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Naxos has released several albums of music by the Hungarian composer Eugene Zádor (or Jenö Zádor), who fled Hungary in 1939 and landed in Hollywood. He wrote numerous film scores, mostly uncredited because, he said, it gave him the money to write the music he wanted to write. Zádor was a student of Max Reger's, and it may seem at first as though the style of the student is even more conservative than that of his already conservative teacher. But this is misleading: the music here, from the last part of Zádor's life, is subtle in its treatment of Hungarian folk influences and nonpareil in its orchestration. (Zádor himself said his operatic music lay halfway between La Traviata and Lulu, and that is closer to the mark for these orchestral pieces as well.) Most attractive are the two works for solo instrument and orchestra. The little two-movement Fantasia Hungarica, for the rare combination of double bass and orchestra, masterfully turns the double bass into one of a cast of characters, perhaps, in a little country tavern. Sample the second movement. The solo instrument in the Rhapsody for cimbalom and orchestra is likewise beautifully handled, with a variety of attacks and voices being given to this Hungarian folk instrument. The straight orchestral pieces are also strong; the Elegie -- "The Plains of Hungary" (1960) may remind you of how definitely you're listening to Hungarian music when you hear a cowboy film score, and the freeform Variations on a Merry Theme are nothing but fun. Perhaps the two bookend works on the program are less distinctive, but the Budapest Symphony Orchestra under Polish conductor Mariusz Smolij has done a great service by taking this music off the scrap heap of history and bringing it back to life.
© TiVo
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Dance Overture (Eugene Zador)
Eugene Zador, Composer - Mariusz Smolij, Conductor - MAV Symphony Orchestra, Orchestra, MainArtist - Zoltan Pecze, Engineer
(C) 2018 Naxos (P) 2018 Naxos
Fantasia Hungarica (Eugene Zador)
Eugene Zador, Composer - Mariusz Smolij, Conductor - MAV Symphony Orchestra, Orchestra - Zsolt Fejérvári, Artist, MainArtist - Zoltan Pecze, Engineer
(C) 2018 Naxos (P) 2018 Naxos
Eugene Zador, Composer - Mariusz Smolij, Conductor - MAV Symphony Orchestra, Orchestra - Zsolt Fejérvári, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Elegie, "The Plains of Hungary" (Eugene Zador)
Eugene Zador, Composer - Mariusz Smolij, Conductor - MAV Symphony Orchestra, Orchestra, MainArtist - Zoltan Pecze, Engineer
(C) 2018 Naxos (P) 2018 Naxos
Rhapsody for Cimbalom and Orchestra (Eugene Zador)
Eugene Zador, Composer - Mariusz Smolij, Conductor - Kalman Balogh, Artist, MainArtist - MAV Symphony Orchestra, Orchestra - Zoltan Pecze, Engineer
(C) 2018 Naxos (P) 2018 Naxos
Variations on a Merry Theme (Eugene Zador)
Eugene Zador, Composer - Mariusz Smolij, Conductor - MAV Symphony Orchestra, Orchestra, MainArtist - Zoltan Pecze, Engineer
(C) 2018 Naxos (P) 2018 Naxos
Rhapsody for Orchestra (Eugene Zador)
Eugene Zador, Composer - Mariusz Smolij, Conductor - MAV Symphony Orchestra, Orchestra, MainArtist - Zoltan Pecze, Engineer
(C) 2018 Naxos (P) 2018 Naxos
Album review
Naxos has released several albums of music by the Hungarian composer Eugene Zádor (or Jenö Zádor), who fled Hungary in 1939 and landed in Hollywood. He wrote numerous film scores, mostly uncredited because, he said, it gave him the money to write the music he wanted to write. Zádor was a student of Max Reger's, and it may seem at first as though the style of the student is even more conservative than that of his already conservative teacher. But this is misleading: the music here, from the last part of Zádor's life, is subtle in its treatment of Hungarian folk influences and nonpareil in its orchestration. (Zádor himself said his operatic music lay halfway between La Traviata and Lulu, and that is closer to the mark for these orchestral pieces as well.) Most attractive are the two works for solo instrument and orchestra. The little two-movement Fantasia Hungarica, for the rare combination of double bass and orchestra, masterfully turns the double bass into one of a cast of characters, perhaps, in a little country tavern. Sample the second movement. The solo instrument in the Rhapsody for cimbalom and orchestra is likewise beautifully handled, with a variety of attacks and voices being given to this Hungarian folk instrument. The straight orchestral pieces are also strong; the Elegie -- "The Plains of Hungary" (1960) may remind you of how definitely you're listening to Hungarian music when you hear a cowboy film score, and the freeform Variations on a Merry Theme are nothing but fun. Perhaps the two bookend works on the program are less distinctive, but the Budapest Symphony Orchestra under Polish conductor Mariusz Smolij has done a great service by taking this music off the scrap heap of history and bringing it back to life.
© TiVo
About the album
- 1 disc(s) - 7 track(s)
- Total length: 01:17:41
- 1 Digital booklet
- Main artists: MAV Symphony Orchestra Zsolt Fejérvári Balogh Kalman Mariusz Smolij
- Composer: Eugene Zador
- Label: Naxos
- Genre: Classical
(C) 2018 Naxos (P) 2018 Naxos
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