in 2017 and 2018. There were several reasons for this: he comes from Poland, which has no tradition of countertenor singing; he has charisma to burn (he is a competition-level breakdancer in his spare time); and, above all, he has a creamy tone that diverges from the muscular castrato evocations that have become the norm. With his debut solo release, Anima Sacra, he adds yet more reasons to like him. Instead of playing it safe with the usual Handel arias, he has chosen, with the help of researcher Yannis François, sacred music by a group of composers who will be mostly unfamiliar even to hardcore Baroque hounds. The album would be worth your time for these alone, even if they were sung in a pedestrian way, for they include material to which other singers will want to return as soon as possible. Those by the Taranto-born Neapolitan Nicola Fago are especially nice, and you may want to sample "Inititum sapentiae timor Comini, from the motet Confitebor tibi, Domine, to get an idea of the music and also of Orliński's way of making a single note seem exciting (try the initial vocal entrance). The sacred material also fits Orliński marvelously well. In the more operatic pieces he's clean and effective, but where he really shines is in long melodic lines in the midrange that allow the listener to luxuriate in sheer vocal beauty. There's a bit of trying to cover all the bases here: Orliński has himself pictured shirtless in a kind of shower curtain effect, but also goes for a scholarly image with the unusual material. And in some of the longer pieces the line is lost. But this will all clear up with time, and the presence of the superb historical-instrument group Il Pomo d'Oro under Maxim Emelyanychev gives you an idea of the excitement that is rightly surrounding this young countertenor.
© TiVo

Maggiori informazioni

Anima Sacra

Jakub Józef Orliński

launch qobuz app Ho già scaricato Qobuz per Windows/MacOS Apri

download qobuz app Non ho ancora scaricato Qobuz per Windows/MacOS Scarica l'app Qobuz

Copia il seguente link per condividerlo

Al momento stai ascoltando degli estratti.

Ascolta oltre 60 milioni di brani con un abbonamento streaming illimitato.

Ascolta questo album e oltre 60 milioni di brani con i gli abbonamenti di streaming illimitato.

1
Il Faraone sommerso: "Alla gente a Dio diletta"
00:04:45

Il Pomo d'Oro, Orchestra - Nicola Fago, Composer - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

2
Confitebor tibi Domine: I. "Confitebor tibi Domine"
00:03:11

Il Pomo d'Oro, Orchestra - Nicola Fago, Composer - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

3
Confitebor tibi Domine: II. "Memoriam fecit - Escam dedit"
00:04:45

Il Pomo d'Oro, Orchestra - Nicola Fago, Composer - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

4
Confitebor tibi Domine: III. "Fidelia omnia mandata ejus"
00:02:46

Il Pomo d'Oro, Orchestra - Nicola Fago, Composer - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

5
Confitebor tibi Domine: IV. "Sanctum et terribile"
00:02:10

Il Pomo d'Oro, Orchestra - Nicola Fago, Composer - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

6
Confitebor tibi Domine: V. "Initium sapentiae timor Domini"
00:01:18

Il Pomo d'Oro, Orchestra - Nicola Fago, Composer - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

7
Confitebor tibi Domine: VI. "Intellectus bonus omnibus - Gloria"
00:01:33

Il Pomo d'Oro, Orchestra - Nicola Fago, Composer - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

8
Confitebor tibi Domine: VII. "Sicut erat in principio - Amen"
00:02:09

Il Pomo d'Oro, Orchestra - Nicola Fago, Composer - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

9
Alma Redemptoris Mater, S. 22: I. "Alma Redemptoris Mater"
00:02:56

Johann David Heinichen, Composer - Il Pomo d'Oro, Orchestra - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

10
Alma Redemptoris Mater, S. 22: II. "Tu quae genuisti"
00:01:05

Johann David Heinichen, Composer - Il Pomo d'Oro, Orchestra - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

11
Alma Redemptoris Mater, S. 22: III. "Gabrielis ab ore"
00:02:14

Johann David Heinichen, Composer - Il Pomo d'Oro, Orchestra - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

12
Dixit Dominus: "Donec ponam"
00:03:19

Il Pomo d'Oro, Orchestra - Domènec Terradellas, Composer - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

13
Tam non splendet sol creatus: I. "Tam non splendet sol creatus"
00:03:37

Il Pomo d'Oro, Orchestra - Nicola Fago, Composer - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

14
Tam non splendet sol creatus: II. "O nox clara?"
00:00:59

Il Pomo d'Oro, Orchestra - Nicola Fago, Composer - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

15
Tam non splendet sol creatus: III. "Dum infans iam dormit"
00:05:39

Il Pomo d'Oro, Orchestra - Nicola Fago, Composer - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

16
Tam non splendet sol creatus: IV. "Alleluia"
00:01:52

Il Pomo d'Oro, Orchestra - Nicola Fago, Composer - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

17
Messa a 5 voci: "Laudamus te"
00:03:28

Il Pomo d'Oro, Orchestra - Domenico Sarro, Composer - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

18
Dies irae: "Juste Judex ultionis"
00:01:41

Il Pomo d'Oro, Orchestra - Francesco Feo, Composer - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

19
Gesù al Calvario, ZWV 62: "Smanie di dolci affetti ... "
00:00:43

Jan Dismas Zelenka, Composer - Il Pomo d'Oro, Orchestra - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

