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Blues - Released October 7, 2013 | Dixiefrog

Hi-Res Booklet + Video Distinctions 4F de Télérama - The Qobuz Ideal Discography - Indispensable JAZZ NEWS - Hi-Res Audio
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Blues - Released February 21, 2012 | Dixiefrog

Distinctions Le top 6 JAZZ NEWS - Sélectionné par Ecoutez Voir
Eric Bibb's version of the blues is calm, wise, hushed, and elegant, as much or more about redemption as it is about despair, and above all, Bibb sees the blues as narrative, part of the story we all drift through. His best songs, often built on traditional patterns and rhythms, are wise and affirming, and they fall to the brighter and more hopeful side of the blues. There are several such gems on Deeper in the Well, including the opening track, a delightful piece of Louisiana shuffle funk called "Bayou Belle," the string band gospel bounce of "Dig a Little Deeper in the Well," a modal and relentlessly driving "Boll Weevil," "Sittin' in a Hotel Room," which is a wise and hopeful story of contentment, and the final track, a stunningly beautiful banjo version of Bob Dylan's "The Times They Are a-Changin'." It all adds up to a beautifully redemptive album, one of Bibb's best. ~ Steve Leggett
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Blues - Released November 3, 2014 | Dixiefrog

Hi-Res Booklet + Video Distinctions Indispensable JAZZ NEWS
Eric Bibb's version of the blues is hushed and elegant, as much or more about redemption as it is about despair. His best songs, often built on traditional patterns and rhythms, are wise and affirming, and they fall to the brighter and more hopeful side of the blues, a vision that makes him the spiritual descendant of Blind Willie Johnson, say, more than Robert Johnson. Bibb isn't about to go down to the crossroads and make some deal with the devil. His version of folk-blues isn't about that sort of stuff. It's closer to gospel in tone, with a strong commitment to betterment and change, bereft of personal demons, and filled instead with cultural ones. Blues People has all of this on display. It's calm, serious, warm, thoughtful, and wonderfully recorded (the album was produced by Glen Scott), and if it doesn't expand Bibb's musical template much, it isn't supposed to, and it ends up being one of Bibb's finest outings. Taking its title from Amiri Baraka's groundbreaking 1963 book Blues People (Baraka was still LeRoi Jones when the book was published), the album is full of musical guests, from Taj Mahal to the Blind Boys of Alabama, but none of them capsize the emotional balance of the set, adding to, rather than detracting, from the songs they appear on. The album has a stark tone, but also a deep warmth, with songs like "Silver Spoon" (which features Popa Chubby), "Driftin' Door to Door," "Where Do We Go" (with vocal help from Leyla McCalla), and "Needed Time" (highlighted by clawhammer banjo from Taj Mahal and gorgeous vocals from the Blind Boys of Alabama) all giving off a calm, determined urgency. The emotional center of the set is undoubtedly "Rosewood," the narrative story of Rosewood, a whistle-stop town in Florida that was the scene of a racially motivated massacre in 1923, and is a symbol of one of the lowest points in American history. In Bibb's hands, the song not only recounts the story and its horrors, but also draws parallels between the evils of the slave trade and the persistence of intolerance and racism in the 21st century. ~ Steve Leggett
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Jazz - Released March 31, 2011 | Dixiefrog

Distinctions 4 étoiles Jazzman
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Blues - Released October 26, 2006 | Dixiefrog

Distinctions Grand Prix de l'Académie Charles Cros
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Blues - Released October 26, 2018 | Dixiefrog

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Bringing groovy blues with an African flavour, Eric Bibb returns to soothe our souls with his deep, smooth voice on this colourful record, Global Griot. Alongside the Malian Habib Koité and the Senegalese Solo Cissokho, he brings us 25 songs from the borders of gospel and reggae (Wherza Money At). This is an album that takes you on a journey, and the destination is clear: Africa. The word "Griot" in the title refers to African musicians, and more precisely to the “traditional communicators”. The word is rich with history and Eric Bibb treats it with respect. Be they Americans, Europeans or Jamaicans, the artists brought together on this album manage to include all manner of influences. The album also has a folky side and many of the themes of the album focus on human beings. Global Griot echoes the sound of the album he recorded in collaboration with his wife Ulrika, Pray Sing Love. The New Yorker never tires of musical declarations of love, or indeed of political songs, here he covers Big Bill Broonzy, Black Brown and White. He performs this alongside Harrison Kennedy and the pair give a terrifically lively rendition of the track. © Clara Bismuth/Qobuz
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Blues - Released March 31, 2017 | Dixiefrog

