With his distinctive blend of pop, chanson, and electronic music, Sébastien Tellier draws from France's legendary film composers and the French touch scene that arose in the late 1990s. The singer/songwriter, composer, producer, and multi-instrumentalist's flair for haunting melodies surfaced on 2001's L'Incroyable Vérité, and he soon followed in his heroes' footsteps by embarking on a career as composer with 2004's Narco score. From there, Tellier playfully explored big concepts on albums such as 2004's Politics and 2008's Sexuality, which spawned the single and Eurovision entry "Divine." In the 2010s, he continued to expand his horizons with the Brazilian influences of 2014's L'Aventura, and established himself as a producer by collaborating with Caroline Polachek and Dita Von Teese. With 2020's Domesticated, Tellier applied his sophisticated, witty touch to everyday life. Though he remained largely a cult favorite outside of France, Tellier reached a wider audience with songs such as 2004's "La Ritournelle," which appeared in several films and TV shows and was sampled by the Weeknd for the title track of his 2013 album Kiss Land. The son of a musician, Tellier grew up in Paris, taking guitar and piano lessons and absorbing the albums his father played him, such as Pink Floyd's Atom Heart Mother. Aside from Serge Gainsbourg and Michel Polnareff, Tellier wasn't impressed with the French pop music he heard as a boy, preferring the music of François de Roubaix, Michel Legrand, and other home-grown soundtrack composers. When he began releasing music of his own, the French touch scene -- which included Phoenix and Air -- was beginning to gain traction. After Tellier's "Fantino," a forlorn and beautiful pop confection, appeared on the Source label's 1999 Source Material various-artists compilation, it caught the attention of Air's Nicolas Godin and Jean-Benoît Dunckel, and the duo eventually signed Tellier to their own Record Makers imprint. Tellier recorded the tracks for his debut album, L'Incroyable Vérité ("The Unbelievable Truth"), between September 1999 and March 2000, playing most of the instruments and producing the sessions. After L'Incroyable Vérité was released in June 2001, Tellier toured with Air extensively. He then began his second career as a film composer with the score to Gilles Lellouche and Tristan Aurouet's 2004 comedy Narco. In January 2004, Tellier returned with his second album, Politics, which was produced by Cassius' Philippe Zdar and featured Mr. Oizo, the Bulgarian Symphony Orchestra, and Nigerian drummer Tony Allen of Fela Kuti fame. The album included the track "La Ritournelle," a song whose popularity was reflected in its numerous remixes by artists such as Metronomy. Politics reached 123 on France's Top Albums chart. The following year, Tellier re-recorded a batch of his songs acoustically with pianist Simon Dalmais and released them under the title Sessions in April 2006 (in the U.K., the collection was called Universe and included pieces from Tellier's Narco score). In 2007, Tellier reunited with Mr. Oizo on the soundtrack and score to Oizo's first feature film, Steak. For his next record, February 2008's Sexuality, Tellier signed up Daft Punk's Guy-Manuel de Homem-Christo as producer and ended up with a more polished electronic sound than heard on his previous outings. The first single from the record, "Divine," was chosen as France's entry in the 2008 Eurovision contest. Though he didn't win, his appearance and the controversy surrounding it (many French commentators felt that the English lyrics of the song meant it wasn't "French" enough to represent the nation) boosted his profile around the world. Sexuality became a Top 40 album in France and also charted in Belgium and Sweden. A remix album, Sexuality Remix, followed in 2010. Tellier returned in April 2012 with My God Is Blue. A spiritually minded set that featured co-production by Mr. Flash and Pavle Kovacevic as well as a collaboration with de Homem-Christo on the title track, it reached number 17 on France's Top Albums chart. The following October saw the release of Confection, a collection of tender instrumentals inspired in part by the death of his grandmother. Featuring pieces he had originally written for an unreleased soundtrack, the album peaked at 52 on the French charts. Also in 2013, Tellier collaborated with Chairlift's Caroline Polachek on the single "In the Crew of Tea Time." For his next album, L'Aventura, Tellier added sunny yet mysterious Brazilian elements to his music. Largely recorded at Jean Michel Jarre's studio in Bougival as well as in Paris, the album's basic tracks were expanded on in Rio de Janeiro by Brazilian luminaries such as percussionist Robertinho Silva and arranger Arthur Verocai. Upon its July 2014 release, L'Aventura peaked at 53 on France's Top Album chart. In 2016, Tellier worked with Jarre on the latter's album Electronica, Vol. 2: The Heart of the Noise. That year, he composed the scores for the films Marie et les Naufragés and Saint Amour as well as the web series A Girl Is a Gun. He also collaborated with Dita Von Teese on a version of Culture Club's "Do You Really Want to Hurt Me" that appeared on an amfAR benefit compilation, setting the stage for his writing and production work on her 2018 self-titled debut album. Tellier returned in 2020, first appearing on Salvatore Ganacci's February single "Boycycle," and then in May with his own full-length Domesticated. Inspired by his day-to-day life at home as a husband and father, it included production work by Jam City and Zdar. That November, Tellier issued Simple Mind, a collection of reworkings of favorite songs from Domesticated, Sexuality, My God Is Blue, and L'Aventura.