20
Gesù al Calvario, ZWV 62: "S'una sol lagrima"
00:11:05

Jan Dismas Zelenka, Composer - Il Pomo d'Oro, Orchestra - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

21
Sanctus Petrus et Sancta Maria Magdalena: "Mea tormenta, properate!"
00:06:48

Johann Adolf Hasse, Composer - Il Pomo d'Oro, Orchestra - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

22
Maria Vergine al Calvario: "L'agnelletta timidetta"
00:05:30

Il Pomo d'Oro, Orchestra - Gaetano Maria Schiassi, Composer - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

23
Messa a 5 voci: "Domine Fili unigenite"
00:01:53

Francesco Durante, Composer - Il Pomo d'Oro, Orchestra - Maxim Emelyanychev, Conductor - Jakub Józef Orliński, Counter-Tenor Vocals, MainArtist

2018 Parlophone Records Limited, a Warner Music Group Company 2018 Parlophone Records Limited, a Warner Music Group Company

Descrizione dell'album

The countertentor Jakub Józef Orliński emerged as a vocal phenomenon in 2017 and 2018. There were several reasons for this: he comes from Poland, which has no tradition of countertenor singing; he has charisma to burn (he is a competition-level breakdancer in his spare time); and, above all, he has a creamy tone that diverges from the muscular castrato evocations that have become the norm. With his debut solo release, Anima Sacra, he adds yet more reasons to like him. Instead of playing it safe with the usual Handel arias, he has chosen, with the help of researcher Yannis François, sacred music by a group of composers who will be mostly unfamiliar even to hardcore Baroque hounds. The album would be worth your time for these alone, even if they were sung in a pedestrian way, for they include material to which other singers will want to return as soon as possible. Those by the Taranto-born Neapolitan Nicola Fago are especially nice, and you may want to sample "Inititum sapentiae timor Comini, from the motet Confitebor tibi, Domine, to get an idea of the music and also of Orliński's way of making a single note seem exciting (try the initial vocal entrance). The sacred material also fits Orliński marvelously well. In the more operatic pieces he's clean and effective, but where he really shines is in long melodic lines in the midrange that allow the listener to luxuriate in sheer vocal beauty. There's a bit of trying to cover all the bases here: Orliński has himself pictured shirtless in a kind of shower curtain effect, but also goes for a scholarly image with the unusual material. And in some of the longer pieces the line is lost. But this will all clear up with time, and the presence of the superb historical-instrument group Il Pomo d'Oro under Maxim Emelyanychev gives you an idea of the excitement that is rightly surrounding this young countertenor.
© TiVo

A proposito dell'album

Distinzioni:

Migliora questa pagina

Qobuz logo Perché acquistare su Qobuz

ORA IN OFFERTA...
Tickets To My Downfall Machine Gun Kelly
Tickets To My Downfall Machine Gun Kelly
Tickets To My Downfall Machine Gun Kelly
Tickets To My Downfall Machine Gun Kelly
Altro su Qobuz
Di Jakub Józef Orliński
Purcell: Music for a While, Z. 583 Jakub Józef Orliński
Facce d'amore Jakub Józef Orliński
Vedrò con mio diletto (Vivaldi) Jakub Józef Orliński
Vedrò con mio diletto (Vivaldi) Jakub Józef Orliński

Playlist

Ti potrebbe piacere anche...
some kind of peace Ólafur Arnalds
Seasons: Orchestral Music of Michael Fine The Royal Scottish National Orchestra
Debussy – Rameau Víkingur Ólafsson
Nelle Panoramiche...
Fabio Biondi e Europa Galante, 30 anni di libertà

Il violinista e direttore d'orchestra italiano Fabio Biondi, famoso in particolare per la sua interpretazione delle “Quattro stagioni” di Vivaldi con la sua orchestra Europa Galante, è uno di quegli artisti che rifiutano qualsiasi forma di chiusura della musica in compartimenti stagni. Uno sguardo alla carriera di un musicista dotato di una grande versatilità di spirito, figura essenziale del violino barocco.

Neoclassica: un nuovo mondo ai confini dell’elettronica e della classica

Ólafur Arnalds, Nils Frahm, Max Richter, Poppy Ackroyd, Peter Broderick, Joana Gama… Da qualche anno tutti questi nomi alla moda sono stati raggruppati sotto la vasta ed eterogenea etichetta “neoclassica”. A dire il vero, questo “panorama” somiglia piuttosto ad una banda eterogenea di artisti indagatori, che mescolano strumenti classici e produzione elettronica – in connessione cosciente con i pionieri del minimalismo americano – che deliziano i sensi ed aprono nuove prospettive da entrambi i lati del loro spettro musicale.

John Barry, il genio è nella varietà

La musica per il cinema richiede sensibilità e destrezza speciale per poter far fronte ad ogni stile con dignità: dal suono disco per una scena da night-club ad un madrigale per un film d’epoca, il compositore cinematografico deve essere in grado di cimentarsi in ogni stile. John Barry ha dimostrato, una e più volte, d’essere stato uno dei più grandi autori di colonne sonore, capace di abbracciare tutti i generi nel cinema e nella musica.

Nel magazine...