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Blues - Released April 9, 2009 | Dixiefrog

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Blues - Released October 1, 2015 | Dixiefrog

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This album took shape when the producer Philippe Langlois, the guitarist Eric Bibb, and the harmonica player Jean-Jacques Milteau joined forces to record a tribute to the legendary Lead Belly. The latter, still too little known by the public at large, is the source for a multitude of timeless covers and compositions from the likes of Nirvana, The Animals, Red Hot Chilli Peppers, Bob Dylan… and many more! Many of the songs here are from live interpretations, performed both with and without and audience, which adds a palpable freshness to the disc. Accompanied by a strong battery attack and an acoustic bass, indulge in the singing and snapping guitars of Eric Bibb and the delicate harmonica lines of Milteau; they chime in perfect cohesion. The result is a joyous album of concentrated blues and high-quality folk.
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Blues - Released April 29, 2016 | Dixiefrog

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Blues - Released May 2, 2000 | Manhaton Records

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Blues - Released September 9, 2003 | Manhaton Records

"...NATURAL LIGHT sounds as organic as the title suggests, each note coming across loud and clear..."
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Blues - Released May 18, 2015 | Dixiefrog

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Blues - Released August 7, 2001 | Manhaton Records

With Painting Signs, Eric Bibb makes a fine case for blues as a music of introspection, warmth, and supreme nuance. Easily his most mature album to date, Painting Signs continues Bibb's formula of socially aware songs performed from an acutely personal point-of-view; standout tracks "Don't Ever Let Nobody Drag Your Spirit Down" and a cover of "Hope in a Hopeless World" hammer home his message of individual freedom and the responsibilities that accompany it. (It's no coincidence that Pops Staples, to whom Bibb dedicates this album, once recorded the latter song.) That's not to say Painting Signs is overly didactic or, indeed, "heavy" in any way; even the most serious songs here, like the plea for peace and unity "Got To Do Better," are leavened by a musical backdrop that's soulful and immediately accessible. Gospel-leaning backing vocals by Linda Tillery and her Cultural Heritage Choir help flesh out several cuts, and robust accordion fills by Bibb's longtime accompanist Janne Petersson add a subtle Louisiana flavor to the rolling, propulsive "Kokomo" and, to surprisingly good effect, the deep-grooved version of Jimmy Reed's "Honest I Do." Elsewhere, he keeps a minimalist tone dominated by acoustic guitar, an arrangement that's particularly mesmerizing on the chilling title track. With its emphasis on sophisticated songcraft and its gentle blend of folk, gospel, and country influences, Painting Signs presents Bibb as an artist intent on blurring the line between blues and "roots music" in general. ~ Kenneth Bays
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Blues - Released August 24, 2004 | Telarc

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Blues - Released August 24, 2004 | Manhaton Records

Friends is the accurate and revealing title for New York bluesman Eric Bibb's tenth album since 1997. There are 15 cuts here, each of them featuring rootsy folk and blues collaborations with different "friends" in differing small group settings. The set starts with a killer acoustic slide duet between Bibb and Guy Davis on the nugget "99 ½ Won't Do." The contrast between Davis' sweet and smoky delivery and Bibb's husky wail -- akin to Blind Willie Johnson's in places -- offers a double-sided dimension in interpretation for the listener, as well. Elsewhere, Charlie Musselwhite gives a killer snaky harmonica performance on "Six O' Clock Blues." Taj Mahal makes two appearances; one in a duet on "Goin' Down Slow," and one in a trio with Bibb and Malian guitarist Djelimady Tounkara on a medley of the traditional "Kulanjan" and Bibb's own "Sebastian's Tune." Speaking of Mali, and Mahal, Bibb also covers the elder bluesman's classic "Lovin' in My Baby's Eyes," with the great kora player Mamadou Diabate that rivals the original. There's also a gorgeous version of Guy and Susanna Clark's "The Cape," with guitarist Martin Simpson, Bibb's moving "For You" with Ruthie Foster, and "Tain't No Such Thing," a bright new folk song written and sung with legendary folksinger Odetta. Mohan Veena ace Harry Manx performs with Bibb on the high lonesome, droning blues of "Needed Time," and with Kristina Olsen on her "If I Stayed." The set closes with the tender "Dance Me to the End of Love," (an original, not the Leonard Cohen tune) with the Lovin' Spoonful's Jerry Yester playing piano. In addition to the many performers on this collection, there are 15 different engineers! Given that most records of this type are mixed bags at best, with "star-studded" collabs serving to muck up or water down rather than enhance performances, Friends is an anomaly. There is nothing that's obvious or overblown here, everything is subtly shaded, and the performers serve the songs and not themselves. The listener gets no sense of back-patting or self-congratulation, only the great pleasure of hearing this music in a revealing, emotionally honest way. Bravo. ~ Thom Jurek
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Blues - Released June 7, 2011 | Telarc

