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Thanks to the hard work carried out in cooperation with recording studios as well as an increasing number of music labels (Plus Loin Music, Bee Jazz, Ambronay Editions, Zig Zag Territoires, ECM, Mirare, Aeolus, Ondine, Winter & Winter, Laborie, etc.), Qobuz now offers a rapidly-growing selection of new releases and back catalogue records in 24-bit HD quality. These albums reproduce exactly the sound from the studio recording, and offer a more comfortable listening experience that exceeds the sound quality of a CD (typically \"reduced\" for mastering at 44.1kHz/16-bit). \"Qobuz HD\" files are DRM-free and are 100% compatible with both Mac and PC. Moving away from the MP3-focused approach that has evolved over recent years at the expense of sound quality, Qobuz provides the sound calibre expected by all music lovers, allowing them to enjoy both the convenience and quality of online music.

Note 24-bit HD albums sold by Qobuz are created by our labels directly. They are not re-encoded using SACD and we guarantee their direct source. In order to continue on this path, we prohibit any tampering with the product.

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Pop - Released June 11, 2021 | Epic

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Pop - Released May 14, 2021 | Epic - Vol. 1

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Pop - Released May 11, 2021 | Epic

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Pop - Released April 9, 2021 | Epic

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Pop - Released April 2, 2021 | Epic - Vol. 1

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Rock - Released November 11, 2020 | EOMG

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Pop - Released September 11, 2020 | Columbia

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After decades crafting some of England's biggest post-Y2K releases, Grammy-winning musician Paul Epworth made his official solo debut in 2020 with the lush interstellar journey Voyager. Unlike his work with pop and alternative acts like Adele, Florence + the Machine, Coldplay, and Bloc Party, the electronic-based LP finds Epworth drifting through space with an inspired crew of guests from the worlds of hip-hop and R&B. This cross-genre hybrid finds inspiration in '70s soul and funk, as well as in the synth-scapes of Jean-Michel Jarre and Wendy Carlos, which results in a wondrous dose of future nostalgia that sounds like Gorillaz tackling Daft Punk's Random Access Memories or Pharrell Williams given free rein on Calvin Harris' Funk Wav Bounces. Imaginative and atmospheric, Voyager is best experienced in a single go, a headphone-friendly trip that expands the mind and gets the head nodding. Outside of the jazzy exploration of the instrumental title track, the album mostly relies on its guest stars, who shine with this fresh electronic material that falls outside of their usual wheelhouses. Vince Staples delivers a typically engaging verse on the uplifting opener "Mars & Venus," while Ty Dolla $ign lends a subtle and haunting touch to the hypnotic "Cosmos," which sounds like a Frank Ocean/Travis Scott collaboration in the best way imaginable. Lyrical emcee Kool Keith twists and turns through the intergalactic "Distant Planets," a gospel-backed cut that rides a steady beat along a distorted synth line that could be Epworth's interpretation of Martian G-funk. Meanwhile, vocalists Bibi Bourelly and Lianne La Havas elevate their respective cuts, balancing the wealth of bars with sung vocals. While these well-known names give Voyager immediate street cred, the album MVPs are actually rising rapper Ishmael and singer Elle Yaya, who both make multiple contributions across the effort and steal the show on "Mars & Venus" and "Binaural Trip." Elsewhere, Epworth allows them to fully take the spotlight on the robust "Hyperspace," the boom-bap funk of "Space Inc.," and the trippy "Where Do We Come From?" While it might seem like there's a little too much going on here, the top-notch production, artistic collaboration, and devotion to the space-age vibe results in a satisfying and unexpected gem. © Neil Z. Yeung /TiVo
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Pop - Released June 19, 2020 | Verve Forecast

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Rock - Released May 15, 2020 | Republic Records

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Rock - Released May 15, 2020 | Republic Records

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Rock - Released December 13, 2019 | Republic Records

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Rock - Released December 13, 2019 | Republic Records

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Rock - Released November 30, 2018 | Reprise

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Neil Young’s archives are a bottomless treasure chest. The Loner has unearthed some hidden gems from 1976, the year when he was on tour both with his group, Crazy Horse, and as a solo acoustic artist, not forgetting his shows with Stephen Stills with whom he released the album Long May You Run in September. Songs for Judy focuses on his solo acoustic performances and comprises of around twenty tracks that he recorded in Boston, Atlanta, Fort Worth, Houston, Madison, Chicago and New York throughout November. They are mostly his classic hits (Heart of Gold, After the Gold Rush, The Needle and the Damage Done) but there are also some less well-known ones (No One Seems to Know). This was Neil Young when he was surfing an incredible wave of creativity, in just two years he composed three masterpieces: On the Beach, Tonight’s the Night and Zuma. The content of his compositions is truly impressive, and despite only being equipped with a guitar, piano, organ and harmonica, the recordings are flawless and deserving of being played on a loop. Even if these kinds of unpublished recordings are recommended first and foremost for Neil Young fans, for those who aren’t as familiar with his music this is a great place to begin. © Marc Zisman/Qobuz
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Pop - Released November 9, 2018 | EPK Records 2018

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Rock - Released September 4, 2017 | No Talent All Feeling - Stars Divine

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Pop - Released October 14, 1983 | Portrait

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One of the great new wave/early MTV records, She's So Unusual is a giddy mix of self-confidence, effervescent popcraft, unabashed sentimentality, subversiveness, and clever humor. In short, it's a multifaceted portrait of a multifaceted talent, an artist that's far more clever than her thin, deliberately girly voice would indicate. Then again, Lauper's voice suits her musical persona, since its chirpiness adds depth, or reconfigures the songs, whether it's the call to arms of "Girls Just Want to Have Fun" or the tearjerking "Time After Time." Lauper is at her very best on the first side, all of which were singles or received airplay, and this collection of songs -- "Money Changes Everything," "Girls," "When You Were Mine," "Time," "She Bop," "All Through the Night" -- is astonishing in its consistency, so strong that it makes the remaining tracks -- all enjoyable, but rather pedestrian -- charming by their association with songs so brilliantly alive. If Lauper couldn't maintain this level of consistency, it's because this captured her persona better than anyone could imagine -- when a debut captures a personality so well, let alone a personality so tied to its time, the successive work can't help but pale in comparison. Still, when it's captured as brightly and brilliantly as it is here, it does result in a debut that retains its potency, long after its production seems a little dated. © Stephen Thomas Erlewine /TiVo
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Rock - Released June 6, 1975 | Abkco Music & Records, Inc.

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Rock - Released December 1, 1972 | Abkco Music & Records, Inc.

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Rock - Released January 11, 1972 | Abkco Music & Records, Inc.

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Rock - Released September 23, 1970 | Columbia - Legacy

Hi-Res Distinctions The Qobuz Ideal Discography