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Bertrand Chamayou|Saint-Saëns: Piano Concertos Nos 2, 5 & Piano Works

Saint-Saëns: Piano Concertos Nos 2, 5 & Piano Works

Bertrand Chamayou

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For French pianists who don't approach the task in a sympathetic spirit, the nearly obligatory early-career Saint-Saëns recital can seem a chore, for both pianist and listener. Not a bit of it here. Pianist Bertrand Chamayou and the Orchestre National de France under Emmanuel Krivine absolutely nail the Piano Concerto No. 2, Op. 22, with a performance notable for its combination of small detail and energy. Saint-Saëns is sometimes criticized, and indeed sometimes rightly, for being a by-the-book conservatory composer, but what to make of the unusual shape of this concerto, with its Allegro middle movement and lack of a true slow movement? Sample that middle movement, which is overflowing with melody, or the solo passage at the very beginning of the concerto, exquisitely carved out by Chamayou. The Piano Concerto No. 5, Op. 103 ("Egyptian"), with its supposedly authentic Nile tribal melody in the slow movement, is suitably colorful and exotic, and there are also gems among the rarely played small piano works that close out the program. The Etude, Op. 52, No. 6 ("En forme de valse"), which is just what it says, in the form of a waltz, but not quite a waltz, is an inspired choice. Chamayou tackles the various technical challenges with aplomb, and Erato contributes unfussy sound from a pair of sessions at the Radio France Auditorium. As good a place as any to start with the piano music of Saint-Saëns.

© TiVo

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Saint-Saëns: Piano Concertos Nos 2, 5 & Piano Works

Bertrand Chamayou

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1
Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto
00:10:14

CAMILLE SAINT-SAENS, Composer - Orchestre National De France, Orchestra - Emmanuel Krivine, Conductor - Bertrand Chamayou, Piano, MainArtist

© 2018 Parlophone Records Limited, a Warner Music Group Company ℗ 2018 Parlophone Records Limited, a Warner Music Group Company

2
Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando
00:05:34

CAMILLE SAINT-SAENS, Composer - Orchestre National De France, Orchestra - Emmanuel Krivine, Conductor - Bertrand Chamayou, Piano, MainArtist

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato release, ℗ 2018 Parlophone Records Limited

3
Piano Concerto No. 2 in G Minor, Op. 22: III. Presto
00:06:37

CAMILLE SAINT-SAENS, Composer - Orchestre National De France, Orchestra - Emmanuel Krivine, Conductor - Bertrand Chamayou, Piano, MainArtist

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato release, ℗ 2018 Parlophone Records Limited

4
Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": I. Allegro animato
00:10:14

CAMILLE SAINT-SAENS, Composer - Orchestre National De France, Orchestra - Emmanuel Krivine, Conductor - Bertrand Chamayou, Piano, MainArtist

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato release, ℗ 2018 Parlophone Records Limited

5
Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": II. Andante
00:10:30

CAMILLE SAINT-SAENS, Composer - Orchestre National De France, Orchestra - Emmanuel Krivine, Conductor - Bertrand Chamayou, Piano, MainArtist

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato release, ℗ 2018 Parlophone Records Limited

6
Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro
00:05:56

CAMILLE SAINT-SAENS, Composer - Orchestre National De France, Orchestra - Emmanuel Krivine, Conductor - Bertrand Chamayou, Piano, MainArtist

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato release, ℗ 2018 Parlophone Records Limited

7
6 Études, Op. 111: No. 4, Les cloches de Las Palmas
00:04:02

CAMILLE SAINT-SAENS, Composer - Bertrand Chamayou, Piano, MainArtist

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato release, ℗ 2018 Parlophone Records Limited

8
6 Études, Op. 52: No. 6, Étude en forme de valse
00:04:51

CAMILLE SAINT-SAENS, Composer - Bertrand Chamayou, Piano, MainArtist

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato release, ℗ 2018 Parlophone Records Limited

9
Mazurka No. 3 in B Minor, Op. 66
00:04:39

CAMILLE SAINT-SAENS, Composer - Bertrand Chamayou, Piano, MainArtist

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato release, ℗ 2018 Parlophone Records Limited

10
6 Études, Op. 111: No. 1, Tierces majeures et mineures
00:02:29

CAMILLE SAINT-SAENS, Composer - Bertrand Chamayou, Piano, MainArtist

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato release, ℗ 2018 Parlophone Records Limited

11
Allegro appassionato, Op. 70
00:05:49

CAMILLE SAINT-SAENS, Composer - Bertrand Chamayou, Piano, MainArtist

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato release, ℗ 2018 Parlophone Records Limited

12
6 Études, Op. 52: No. 2, Étude pour l'indépendance des doigts
00:02:48

CAMILLE SAINT-SAENS, Composer - Bertrand Chamayou, Piano, MainArtist

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato release, ℗ 2018 Parlophone Records Limited

13
Valse nonchalante in D-Flat Major, Op. 110
00:04:01

CAMILLE SAINT-SAENS, Composer - Bertrand Chamayou, Piano, MainArtist

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato release, ℗ 2018 Parlophone Records Limited

Album review

For French pianists who don't approach the task in a sympathetic spirit, the nearly obligatory early-career Saint-Saëns recital can seem a chore, for both pianist and listener. Not a bit of it here. Pianist Bertrand Chamayou and the Orchestre National de France under Emmanuel Krivine absolutely nail the Piano Concerto No. 2, Op. 22, with a performance notable for its combination of small detail and energy. Saint-Saëns is sometimes criticized, and indeed sometimes rightly, for being a by-the-book conservatory composer, but what to make of the unusual shape of this concerto, with its Allegro middle movement and lack of a true slow movement? Sample that middle movement, which is overflowing with melody, or the solo passage at the very beginning of the concerto, exquisitely carved out by Chamayou. The Piano Concerto No. 5, Op. 103 ("Egyptian"), with its supposedly authentic Nile tribal melody in the slow movement, is suitably colorful and exotic, and there are also gems among the rarely played small piano works that close out the program. The Etude, Op. 52, No. 6 ("En forme de valse"), which is just what it says, in the form of a waltz, but not quite a waltz, is an inspired choice. Chamayou tackles the various technical challenges with aplomb, and Erato contributes unfussy sound from a pair of sessions at the Radio France Auditorium. As good a place as any to start with the piano music of Saint-Saëns.

© TiVo

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