Carly Simon
During the front half of the 1970s Carly Simon emerged as one of the most popular stars of the American singer/songwriter movement with an impressive string of hits that included "That's the Way I've Always Heard It Should Be," "Anticipation," and the international chart-topper "You're So Vain." The emotional honesty of her songs disarmed listeners and her voice was powerful enough to convey quiet vulnerability and pop swagger in equal measure. After the huge success of 1972's No Secrets, Simon kept up a remarkably consistent chart presence, sending albums like Hotcakes (1974) and Boys in the Trees (1978) into the Top Ten while lodging another worldwide hit with her James Bond theme "Nobody Does It Better," from The Spy Who Loved Me. Throughout the '80s, she increasingly mixed in soundtrack work between her albums; "Let the River Run," Simon's 1988 theme for the film Working Girl, made history by taking home top honors at the Academy Awards, the Grammys, and the Golden Globes. By the start of the 21st century Simon had launched a parallel career as a children's author and, in between original outings, found continued success with a series of jazz and pop standards albums including 2005's Top Ten Moonlight Serenade. Her 2009 release, Never Been Gone, featured acoustic reworkings of previously released material, after which she devoted the bulk of her attention to writing the two memoirs Boys in the Trees: A Memoir (2015) and Touched by the Sun: My Friendship with Jackie (2019). Born and raised in the Bronx's Riverdale neighborhood, Simon's father was the successful book publisher Richard L. Simon, co-founder of Simon & Schuster. In an attempt to overcome a childhood stuttering problem, she turned to singing at a young age and soon began to write her own songs. She and her elder sister Lucy formed a short-lived folk duo, the Simon Sisters, in the mid-60s, releasing a handful of albums for the independent Kapp label before parting ways in 1969. Within a year Simon had secured a major label deal with Elektra which issued her eponymous 1971 solo debut. Not unlike her peers Carole King and Joni Mitchell, Simon wrote in an introspective, confessional style and earned her first taste of success with the Grammy-nominated "That's the Way I've Always Heard It Should Be," a Top Ten hit that questioned the merits of marriage. She followed it in November of that year with Anticipation, a similarly successful record whose title track -- supposedly written before going on a date with Cat Stevens, and later used in a series of popular Heinz ketchup commercials -- also became a significant hit. After winning the Grammy Award for Best New Artist in March 1972, Simon became a household name with the November release of "You're So Vain" from her third album, No Secrets. A canny take-down of an arrogant male lover, the song became a massive chart-topping hit around the world, sparking decades of speculation about the identity of its subject. Simon has hinted that it was written about three different men, only one of which, actor Warren Beatty, was revealed. The album too was a big success, reaching number one in numerous countries and going platinum in the U.S. Around this time, Simon married fellow singer/songwriter, James Taylor, who dueted with her on 1974's "Mockingbird," another Top Ten hit from her fourth album Hotcakes. That album's sense of joy and domestic tranquility resonated with fans and helped it reach the number three spot, just behind Simon's labelmates Bob Dylan and Joni Mitchell. Released a year later, Playing Possum represented more of a shift toward rock and adult contemporary pop, with strong material like "Waterfall" and "Attitude Dancing," and a rather controversial cover photo of a seductive, lingerie-clad Simon which earned yet her another Grammy nomination, this time for album packaging. She kept on cruising through the second half of the '70s, taking on even more of a soft pop glow on 1976's crafty Another Passenger, an album which featured backing by members of the Doobie Brothers and Little Feat, and yielded the Michael McDonald-penned hit "It Keeps You Runnin'." A year later Simon was asked to write the theme song to the James Bond film, The Spy Who Loved Me. Her contribution, "Nobody Does It Better," was an instant classic, becoming another international chart-topper and one of the Bond franchise's best-loved themes. 1978's Boys In the Trees put her back in the Top Ten after Another Passenger's somewhat disappointing sales. It was also a creative triumph with a more varied array of moods and styles including the jazzy hit "You Belong To Me." Simon ended the decade with 1979's Spy, a commercial disappointment, that nonetheless produced a handful of standout cuts including the fan favorite "Never Been Gone." Having completed her contract for Elektra, Simon signed with Warner Bros. for 1980's Come Upstairs. Its hit single "Jesse" helped it perform better than Spy, but overall she had begun a commercial slide toward the middle of the pop charts that lasted for much of the '80s. She and Taylor, who divorced in 1983, appeared in the protest film No Nukes and she also contributed songs to In Harmony and In Harmony 2, a pair of Grammy-winning Sesame Street albums produced by her sister Lucy Simon. Simon's 1981 LP, Torch, saw her taking on a set of jazz standards long before singing the great American songbook became trendy among rock musicians. Over the next few years, she became something of a musical journeywoman, guesting on other artist's