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The Impressions|People Get Ready

People Get Ready

The Impressions

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As with the previous year's Keep on Pushing, People Get Ready featured another big Curtis Mayfield hit, one that made as strong an impact on the civil-rights movement as on the charts. One of the most beautiful songs of the '60s, "People Get Ready" set the oft-used "gospel train" as its theme, with Mayfield speaking of faith for the present and deliverance in the future, while Sam Gooden and Fred Cash contributed beautiful harmony vocals (and a few lines of their own). That career touchstone aside, the rest of the material on the LP wasn't as strong as Keep on Pushing or the Impressions' marvelous debut. The two winners were "Woman's Got Soul" and "You Must Believe Me," both in a similar brassy, uptown mode as expected from the Chicago soul kingpins. A few of the songs were hauled out from as long as three years ago, like Mayfield's own version of "Can't Work No Longer," a Billy Butler hit he'd produced (also in 1965). The exceptional harmonies and arrangements were still in place, but for a few songs it was clear that Mayfield had tired of concocting novelties that looked back to the age of doo wop.
© John Bush /TiVo

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People Get Ready

The Impressions

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1
Woman's Got Soul
00:02:27

Curtis Mayfield, Producer, ComposerLyricist - The Impressions, MainArtist - Johnny Pate, Producer

A Geffen Records Release; ℗ 1965 UMG Recordings, Inc.

2
Emotions
00:02:51

Curtis Mayfield, Producer, ComposerLyricist - The Impressions, MainArtist - Johnny Pate, Producer

℗ 1965 Geffen Records

3
Sometimes I Wonder
00:03:05

Curtis Mayfield, Producer, ComposerLyricist - The Impressions, MainArtist - Johnny Pate, Producer

℗ 1965 Geffen Records

4
We're In Love
00:02:31

Curtis Mayfield, Producer, ComposerLyricist - The Impressions, MainArtist - Johnny Pate, Recording Arranger, AssociatedPerformer

A Geffen Records Release; ℗ 1965 UMG Recordings, Inc.

5
Just Another Dance
00:02:54

Curtis Mayfield, Producer, ComposerLyricist - The Impressions, MainArtist - Johnny Pate, Recording Arranger, AssociatedPerformer

℗ 1965 Geffen Records

6
Can't Work No Longer
00:02:24

Curtis Mayfield, Producer, ComposerLyricist - The Impressions, MainArtist - Johnny Pate, Producer

℗ 1965 Geffen Records

7
People Get Ready
00:02:43

Curtis Mayfield, Producer, ComposerLyricist - The Impressions, MainArtist - Johnny Pate, Producer

A Geffen Records Release; ℗ 1965 UMG Recordings, Inc.

8
I've Found That I've Lost
00:02:53

Curtis Mayfield, Producer, ComposerLyricist - The Impressions, MainArtist - Johnny Pate, Producer

℗ 1965 Geffen Records

9
Hard To Believe
00:02:28

Curtis Mayfield, Producer, ComposerLyricist - The Impressions, MainArtist - Johnny Pate, Producer

℗ 1965 Geffen Records

10
See The Real Me
00:02:27

Curtis Mayfield, Producer, ComposerLyricist - The Impressions, MainArtist - Johnny Pate, Producer

A Geffen Records Release; ℗ 1964 UMG Recordings, Inc.

11
Get Up And Move
00:02:15

Curtis Mayfield, Producer, ComposerLyricist - The Impressions, MainArtist - Johnny Pate, Producer

℗ 1965 Geffen Records

12
You Must Believe Me
00:02:30

Curtis Mayfield, Producer, ComposerLyricist - The Impressions, MainArtist - Johnny Pate, Producer

A Geffen Records Release; ℗ 1964 UMG Recordings, Inc.

Album Description

As with the previous year's Keep on Pushing, People Get Ready featured another big Curtis Mayfield hit, one that made as strong an impact on the civil-rights movement as on the charts. One of the most beautiful songs of the '60s, "People Get Ready" set the oft-used "gospel train" as its theme, with Mayfield speaking of faith for the present and deliverance in the future, while Sam Gooden and Fred Cash contributed beautiful harmony vocals (and a few lines of their own). That career touchstone aside, the rest of the material on the LP wasn't as strong as Keep on Pushing or the Impressions' marvelous debut. The two winners were "Woman's Got Soul" and "You Must Believe Me," both in a similar brassy, uptown mode as expected from the Chicago soul kingpins. A few of the songs were hauled out from as long as three years ago, like Mayfield's own version of "Can't Work No Longer," a Billy Butler hit he'd produced (also in 1965). The exceptional harmonies and arrangements were still in place, but for a few songs it was clear that Mayfield had tired of concocting novelties that looked back to the age of doo wop.
© John Bush /TiVo

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