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Alternative & Indie - Released March 20, 2012 | Iliad Records

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Alternative & Indie - Released April 9, 2012 | Iliad Records

Rock - Released October 12, 2012 | EMI

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Alternative & Indie - Released June 10, 2013 | Fonograf Records

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Alternative & Indie - Released July 5, 2013 | Fonograf Records

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Alternative & Indie - Released July 8, 2013 | Fonograf Records

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Alternative & Indie - Released July 8, 2013 | Fonograf Records

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Alternative & Indie - Released September 17, 2013 | Fonograf Records

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Alternative & Indie - Released January 1, 2014 | Capitol Records (CAP)

Hi-Res Distinctions 4 étoiles Rock and Folk - Hi-Res Audio - Grammy Awards
Often pigeonholed as being prolific to a fault, Beck took an extended break from recording after the 2008 release of Modern Guilt. He kept himself busy, producing acclaimed albums for Charlotte Gainsbourg, Thurston Moore, and Stephen Malkmus & the Jicks, blowing off steam via his mischievous Record Club (an online series where he and his friends covered classic albums), and then easing back to original songwriting through the ambitious Song Reader project, a folio containing sheet music for 20 unrecorded songs. He also suffered a spinal injury in 2008, a fact not publicized until he was ready to release Morning Phase, his first album in six years, early in 2014. As Morning Phase is a slow, shimmering album deliberately in the vein of classic singer/songwriter LPs, it's easy to think of it as a pained, confessional sequel to Sea Change, the 2002 record written and recorded in the wake of a painful romantic breakup. Beck didn't shy away from these comparisons, calling it a "companion piece" to his acclaimed 2002 LP, and as "Morning" glimmers into view, sounding for all the world like "Golden Age," it almost seems as if Beck covered himself as part of the Record Club. Morning Phase soon develops its own distinct gait, one that's a little more relaxed than its cousin. Crucially, Beck has swapped sorrow for mere melancholy, a shift in attitude that makes this 2014 album sweeter than its predecessor, a distinction sometimes distinguished by moments where words, traditionally the sadness signifiers for sensitive troubadours, are washed away by cascading waves of candy-colored sound. Underneath this warm, enveloping aural blanket lie some sturdily constructed compositions -- the haunting "Heart Is a Drum," bringing to mind memories of Nick Drake; the loping country-rock "Say Goodbye" and its sister "Country Down"; "Blue Moon," where the skies part like the breaking dawn -- but the abiding impression left from this album is one of comfort, not despair, which makes Morning Phase distinctly different than its companion Sea Change. © Stephen Thomas Erlewine /TiVo
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Alternative & Indie - Released January 1, 2014 | Capitol Records (CAP)

Distinctions 4 étoiles Rock and Folk
Often pigeonholed as being prolific to a fault, Beck took an extended break from recording after the 2008 release of Modern Guilt. He kept himself busy, producing acclaimed albums for Charlotte Gainsbourg, Thurston Moore, and Stephen Malkmus & the Jicks, blowing off steam via his mischievous Record Club (an online series where he and his friends covered classic albums), and then easing back to original songwriting through the ambitious Song Reader project, a folio containing sheet music for 20 unrecorded songs. He also suffered a spinal injury in 2008, a fact not publicized until he was ready to release Morning Phase, his first album in six years, early in 2014. As Morning Phase is a slow, shimmering album deliberately in the vein of classic singer/songwriter LPs, it's easy to think of it as a pained, confessional sequel to Sea Change, the 2002 record written and recorded in the wake of a painful romantic breakup. Beck didn't shy away from these comparisons, calling it a "companion piece" to his acclaimed 2002 LP, and as "Morning" glimmers into view, sounding for all the world like "Golden Age," it almost seems as if Beck covered himself as part of the Record Club. Morning Phase soon develops its own distinct gait, one that's a little more relaxed than its cousin. Crucially, Beck has swapped sorrow for mere melancholy, a shift in attitude that makes this 2014 album sweeter than its predecessor, a distinction sometimes distinguished by moments where words, traditionally the sadness signifiers for sensitive troubadours, are washed away by cascading waves of candy-colored sound. Underneath this warm, enveloping aural blanket lie some sturdily constructed compositions -- the haunting "Heart Is a Drum," bringing to mind memories of Nick Drake; the loping country-rock "Say Goodbye" and its sister "Country Down"; "Blue Moon," where the skies part like the breaking dawn -- but the abiding impression left from this album is one of comfort, not despair, which makes Morning Phase distinctly different than its companion Sea Change. © Stephen Thomas Erlewine /TiVo
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Rock - Released January 1, 2008 | Geffen

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Alternative & Indie - Released January 1, 2006 | Interscope

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Pop - Released January 1, 1998 | DGC

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Alternative & Indie - Released August 12, 2016 | Capitol Records (CAP)

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Alternative & Indie - Released October 14, 2016 | Capitol Records (CAP)

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Alternative & Indie - Released October 21, 2016 | Capitol Records (CAP)

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Pop - Released January 1, 1994 | DGC

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Alternative & Indie - Released October 5, 2017 | Capitol Records (CAP)

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Alternative & Indie - Released October 13, 2017 | Capitol Records (CAP)

Hi-Res Distinctions Grammy Awards
Those following Beck Hansen since the dawn of the 90s know that he can play anything. Anything! From rural blues in Son House/Skip James fashion to Prince-like funk, slacker hip hop, Dylan-ian folk and lo-fi electro. If the tinkering ace from California first skyrocketed thanks to a convincing blend of folk and hip hop rhythms (the inevitable hymn Loser from 1993), he will over the years tend towards more classicism with Sea Changes (2002) and Morning Phase (2014). He’s done a complete 180° with Colors. This thirteenth album from Beck certainly isn’t lacking any hues. A vibrant mix of psychedelia à la Beatles, 80s pop, contemporary dancefloor, and funk crossed with hip hop, the stylistic kaleidoscope is complete! The wide variations are incidentally so far apart that they will probably rattle some newcomers. © CM/Qobuz
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Alternative & Indie - Released October 13, 2017 | Capitol Records (CAP)

Those following Beck Hansen since the dawn of the 90s know that he can play anything. Anything! From rural blues in Son House/Skip James fashion to Prince-like funk, slacker hip hop, Dylan-ian folk and lo-fi electro. If the tinkering ace from California first skyrocketed thanks to a convincing blend of folk and hip hop rhythms (the inevitable hymn Loser from 1993), he will over the years tend towards more classicism with Sea Changes (2002) and Morning Phase (2014). He’s done a complete 180° with Colors. This thirteenth album from Beck certainly isn’t lacking any hues. A vibrant mix of psychedelia à la Beatles, 80s pop, contemporary dancefloor, and funk crossed with hip hop, the stylistic kaleidoscope is complete! The wide variations are incidentally so far apart that they will probably rattle some newcomers. © CM/Qobuz

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Beck in the magazine