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Pop - Released January 6, 2009 | Sire

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Pop - Released October 30, 2007 | Sire

Based on the vampy, electro-pop title track and its accompanying video -- which features the Origliasso twins dressed in school uniforms (a teen pop tradition dating back at least to Britney Spears' debut almost a decade earlier), clutching each other in the corridors of a drab, Orwellian academy -- it would seem that the Veronicas decided to take a page from the t.A.T.u. playbook for their follow-up to The Secret Life of the Veronicas. That would be only fitting, considering that the sisters helped compose one of t.A.T.u.'s biggest hits, "All About Us," and it's somewhat accurate insofar as Hook Me Up is a far more electronic, dance-based record than their sterling pop/rock debut. There's also the shoutily awkward "I wanna kiss a girl/I wanna kiss a boy" bridge of "Take Me on the Floor," and a decidedly histrionic tone to most of the material (the album's working title was "Overdramatic," which would been entirely appropriate), although that's not exactly a new development for them. But whereas t.A.T.u. are an unabashedly manufactured outfit whose appeal is essentially intertwined with their (or their handlers') knack for image and media manipulation, the Veronicas -- who seem to be in control of their own career to an impressive extent for a pair of 22-year-old girls -- are the rare teen pop act for whom visual presentation is almost entirely incidental. (Note, for instance, that they haven't appeared on either of their album covers -- which is practically unheard of in teen pop -- and they're 22-year-old identical twin sisters.) Their first album revealed Lisa and Jess Origliasso to be exceptionally competent songwriters and striking, if not necessarily nuanced, singers, and despite its generic punk-pop trappings it was one of the most assured teen pop debuts in recent memory, boasting several slices of peerless popcraft including one of the most exciting singles of the 2006, hands down, in "4ever." Simply put, Hook Me Up is an improvement upon its predecessor in almost every regard, consolidating its strengths while making bold and exploratory forward leaps that verge on a wholesale stylistic reinvention. It may not contain one individual moment that quite matches the unrestrained glory of "4ever" (which was after all written by teen pop's undisputed patriarch/genius Max Martin, who is absent from these proceedings though hardly missed), but that song's vocal pyrotechnics and sense of urgency are discernible throughout the album, helping to make it a tighter, leaner listen than the debut despite an equivalent running time. "Untouched" bursts out of the gate with majestic, menacing string stabs and a driving synth-rock pulse beneath its stuttered verses and breathlessly obsessive refrain. "This Is How It Feels" is even more breakneck and impassioned, fueled by anger rather than lust, while "I Can't Stay Away" and "Someone Wake Me Up" echo the anguished Europop melodrama of Secret Life's "Leave Me Alone" and t.A.T.u.'s "All About Us" (not a coincidence: Billy Steinberg had a hand in all four songs.) And the delicious rock-disco "Revenge Is Sweeter (Than You Ever Were)" practically says it all in its title alone. The girls also lighten up occasionally: "Popular" is a brash, half-rapped send-up of celebrity privilege (take away line: "my name is my credit card") that exposes the twins' Aussie accents to excellent effect, and "This Love" (one of only two songs not credited to the Origliassos) is an utterly charming dance-rock confection that, in its last minute, abruptly unleashes a euphoric synthesizer countermelody whose nod to a-ha's "Take on Me" is unmissable. Yes, the album may be tricked out with robotic synths and programmed beats as per the dictates of the teen pop moment (almost every major artist of the genre made a danceward shift in 2007 -- Hilary Duff, Aly & AJ, Britney Spears, Ashley Tisdale, Skye Sweetnam -- with Kelly Clarkson one of the lone holdouts in the rock-confessional camp), or more broadly bowing to the '80s fetish that has dominated entire the 2000s -- but at their core these are expertly crafted pop/rock tunes that anyone who enjoyed Secret Life should have no trouble embracing. In fact, this album's glistening electronic trappings -- besides being enjoyable in their own right -- only serve to enhance the integrity of the Veronicas' aesthetic by elucidating the grand driving tension at the heart of confessional teen pop: the juxtaposition of adolescent angst with pop's transcendent sweetness. (And for the curmudgeons, they've included a couple tracks at the end which hew more closely to the grungy rock of their debut -- most notably "In Another Life," a sudsy tearjerker of a power ballad that closes the album with its most melodramatic moment, which for this album is no small feat.) Hook Me Up is a strong confirmation of the Veronicas' considerable talents, and easily one of the finest teen pop releases of the year. © K. Ross Hoffman /TiVo
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Pop - Released November 21, 2014 | Sony Music Entertainment

