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Jazz - Released April 12, 2019 | Tuk Music

Hi-Res Booklet Distinctions 5 Sterne Fono Forum Jazz
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Classical - Released October 15, 2012 | Alia Vox

Hi-Res Booklet Distinctions 5 de Diapason - 4 étoiles Classica - Exceptional Sound Recording - Hi-Res Audio
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Rock - Released November 30, 2018 | Parlophone UK

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Bowie first stepped onto the Glastonbury stage in 1971. “As of 1990 I got through the rest of the 20th century without having to do a big hits show. Yes, yes I know I did four or five hits on the later shows but I held out pretty well I thought…big, well-known songs will litter the field at Glastonbury this year. Well, with a couple of quirks of course”, David Bowie wrote at the time. In the year 2000, the Thin White Duke made an unforgettable impression on the UK’s largest music festival. Indeed, his set-list comprising of 21 tracks is a testament to the extent of his legacy. It includes the favourites: Starman, China Girl, Heroes, The Man Who Sold The World, Let’s Dance, Life On Mars?, Changes, Under Pressure, but also some quirkier gems: Stay, Golden Years, Wild Is The Wind, and the leading track from Station to Station (1975), the unusual, melancholic album that Lester Bangs considered to be his masterpiece.  Performing on stage with his long mane of hair, his ¾ Alexander McQueen coat and his XXL charisma, Bowie is on fire. He is joined by guitarist Earl Slick who replaced Mick Ronson when the Spiders From Mars broke up in 1974 and who at the time was the mastermind behind Diamond Dogs and David Live, Bowie’s first live recording. A true wonder to behold. © Charlotte Saintoin/Qobuz
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Classical - Released March 8, 2019 | Alia Vox

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Rock - Released October 18, 2019 | Loma Vista Recordings

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Folk - Released May 3, 2019 | Nonesuch

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“It’s the diversity in America that makes the music so powerful!”. Rhiannon Giddens, Gaelic first name, white father, mother of black and Native American (Occaneechi) ancestry, embodies the melting pot that is North American culture. The coloratura soprano that delivers an impenetrable folk, soul, blues, and bluegrass voice more than an opera one, has released her third record. She was discovered by the Coen brothers (Inside Llewyn Devis alongside Elvis Costello) and has collaborated with T-Bone Burnett. She has passed by Carolina Chocolate Drops and the White House and is the author of two acclaimed solo albums and one as Our Native Daughters (with Leyla McCalla, Allison Russell and Amythyst Kiah). The forty-year-old has, indeed, already done a lot. In collaboration with multi-instrumentalist Francesco Turrisi and produced by the excellent Joe Henry in 5 days in Dublin, There Is No Other combines original compositions with covers of classics, over a background of traditional Arabic music with Celtic and Italian influences. Within, one can find I’m Gonna Write Me A Letter by Ola Belle Reed, Brown Baby by the activist Oscar Brown Jr, or (from another genre) the Pizzica di San Vito or the Black Swan by Menotti. A diverse success. © Charlotte Saintoin/Qobuz
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Classical - Released May 20, 2016 | Alia Vox

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Classical - Released October 28, 2013 | Alia Vox

Hi-Res Booklet Distinctions 5 de Diapason - Hi-Res Audio
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Classical - Released December 16, 2013 | Alia Vox

Hi-Res Booklet Distinctions 4F de Télérama - 4 étoiles Classica - Hi-Res Audio
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Classical - Released May 6, 2016 | Alia Vox

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Classical - Released April 9, 2000 | Naxos

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Germany - Released February 19, 2021 | Electrola

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World - Released May 31, 2010 | Ocora Radio-France

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World - Released March 3, 2017 | Ocora Radio-France

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Celtic - Released January 1, 1971 | Universal Music Division Mercury Records

Distinctions The Qobuz Ideal Discography
People who hear this record are never the same again. Renaissance of the Celtic Harp, one of the most beautiful and haunting records ever made, introduced the Celtic harp to many thousands of listeners around the world. To call this music gorgeous and ravishing would be the height of understatement; indeed, there are barely words in the English language to describe it adequately. The opening work, "Ys," is a piece inspired by the legend of the fifth century capital of the kingdom of Cornwall, which was engulfed by a flood as punishment for its sins. (Debussy wrote one of his finest works, The Engulfed Cathedral, later adapted by the group Renaissance into "The Harbor" on Ashes Are Burning, based on the same legend). The reflective "Marv Pontkellec" is every bit as sublimely beautiful, but the highlight of this record is "Gaeltacht," a 19-minute musical journey by Stivell's harp across the Gaelic lands of Ireland, Scotland, and the Isle of Man. © Bruce Eder /TiVo
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Rock - Released January 26, 1988 | Rhino - Slash

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Jazz - Released May 15, 2020 | Sunnyside

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Video Games - Released June 16, 2014 | Ubisoft Music

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Asia - Released January 18, 2019 | Glitterbeat Records

Booklet Distinctions 4F de Télérama - Songlines Five-star review
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Pop - Released December 4, 2020 | earMUSIC

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