Eric Bibb's version of the blues has always been patient and positive, and it serves as a reminder that the blues isn't necessarily always about despair, darkness, and ominous guitar riffs, but is also built on the concept of survival and moving forward, on the idea of getting through tough times and reaching brighter days. In Bibb's hands, the blues becomes sustaining, moving closer to the spiritual uplift of gospel, and the often shaky division between Saturday night blues and Sunday morning praise drops away with this man. Bibb isn't haunted by personal demons as much as he is by cultural ones. He doesn't have a hellhound on his trail, and he isn't about to go down to the crossroads and make deals with the Devil. His 21st century version of the folk-blues isn't about that kind of stuff. It's about healing. A voice of temperate reason and unyielding hope in the dawning of better days is welcome in any musical style and in any era, and Bibb continues down that path with his latest release, Troubadour Live, recorded at a December 9, 2010 concert in Stockholm, Sweden, and featuring guest electric guitarist Staffan Astner. Astner's astounding tone and sharp efficiency on guitar dovetails neatly with Bibb's own accomplished and full-sounding acoustic guitar playing, and it’s obvious that the two guitarists enjoy working together. There’s an intimate feel to this set, which illustrates Bibb's presence and vitality as a live performer. Highlights include the majestic opener “The Cape,” a Guy Clark/Susanna Clark/Jim Janosky composition, the country blues boogie shuffle “New Home” (complete with an absolutely burning guitar lead from Astner), and the pop soul of “For You,” which features the gospel trio Psalm4 (Glen Scott, Andre De Lange, and Paris Renita), and shows that Bibb is quite comfortable outside of the blues medium. As an added bonus, a couple of studio tracks (“Put Your Love First,” a duet with Troy Cassar-Daley, and “If You Were Not My Woman”) are tacked on at the end of this charming, pleasant, and wonderfully intimate live album. ~ Steve Leggett
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Blues - Released July 4, 2018 | Dixiefrog

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Blues - Released | Telarc

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The genesis of this deeply moving album was in an almost chance encounter at a London hotel, where Eric Bibb had just played a set. He was approached by a fan with a beat-up guitar case, which turned out to contain a 1930s National steel guitar that had been owned and played by legendary Delta blues legend Bukka White. Bibb was inspired to write a half-spoken, half-sung ode to White, which he then recorded in London using that guitar; the remainder of the album, though inspired by that experience, was recorded in the U.S. on his own instruments and finds Bibb approaching the Delta blues tradition from a variety of highly personal angles. There's the gospel-inflected blues of "With My Maker I Am One" (which features harmonica player Grant Dermody, and which you won't realize is inspired by Deepak Chopra unless you read the notes), the possibly (but not necessarily) Katrina-inspired "Flood Water," a wonderful version of the traditional "Wayfaring Stranger," and an equally spectacular rendition of the Blind Willie Johnson classic "Nobody's Fault But Mine." One of the album's best and most affecting tracks is an all-too-brief guitar instrumental, a deceptively simple-sounding and decidedly not blues-based piece; another is the gently beautiful "Rocking Chair," which evokes '50s doo wop as much as it does the Delta blues. The overall impression given by Booker's Guitar is that of a richly varied but deeply rooted tribute not just to a particular man, but also to the great tradition he exemplified and the wide variety of musical streams that flowed into it. ~ Rick Anderson
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Blues - Released March 11, 2008 | Concord Records, Inc. (UMG Account)

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Eric Bibb in the magazine
  • The Africa express
    The Africa express Bringing groovy blues with an African flavour, Eric Bibb returns to soothe our souls with his deep, smooth voice on this colourful record, Global Griot.
  • The Qobuz Minute #24
    The Qobuz Minute #24 Presented by Barry Moore, The Qobuz Minute sweeps you away to the 4 corners of the musical universe to bring you an eclectic mix of today's brightest talents. Jazz, Electro, Classical, World music ...