Seven years separated the third Veronicas album from the second -- a substantial break characterized by feuds with their record company that ultimately led to much of their planned third album being scrapped. Undaunted, the duo finally switched allegiances from Warner to Sony and proceeded to polish up The Veronicas, recorded in 2010 with a variety of collaborators. As always, Toby Gad is on board for a large chunk of the album, but so is Nellee Hooper ("Cold"), Roger Alan Nichols ("Sanctified"), DNA ("You Ruin Me," "If You Love Someone"), and Daniel Johns under his Dreamlab guise with Ruffian. Most modern new millennial pop albums are made with this many cooks, with the expectation that the charisma of the artist ties it together -- and Jessica and Lisa Origliasso do indeed have the vision to make The Veronicas seem coherent. From the start, the Veronicas have been razor-sharp, spending nearly as much time with sugary pop sounds of the past as they did with cutting-edge sounds, and although the album bears the slightest traces of cycling through sounds that were hip a few years earlier, that's where the group's smarts come into play. Not only is their melodic sense finely honed, there's often wit there (enough to mitigate songs too on the nose, like "Born Bob Dylan") and the record is restless, incorporating everything from modern to retro soul, EDM glances, and pop classicism. That imagination keeps The Veronicas hopping even through its occasional slow parts and, more than anything, it also shows that pop has been poorer without the Veronicas in it. © Stephen Thomas Erlewine /TiVo
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Pop - Released July 3, 2020 | Sony Music Entertainment

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Pop - Released October 18, 2005 | Sire

The Veronicas sound like a marketer's dream: impossibly cute Australian twin sisters who sound as if Hilary Duff and Avril Lavigne formed a band. If image is everything, this duo has a look that rivals that of t.A.T.u., and it's far less sleazy, too. But good images don't necessarily make for good records, and that's the real surprise behind their debut album, The Secret Life Of...: it's a terrific little pop record. True, their bold, brightly colored pop may not be everybody's cup of tea, but for those who have found the teen pop of the mid-2000s to be a serious drag, The Secret Life Of... is an unexpected gift, a slick, tuneful set of pure sugarcoated fun. While the Veronicas don't exactly break from the post-Avril punky pop that's been the blueprint of teen pop from Ashlee Simpson to Good Charlotte, there's a greater sense of song and studio craft on their record, whether it's coming from veteran teen popster Max Martin (the man behind Britney Spears and the Backstreet Boys) or the sisters themselves. And make no mistake, for as polished as this album is, the Veronicas come across as a genuine band, not a prefabricated pop novelty. Not only do Jess and Lisa Orgliasso have a hand in writing eight of the 12 songs on The Secret Life Of..., but there's a kinetic chemistry to their performances that gives this album both a center of gravity and a broader appeal: like Kelly Clarkson, they don't seem like cookie-cutter pop tarts, they seem real. Of course, they're packaged and presented as a creation, but that's why The Secret Life Of... is such a good record: it plays by the rules of punky teen pop, and by doing so, it reveals how dull and formulaic the rest of the genre is. Here, melody runs through both the verses and choruses, the hooks dig deeper, not just on the tracks helmed by Martin, but on the Orgliasso sisters' songs, too. The Veronicas are sassy and sexy, not trashy, and they show humor and heartbreak here, which helps elevate their debut to the top ranks of 2000s teen pop. © Stephen Thomas Erlewine /TiVo
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Pop - Released September 11, 2009 | Sire

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Pop - Released September 19, 2014 | Sony Music Entertainment

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Pop - Released June 2, 2017 | Sony Music Entertainment

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Pop - Released June 10, 2016 | Sony Music Entertainment

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Pop - Released October 14, 2016 | Sony Music Entertainment

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Pop - Released October 30, 2007 | Sire

