Your cart is empty

Nils Frahm - Tripping with Nils Frahm

Mes favoris
Cet élément a bien été ajouté / retiré de vos favoris.
Tripping with Nils Frahm
Nils Frahm
- Released on 03/12/2020 by Erased Tapes
- Main artist: Nils Frahm
- Genre: Electronic
- Distinctions: 4F de Télérama

Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
In December 2018, Nils Frahm returned for four nights at Funkhaus Berlin, the former headquarters of the East German national radio which is now a complex of studios and concert halls. It was here that he had composed his last album, the acclaimed All Melody, and here also that he had started a tour of 180 dates to support it. "It was about time to document my concerts in picture and sound," Frahm explains, "trying to freeze a moment of this period where my team and I were nomads, using any method of travel to play yet another show the next day. Maybe tonight is the night where everything works out perfectly and things fall into place? Normally things go wrong with concerts, but by combining our favourite moments of four performances, we were able to achieve what I was trying to do in these two years of touring: getting it right!" On the track-list of this record which comes accompanied by a film, we see an inspired Nils Frahm in beret and black T-shirt. He replays a good half of the album All Melody, and notably the trippy Sunson, whose techno break will draw whistles from Berlin club audiences. We can also enjoy the addition of The Dane (which is on All Encores) and a final, melancholic Ode – Our Own Roof, taken from the soundtrack to the film Victoria. © Smaël Bouaici/Qobuz
More infoTripping with Nils Frahm
Nils Frahm
You are currently listening to samples.
Listen to over 70 million songs with an unlimited streaming plan.
Listen to this album and more than 70 million songs with your unlimited streaming plans.
1 month free, then €19.99 / month

Nils Frahm, Composer, MainArtist
2020 Erased Tapes Records Ltd. 2020 Erased Tapes Records Ltd.
Nils Frahm, Composer, MainArtist
2020 Erased Tapes Records Ltd. 2020 Erased Tapes Records Ltd.
Nils Frahm, Composer, MainArtist
2020 Erased Tapes Records Ltd. 2020 Erased Tapes Records Ltd.
Nils Frahm, Composer, MainArtist
2020 Erased Tapes Records Ltd. 2020 Erased Tapes Records Ltd.
Nils Frahm, Composer, MainArtist
2020 Erased Tapes Records Ltd. 2020 Erased Tapes Records Ltd.
Nils Frahm, Composer, MainArtist
2020 Erased Tapes Records Ltd. 2020 Erased Tapes Records Ltd.
Nils Frahm, Composer, MainArtist
2020 Erased Tapes Records Ltd. 2020 Erased Tapes Records Ltd.
Nils Frahm, Composer, MainArtist
2020 Erased Tapes Records Ltd. 2020 Erased Tapes Records Ltd.
Album Description
In December 2018, Nils Frahm returned for four nights at Funkhaus Berlin, the former headquarters of the East German national radio which is now a complex of studios and concert halls. It was here that he had composed his last album, the acclaimed All Melody, and here also that he had started a tour of 180 dates to support it. "It was about time to document my concerts in picture and sound," Frahm explains, "trying to freeze a moment of this period where my team and I were nomads, using any method of travel to play yet another show the next day. Maybe tonight is the night where everything works out perfectly and things fall into place? Normally things go wrong with concerts, but by combining our favourite moments of four performances, we were able to achieve what I was trying to do in these two years of touring: getting it right!" On the track-list of this record which comes accompanied by a film, we see an inspired Nils Frahm in beret and black T-shirt. He replays a good half of the album All Melody, and notably the trippy Sunson, whose techno break will draw whistles from Berlin club audiences. We can also enjoy the addition of The Dane (which is on All Encores) and a final, melancholic Ode – Our Own Roof, taken from the soundtrack to the film Victoria. © Smaël Bouaici/Qobuz
About the album
- 1 disc(s) - 8 track(s)
- Total length: 01:15:54
- Main artist: Nils Frahm
- Composer: Nils Frahm
- Label: Erased Tapes
- Genre: Electronic
-
24-Bit 96.0 kHz - Stereo
2020 Erased Tapes Records Ltd. 2020 Erased Tapes Records Ltd.
Distinctions:
Improve this page
Why buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.





Playlists




Ólafur Arnalds, Nils Frahm, Max Richter, Poppy Ackroyd, Peter Broderick, Joana Gama... In recent years, these popular names have all been grouped under the vast and imprecise label "neoclassical". In truth, this "scene" looks more like a motley crew of curious artists who mix classical instruments with electronic production. Drawing influence from American minimalism, these musicians tantalise the senses and expand horizons on both sides of the musical spectrum.
Kraftwerk, the most influential electro group in history, founded by Ralf Hütter and Florian Schneider, who died of cancer on May 6, 2020, have always been ahead of their time. Ahead of technology, composition and stage performance, the Germans proved to the public that robots were also capable of emotion and paved the way for techno, new wave and even hip-hop.
Hailed by critics of classical music as well as amateurs of the electronic genre, Nils Frahm’s talent has brought harmony between the two worlds for the last ten years. Whether he plays on a church organ or a synthesiser fitted with effect pedals, the German pianist is always looking forward, and that’s what makes him so appealing.