releases and contributing to various soundtracks including the Chic-produced "Why" from 1982's Soup For One, which became a hit in the U.K. She also found success in Britain appearing on Lynn Goldsmith's quirky 1983 Will Powers track "Kissing With Confidence." While her own albums Hello Big Boy (1983) and Spoiled Girl (1985) were commercial disappointments, she continued to write quality material and landed songs in films like Swing Shift, Nothing in Common, and The Karate Kid II, as well as guesting on albums by Jesse Colin Young and Nils Lofgren. After joining the Arista label, Simon rebounded with 1987's Coming Around Again and its hit title track which she'd written for the Mike Nichols film Heartburn. Two years later another Mike Nichols film sparked a revival in Simon's career. Written, produced, and performed by Simon for 1988's Working Girl "Let the River Run" won an Oscar, a Grammy, and a Golden Globe, making her the first single artist to win all three major awards for the same song. Simon's career in the '90 followed in a similarly diverse fashion beginning with 1990's My Romance, her second standards album, and Have You Seen Me Lately, a set of new originals. Over the next few years she continued composing soundtrack music for directors like Nichols and Nora Ephron. She also began a concurrent career as an author of children's books and was commissioned by the Met and the Kennedy Center to write the "family opera" Romulus Hunt. Her well-received 1994 album, Letters Never Sent, was literally composed from a box of unsent letters she uncovered in her home. Following the 1995 retrospective box set, Clouds in My Coffee, and subsequent concert film, Live at Grand Central, Simon issued Film Noir (1997), the third album in her jazz standards series. At the end of 1997, a breast cancer diagnosis and subsequent surgery and chemotherapy treatment temporarily sidelined her music career. This eventually led to the recording of The Bedroom Tapes, a stripped down collection of new material she wrote and recorded in the late '90s while recovering from her illness. Released in 2000, the album was considered by critics to be a highlight of her post-'70s career. After issuing her first holiday album, 2002's Christmas Is Almost Here, she wrote a set of songs for the soundtrack to Disney's 1993 animated feature Piglet's Big Movie; several of the songs feature her two children Ben and Sally Taylor. 2005's Moonlight Serenade, her fourth collection of jazz standards, became a surprise hit, peaking at number seven on the Billboard 200 and returning Simon to the Top Ten for the first time since the mid-'70s. 2007's Into White, another collection of covers and standards, performed similarly well, hitting number 13 upon its release. A year later, This Kind of Love marked Simon's return to original music. Featuring more sparse acoustic arrangements, it was another critical and commercial hit despite the fact that its label, the Starbucks-owned Hear Music, folded just days before the album's release. She later sued the label for its failure to promote the release. Continuing with the back-to-basics approach of this period, Simon recorded acoustic versions of her older songs, along with a couple of new tracks, and released them on the 2009 album Never Been Gone. A period of relative quiet followed over the next decade. She made a handful of live appearances, joining Taylor Swift for a 2013 performance of Simon's classic "You're So Vain," and accepting a Founders award from the publishing rights organization ASCAP. In November 2015, Simon published her first memoir, Boys In the Trees: A Memoir, along with an accompanying two-disc compilation called Songs From the Trees: A Musical Memoir Collection. Among her few studio dates of this era was an unlikely appearance on U.K. group Gorillaz' 2017 album, Humanz. In late 2019, Simon published a second memoir devoted to her friendship with the late Jacqueline Kennedy Onassis titled Touched By the Sun: My Friendship with Jackie.© Timothy Monger /TiVo Read more
During the front half of the 1970s Carly Simon emerged as one of the most popular stars of the American singer/songwriter movement with an impressive string of hits that included "That's the Way I've Always Heard It Should Be," "Anticipation," and the international chart-topper "You're So Vain." The emotional honesty of her songs disarmed listeners and her voice was powerful enough to convey quiet vulnerability and pop swagger in equal measure. After the huge success of 1972's No Secrets, Simon kept up a remarkably consistent chart presence, sending albums like Hotcakes (1974) and Boys in the Trees (1978) into the Top Ten while lodging another worldwide hit with her James Bond theme "Nobody Does It Better," from The Spy Who Loved Me. Throughout the '80s, she increasingly mixed in soundtrack work between her albums; "Let the River Run," Simon's 1988 theme for the film Working Girl, made history by taking home top honors at the Academy Awards, the Grammys, and the Golden Globes. By the start of the 21st century Simon had launched a parallel career as a children's author and, in between original outings, found continued success with a series of jazz and pop standards albums including 2005's Top Ten Moonlight Serenade. Her 2009 release, Never Been Gone, featured acoustic reworkings of previously released material, after which she devoted the bulk of her attention to writing the two memoirs Boys in the Trees: A Memoir (2015) and Touched by the Sun: My Friendship with Jackie (2019).