Based on the vampy, electro-pop title track and its accompanying video -- which features the Origliasso twins dressed in school uniforms (a teen pop tradition dating back at least to Britney Spears' debut almost a decade earlier), clutching each other in the corridors of a drab, Orwellian academy -- it would seem that the Veronicas decided to take a page from the t.A.T.u. playbook for their follow-up to The Secret Life of the Veronicas. That would be only fitting, considering that the sisters helped compose one of t.A.T.u.'s biggest hits, "All About Us," and it's somewhat accurate insofar as Hook Me Up is a far more electronic, dance-based record than their sterling pop/rock debut. There's also the shoutily awkward "I wanna kiss a girl/I wanna kiss a boy" bridge of "Take Me on the Floor," and a decidedly histrionic tone to most of the material (the album's working title was "Overdramatic," which would been entirely appropriate), although that's not exactly a new development for them. But whereas t.A.T.u. are an unabashedly manufactured outfit whose appeal is essentially intertwined with their (or their handlers') knack for image and media manipulation, the Veronicas -- who seem to be in control of their own career to an impressive extent for a pair of 22-year-old girls -- are the rare teen pop act for whom visual presentation is almost entirely incidental. (Note, for instance, that they haven't appeared on either of their album covers -- which is practically unheard of in teen pop -- and they're 22-year-old identical twin sisters.) Their first album revealed Lisa and Jess Origliasso to be exceptionally competent songwriters and striking, if not necessarily nuanced, singers, and despite its generic punk-pop trappings it was one of the most assured teen pop debuts in recent memory, boasting several slices of peerless popcraft including one of the most exciting singles of the 2006, hands down, in "4ever." Simply put, Hook Me Up is an improvement upon its predecessor in almost every regard, consolidating its strengths while making bold and exploratory forward leaps that verge on a wholesale stylistic reinvention. It may not contain one individual moment that quite matches the unrestrained glory of "4ever" (which was after all written by teen pop's undisputed patriarch/genius Max Martin, who is absent from these proceedings though hardly missed), but that song's vocal pyrotechnics and sense of urgency are discernible throughout the album, helping to make it a tighter, leaner listen than the debut despite an equivalent running time. "Untouched" bursts out of the gate with majestic, menacing string stabs and a driving synth-rock pulse beneath its stuttered verses and breathlessly obsessive refrain. "This Is How It Feels" is even more breakneck and impassioned, fueled by anger rather than lust, while "I Can't Stay Away" and "Someone Wake Me Up" echo the anguished Europop melodrama of Secret Life's "Leave Me Alone" and t.A.T.u.'s "All About Us" (not a coincidence: Billy Steinberg had a hand in all four songs.) And the delicious rock-disco "Revenge Is Sweeter (Than You Ever Were)" practically says it all in its title alone. The girls also lighten up occasionally: "Popular" is a brash, half-rapped send-up of celebrity privilege (take away line: "my name is my credit card") that exposes the twins' Aussie accents to excellent effect, and "This Love" (one of only two songs not credited to the Origliassos) is an utterly charming dance-rock confection that, in its last minute, abruptly unleashes a euphoric synthesizer countermelody whose nod to a-ha's "Take on Me" is unmissable. Yes, the album may be tricked out with robotic synths and programmed beats as per the dictates of the teen pop moment (almost every major artist of the genre made a danceward shift in 2007 -- Hilary Duff, Aly & AJ, Britney Spears, Ashley Tisdale, Skye Sweetnam -- with Kelly Clarkson one of the lone holdouts in the rock-confessional camp), or more broadly bowing to the '80s fetish that has dominated entire the 2000s -- but at their core these are expertly crafted pop/rock tunes that anyone who enjoyed Secret Life should have no trouble embracing. In fact, this album's glistening electronic trappings -- besides being enjoyable in their own right -- only serve to enhance the integrity of the Veronicas' aesthetic by elucidating the grand driving tension at the heart of confessional teen pop: the juxtaposition of adolescent angst with pop's transcendent sweetness. (And for the curmudgeons, they've included a couple tracks at the end which hew more closely to the grungy rock of their debut -- most notably "In Another Life," a sudsy tearjerker of a power ballad that closes the album with its most melodramatic moment, which for this album is no small feat.) Hook Me Up is a strong confirmation of the Veronicas' considerable talents, and easily one of the finest teen pop releases of the year. © K. Ross Hoffman /TiVo
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Pop - Released March 29, 2019 | Sony Music Entertainment

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Pop - Released November 10, 2019 | Sony Music Entertainment

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Pop - Released December 25, 2016 | Sony Music Entertainment

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Pop - Released June 14, 2019 | Sony Music Entertainment

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Pop - Released February 20, 2015 | Sony Music Entertainment

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Pop - Released September 22, 2007 | Sire

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Pop - Released December 8, 2007 | Sire

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Pop - Released March 31, 2008 | Sire

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Dance - Released October 14, 2008 | Sire