© Heather Phares & Bryan Thomas /TiVo
© Heather Phares & Bryan Thomas /TiVo
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Alternative & Indie - Released November 13, 2020 | Record Makers
Sebastien Tellier is back with Simple Mind, an album made up of stripped back re-editions of his biggest tracks. This latest offering could easily have come straight out of the 80s with its abundance of CP80, clavinet and DX7 keyboards. Tellier’s vocal performances are unusual. Singing both in English and French with his signature French accent, the dark low rumble of his voice cuts through the tracks like sunlight on a foggy day. Opening with Domestic Tasks, ominous droning elements veer in and out of focus as a groovy, funk infused clavinet jams away in the background. Some would say that the version of Look on this album is somewhat lacking compared to the original. With the palm muted guitars and synth pads long gone, we instead get M83 Junk era sounds. We are greeted by a Yamaha DX7 laying the foundation before Tellier’s signature syncopated Yamaha CP80 piano joins the ensemble. Pitch shifted notes flutter in the width of the stereo field, creating a lush atmosphere that would be right at home in a melancholic 80s drama. Intromission speaks the language of Kyle Dixon and Michael Stein with a soft brass arpeggiated on a vintage synthesiser. But that’s as far as language goes, as the lyrics on this track don’t go beyond the word ‘ah’. This is perhaps slightly pretentious, but the beautifully sombre piano that comes in halfway through makes up for this. Stuck in the past, both in its production and rehashing of past works, Simple Mind is just that: simple. But simplicity is the key to great music! © Tom Oscar Adams/Qobuz
House - Released February 25, 2008 | Record Makers
Sebastien Tellier has, as the British music mags of the '70s used to put it, heavy friends: in his native France, he's signed to Air's boutique label, and this, his fourth album, was produced by Daft Punk's Guy-Manuel de Homem-Christo. Previous records have been intriguing and fitfully great mergings of modern French electronica and sophisticated chamber pop, but Sexuality is built almost entirely on the Air/Daft Punk model of vintage synthesizer sounds melded to canny pop songwriting. Unfortunately, it hews so closely to that concept that most of Tellier's own personality is lost. Nominally a concept album concerning the titular topic, Sexuality is too chilly and cerebral to be particularly erotic: even on "Pomme," the requisite homage to Serge Gainsbourg's sleaze pop epic "Je T'Aime, Moi Non Plus," the anonymous female moans in the background are curiously overt in their utter fakeness. There are some very good tracks here: the light-hearted "Divine" is a brilliant homage to early-'80s synth pop built on sampled voice fragments (like most of Trevor Horn's productions for the Art of Noise, Yes, and others circa 1984) and featuring the album's most immediately arresting melody. The Art of Noise comparison is even more apparent later, on the languid "Manty," which is built on loops of wordless female harmonies and a woman's fetching giggle that make it sound like a close cousin of the epic "Moments in Love." Elsewhere, the album's first single, the seven-minute instrumental "Sexual Sportswear," sounds like Air's take on vintage '70s synthesizer records like Jean-Michel Jarre's Oxygene, and is as curiously irresistible as that description suggests, and the equally retro clavinet sound that drives the hushed closer "L'Amour et la Violence" is pretty swell too. But too much of Sexuality consists of rote dance-pop songs like "Kilometre" and the utterly average slow jams "Elle" and "Une Heure,": pleasant enough tracks, but with little of the wit and invention of Tellier's best work. © Stewart Mason /TiVo
Sébastien Tellier in the magazine
The 80s are back in fashion! Sebastien Tellier
Sebastien Tellier is back with Simple Mind, an album made up of stripped back re-editions of his biggest tracks. This latest offering could easily have come straight out of the 80s with its abundance of CP-80, Clavinet and DX7 keyboards. Tellier’s vocal performances are unusual. Singing both in E...