Born and raised in the Bronx's Riverdale neighborhood, Simon's father was the successful book publisher Richard L. Simon, co-founder of Simon & Schuster. In an attempt to overcome a childhood stuttering problem, she turned to singing at a young age and soon began to write her own songs. She and her elder sister Lucy formed a short-lived folk duo, the Simon Sisters, in the mid-60s, releasing a handful of albums for the independent Kapp label before parting ways in 1969. Within a year Simon had secured a major label deal with Elektra which issued her eponymous 1971 solo debut. Not unlike her peers Carole King and Joni Mitchell, Simon wrote in an introspective, confessional style and earned her first taste of success with the Grammy-nominated "That's the Way I've Always Heard It Should Be," a Top Ten hit that questioned the merits of marriage. She followed it in November of that year with Anticipation, a similarly successful record whose title track -- supposedly written before going on a date with Cat Stevens, and later used in a series of popular Heinz ketchup commercials -- also became a significant hit.
After winning the Grammy Award for Best New Artist in March 1972, Simon became a household name with the November release of "You're So Vain" from her third album, No Secrets. A canny take-down of an arrogant male lover, the song became a massive chart-topping hit around the world, sparking decades of speculation about the identity of its subject. Simon has hinted that it was written about three different men, only one of which, actor Warren Beatty, was revealed. The album too was a big success, reaching number one in numerous countries and going platinum in the U.S. Around this time, Simon married fellow singer/songwriter, James Taylor, who dueted with her on 1974's "Mockingbird," another Top Ten hit from her fourth album Hotcakes. That album's sense of joy and domestic tranquility resonated with fans and helped it reach the number three spot, just behind Simon's labelmates Bob Dylan and Joni Mitchell. Released a year later, Playing Possum represented more of a shift toward rock and adult contemporary pop, with strong material like "Waterfall" and "Attitude Dancing," and a rather controversial cover photo of a seductive, lingerie-clad Simon which earned yet her another Grammy nomination, this time for album packaging. She kept on cruising through the second half of the '70s, taking on even more of a soft pop glow on 1976's crafty Another Passenger, an album which featured backing by members of the Doobie Brothers and Little Feat, and yielded the Michael McDonald-penned hit "It Keeps You Runnin'." A year later Simon was asked to write the theme song to the James Bond film, The Spy Who Loved Me. Her contribution, "Nobody Does It Better," was an instant classic, becoming another international chart-topper and one of the Bond franchise's best-loved themes. 1978's Boys In the Trees put her back in the Top Ten after Another Passenger's somewhat disappointing sales. It was also a creative triumph with a more varied array of moods and styles including the jazzy hit "You Belong To Me." Simon ended the decade with 1979's Spy, a commercial disappointment, that nonetheless produced a handful of standout cuts including the fan favorite "Never Been Gone."
