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Rock - Released December 8, 2020 | Maestro Entertainment, Corp

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Pop - Released October 26, 2020 | A&r Music

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Rock - Released October 21, 2020 | Spencer Davis - GAMC

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Pop - Released June 12, 2019 | Rarity Music

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Pop - Released June 10, 2019 | Rarity Music

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Pop - Released June 10, 2019 | Rarity Music

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Rock - Released May 24, 2019 | Prime Entertainment

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Pop - Released May 15, 2019 | G Records

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Rock - Released May 11, 2018 | Sunset Blvd. Records

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Pop - Released December 15, 2016 | Westmill

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Pop - Released October 3, 2016 | Rarity Music

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Pop - Released September 29, 2016 | Rarity Music

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Pop - Released September 19, 2016 | Rarity Music

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Rock - Released August 19, 2016 | RPM Records

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Pop - Released November 17, 2015 | UMC (Universal Music Catalogue)

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Pop - Released November 17, 2015 | UMC (Universal Music Catalogue)

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Pop - Released November 17, 2015 | UMC (Universal Music Catalogue)

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Pop - Released November 17, 2015 | UMC (Universal Music Catalogue)

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Pop - Released November 2, 2015 | UMC (Universal Music Catalogue)

The group's first album is basically a reflection of their early repertoire and very heavy on the R&B/soul standards. Dominated by covers of Ike & Tina Turner, the Coasters, John Lee Hooker, Little Walter, Brenda Holloway, and others, only three of the tunes are original. Two of these are written by Stevie Winwood, the other by Spencer Davis; Winwood's mid-tempo soul number "It Hurts Me So" is easily the best of them. Winwood is in fine voice and the group is energetic, but this is neither as good as their best work nor nearly as good as the best British R&B albums of the era by competitors like Them and the Rolling Stones. Includes their first two British singles, "Dimples" and "I Can't Stand It." © Richie Unterberger /TiVo
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Pop - Released November 2, 2015 | UMC (Universal Music Catalogue)

At the peak of their popularity, the Spencer Davis Group's albums were considerably less impressive than their hits and a bit thin on imagination, although they were never less than competent. This, their third LP, relies heavily on soul covers, as well as a few oft-covered blues standards ("Midnight Special," "Mean Woman Blues," "Dust My Blues"). Highlights are their second British number one hit "Somebody Help Me," the decent group original "High Time Baby," Winwood's organ-based instrumental "On the Green Light," and "When I Get Home," which (like "Somebody Help Me") was a hit in Britain, but not the U.S. © Richie Unterberger /TiVo