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Alternative & Indie - Released January 1, 2002 | Interscope

Hi-Res Distinctions 4F de Télérama - The Qobuz Ideal Discography - Hi-Res Audio
Beck has always been known for his ever-changing moods -- particularly since they often arrived one after another on one album, sometimes within one song -- yet the shift between the neon glitz of Midnite Vultures and the lush, somber Sea Change is startling, and not just because it finds him in full-on singer/songwriter mode, abandoning all of the postmodern pranksterism of its predecessor. What's startling about Sea Change is how it brings everything that's run beneath the surface of Beck's music to the forefront, as if he's unafraid to not just reveal emotions, but to elliptically examine them in this wonderfully melancholy song cycle. If, on most albums prior to this, Beck's music was a sonic kaleidoscope -- each song shifting familiar and forgotten sounds into colorful, unpredictable combinations -- this discards genre-hopping in favor of focus, and the concentration pays off gloriously, resulting in not just his best album, but one of the greatest late-night, brokenhearted albums in pop. This, as many reviews and promotional interviews have noted, is indeed a breakup album, but it's not a bitter listen; it has a wearily beautiful sound, a comforting, consoling sadness. His words are often evocative, but not nearly as evocative as the music itself, which is rooted equally in country-rock (not alt-country), early-'70s singer/songwriterism, and baroque British psychedelia. With producer Nigel Godrich, Beck has created a warm, enveloping sound, with his acoustic guitar supported by grand string arrangements straight out of Paul Buckmaster, eerie harmonies, and gentle keyboards among other subtler touches that give this record a richness that unveils more with each listen. Surely, some may bemoan the absence of the careening, free-form experimentalism of Odelay, but Beck's gifts as a songwriter, singer, and musician have never been as brilliant as they are here. As Sea Change is playing, it feels as if Beck singing to you alone, revealing painful, intimate secrets that mirror your own. It's a genuine masterpiece in an era with too damn few of them. © Stephen Thomas Erlewine /TiVo
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Alternative & Indie - Released June 18, 1996 | Geffen Records

Hi-Res Distinctions The Qobuz Ideal Discography
As crazy as its cover art (a Komondor running hurdles), Odelay confirms Beck’s genius as an assembler. While Mellow Gold and its hit song Loser was defined by its thrifty, lo-fi style, Odelay boasts a more luxurious production. But the founding idea is the same: combining the uncombinable! Sexual funk, psychedelic rock, lewd country blues, old school rap, wonky folk, flashy easy listening, Beck mixes, matches and unmatches! The samples are just as wild with a blend of Van Morrison’s Them, Rare Earth, Mandrill, Mantronix, Sly Stone, Dick Hyman, Edgar Winter, Lee Dorsey, and a few others… Despite these unlikely combinations, Odelay has its own identity. Yet another gem based on a healthy anti-rut philosophy. Indeed, Beck is not only a mad scientist when it comes to sound, but also a genuine songwriter at heart. © Marc Zisman/Qobuz

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