Having completed her contract for Elektra, Simon signed with Warner Bros. for 1980's Come Upstairs. Its hit single "Jesse" helped it perform better than Spy, but overall she had begun a commercial slide toward the middle of the pop charts that lasted for much of the '80s. She and Taylor, who divorced in 1983, appeared in the protest film No Nukes and she also contributed songs to In Harmony and In Harmony 2, a pair of Grammy-winning Sesame Street albums produced by her sister Lucy Simon. Simon's 1981 LP, Torch, saw her taking on a set of jazz standards long before singing the great American songbook became trendy among rock musicians. Over the next few years, she became something of a musical journeywoman, guesting on other artist's releases and contributing to various soundtracks including the Chic-produced "Why" from 1982's Soup For One, which became a hit in the U.K. She also found success in Britain appearing on Lynn Goldsmith's quirky 1983 Will Powers track "Kissing With Confidence." While her own albums Hello Big Boy (1983) and Spoiled Girl (1985) were commercial disappointments, she continued to write quality material and landed songs in films like Swing Shift, Nothing in Common, and The Karate Kid II, as well as guesting on albums by Jesse Colin Young and Nils Lofgren. After joining the Arista label, Simon rebounded with 1987's Coming Around Again and its hit title track which she'd written for the Mike Nichols film Heartburn. Two years later another Mike Nichols film sparked a revival in Simon's career. Written, produced, and performed by Simon for 1988's Working Girl "Let the River Run" won an Oscar, a Grammy, and a Golden Globe, making her the first single artist to win all three major awards for the same song.
Simon's career in the '90 followed in a similarly diverse fashion beginning with 1990's My Romance, her second standards album, and Have You Seen Me Lately, a set of new originals. Over the next few years she continued composing soundtrack music for directors like Nichols and Nora Ephron. She also began a concurrent career as an author of children's books and was commissioned by the Met and the Kennedy Center to write the "family opera" Romulus Hunt. Her well-received 1994 album, Letters Never Sent, was literally composed from a box of unsent letters she uncovered in her home. Following the 1995 retrospective box set, Clouds in My Coffee, and subsequent concert film, Live at Grand Central, Simon issued Film Noir (1997), the third album in her jazz standards series. At the end of 1997, a breast cancer diagnosis and subsequent surgery and chemotherapy treatment temporarily sidelined her music career. This eventually led to the recording of The Bedroom Tapes, a stripped down collection of new material she wrote and recorded in the late '90s while recovering from her illness.
Released in 2000, the album was considered by critics to be a highlight of her post-'70s career. After issuing her first holiday album, 2002's Christmas Is Almost Here, she wrote a set of songs for the soundtrack to Disney's 1993 animated feature Piglet's Big Movie; several of the songs feature her two children Ben and Sally Taylor. 2005's Moonlight Serenade, her fourth collection of jazz standards, became a surprise hit, peaking at number seven on the Billboard 200 and returning Simon to the Top Ten for the first time since the mid-'70s. 2007's Into White, another collection of covers and standards, performed similarly well, hitting number 13 upon its release. A year later, This Kind of Love marked Simon's return to original music. Featuring more sparse acoustic arrangements, it was another critical and commercial hit despite the fact that its label, the Starbucks-owned Hear Music, folded just days before the album's release. She later sued the label for its failure to promote the release. Continuing with the back-to-basics approach of this period, Simon recorded acoustic versions of her older songs, along with a couple of new tracks, and released them on the 2009 album Never Been Gone.
A period of relative quiet followed over the next decade. She made a handful of live appearances, joining Taylor Swift for a 2013 performance of Simon's classic "You're So Vain," and accepting a Founders award from the publishing rights organization ASCAP. In November 2015, Simon published her first memoir, Boys In the Trees: A Memoir, along with an accompanying two-disc compilation called Songs From the Trees: A Musical Memoir Collection. Among her few studio dates of this era was an unlikely appearance on U.K. group Gorillaz' 2017 album, Humanz. In late 2019, Simon published a second memoir devoted to her friendship with the late Jacqueline Kennedy Onassis titled Touched By the Sun: My Friendship with Jackie.
© Timothy Monger /TiVo
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Why
Carly Simon
R&B - Released by Mirage Records - Unidisc Music Inc. on 4 Dec 2020
16-Bit CD Quality 44.1 kHz - Stereo -
No Secrets
Carly Simon
Pop - Released by Rhino - Elektra on 28 Nov 1972
Hi-Res Audio24-Bit 192.0 kHz - Stereo -
The Best of Carly Simon
Carly Simon
Pop - Released by Rhino - Elektra on 1 Nov 1975
Carly Simon was among the pop royalty of the singer/songwriter era of the early '70s. This album collects her most popular songs of the first five yea ...
