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Alternative & Indie - Released September 10, 2021 | Erased Tapes

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Alternative & Indie - Released April 27, 2015 | Bella Union

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"[A] genuine delight, serving to highlight Broderick’s emotive, intimate vocals whilst pushing his music in endearingly different directions." © TiVo

Alternative & Indie - Released August 24, 2009 | Bella Union

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4 stars out of 5 -- "On second listen it sounds like a future classic. And it only gets better after that." © TiVo
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Alternative & Indie - Released February 20, 2012 | Bella Union

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Alternative & Indie - Released August 31, 2009 | Type

Never let it be said that Peter Broderick engaged in false advertising with the title of his 2009 album. (In that regard he's following perfectly in line with PJ Harvey, oddly enough.) Compiling a variety of skeletal arrangements, found-sound experiments, and other examples of general contemplation, 4 Track Songs is on the one hand a familiar experience -- the artist in solitude seeing what might work for his own benefit -- and on the other a fine showcase for Broderick's general abilities. Instead of simply producing a fuzzy recording of acoustic guitars and half-heard lyrics, Broderick uses a variety of instruments throughout, resulting in pieces ranging from exultant piano/string performances to distant rainfall to steady slow-burn funk to backwoods banjo mood music to much more besides. Wry, descriptive wit determines a number of the song titles -- "Shortened Version (Mistake)," "More of a Composition," "A Simple String Duet," "A Low End Rumble" -- and further creates a sense of a sketchbook come to life. As a whole listening experience, it grows richer over its length, feeling very much like a soundtrack to a film in the same way as his other projects have been, a story that flows together in an unexpected fashion. © Ned Raggett /TiVo
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Alternative & Indie - Released September 6, 2010 | Bella Union

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Alternative & Indie - Released July 21, 2009 | Western Vinyl

Composer and instrumentalist Peter Broderick was only 21 when he released Music for Falling from Trees, his fourth solo album. The half-hour piece was created as accompaniment for a dance by London-based choreographer Adrienne Hart. The score is essentially a tape montage Broderick created using music he performs on piano, violin, and viola. The seven movements, which Broderick describes as having both composed and improvisatory elements, are evocative soundscapes depicting the episodes in a life of a patient in a mental hospital. The sounds for the most part are lightly processed and have a ruminative, impressionistic quality that could be characterized as new age, but at moments of climax Broderick manipulates them almost beyond recognition, so there is an interesting variety to the score. Broderick has impressive experience as a rock musician (around the time of this recording, he was the violinist for the Danish experimental rock group Efterklang), and the rhythmic regularity and patterns of rock are discernible in many of the movements. This is not an acoustic piece, and the sound is intentionally somewhat rough and reverberant, aptly characterizing the subject of the dance. Broderick's piece should appeal to fans of new age music with a more sophisticated edge, and fans of new music that has a new age ambience. © TiVo
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Alternative & Indie - Released October 13, 2014 | Bella Union

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Alternative & Indie - Released October 13, 2008 | Bella Union

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Alternative & Indie - Released October 13, 2008 | Bella Union

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Alternative & Indie - Released November 26, 2010 | Tenderversion

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Alternative & Indie - Released March 23, 2015 | Bella Union

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Alternative & Indie - Released March 9, 2015 | Bella Union

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Alternative & Indie - Released January 2, 2012 | Bella Union