16-Bit CD Quality 44.1 kHz - Stereo -
Coming Around Again
Carly Simon
Pop - Released by Arista on 1 Mar 1987
After the debacle that was Spoiled Girl, Carly Simon moved to her fourth record label, Arista, and returned to soundtrack work, which had given her he ...
16-Bit CD Quality 44.1 kHz - Stereo -
Greatest Hits Live (Live)
Carly Simon
International Pop - Released by Arista on 1 Aug 1988
Okay, here's the problem: in 1975, Elektra released The Best of Carly Simon, which compiled her hits from 1971-1975. Simon then scored a couple more b ...
16-Bit CD Quality 44.1 kHz - Stereo -
Reflections Carly Simon's Greatest Hits
Carly Simon
International Pop - Released by SBME Strategic Marketing Group on 1 May 2004
In 1995, Arista released the first multi-label Carly Simon retrospective, the triple-disc box set Clouds in My Coffee, and seven years later, Rhino de ...
16-Bit CD Quality 44.1 kHz - Stereo -
No Secrets
Carly Simon
Pop - Released by Rhino - Elektra on 28 Nov 1972
16-Bit CD Quality 44.1 kHz - Stereo -
Hotcakes
Carly Simon
Pop - Released by Rhino - Elektra on 11 Jan 1974
A glowing, pregnant Carly Simon smiles out from the cover of Hotcakes, one of her biggest selling albums, which featured the gold single "Mockingbird, ...
24-Bit 96.0 kHz - Stereo -
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My Romance
Carly Simon
International Pop - Released by Arista on 1 Mar 1990
On her second album of pop standards, Carly Simon was a little less interested in the lovelorn songs that had filled 1981's Torch, although she did so ...
16-Bit CD Quality 44.1 kHz - Stereo -
Moonlight Serenade
Carly Simon
International Pop - Released by Columbia on 1 Jul 2005
Moonlight Serenade, Carly Simon's fourth collection of standards in 25 years, digs a little deeper than her previous outings. Perhaps it's the plethor ...
16-Bit CD Quality 44.1 kHz - Stereo -
Into White
Carly Simon
International Pop - Released by Columbia on 2 Jan 2007
Listening to Into White, it's difficult to find a place where it begins and ends. Unlike 2005's Moonlight Serenade, or her many other standards record ...
16-Bit CD Quality 44.1 kHz - Stereo -
Have You Seen Me Lately
Carly Simon
Pop - Released by Arista on 24 Sep 1990
16-Bit CD Quality 44.1 kHz - Stereo -
Another Passenger
Carly Simon
Pop - Released by Rhino - Elektra on 5 Jun 1976
24-Bit 192.0 kHz - Stereo -
Piglet's Big Movie
Carly Simon
Film Soundtracks - Released by Walt Disney Records on 1 Jan 2003
The soundtrack for Piglet's Big Movie features a brace of songs by Carly Simon, excerpts of Carl Johnson's score, and some of Simon's demos of the sou ...
16-Bit CD Quality 44.1 kHz - Stereo -
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Boys in the Trees
Carly Simon
Pop - Released by Rhino - Elektra on 4 Apr 1978
24-Bit 192.0 kHz - Stereo -
Playing Possum
Carly Simon
Pop - Released by Rhino - Elektra on 21 Apr 1975
24-Bit 192.0 kHz - Stereo -
Hello Big Man
Carly Simon
Pop - Released by Rhino - Elektra on 31 Aug 1983
Hello Big Man, Carly Simon's first new studio album of original material in more than three years, followed on from her 1981 album of standards, Torch ...
24-Bit 96.0 kHz - Stereo -
The Bedroom Tapes (Special Edition)
Carly Simon
Pop - Released by C'est Music on 16 May 2000
16-Bit CD Quality 44.1 kHz - Stereo -
Spoiled Girl
Carly Simon
Pop/Rock - Released by Epic on 1 Jun 1985
Leaving Warner Bros after the relative commercial failure of Hello Big Man, Carly Simon moved to the Epic label, which gave her the big-budget star tr ...
16-Bit CD Quality 44.1 kHz - Stereo