Qobuz Store wallpaper
Categories:
Cart 0

Your cart is empty

Patricia Petibon|Nouveau Monde - Baroque Arias And Songs

Nouveau Monde - Baroque Arias And Songs

La Cetra Barockorchester Basel

Digital booklet

Available in
logo Hi-Res
24-Bit 96.0 kHz - Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

The program for this release by French soprano Patricia Petibon is insanely ambitious, but she pulls it off brilliantly. The "nouveau monde" of the title refers not only to the Americas but to other overseas (from Europe) lands and even, Petibon says in the interview-style booklet, to the new world '"revealed to me by [early music pioneers] William Christie, Jordi Savall, and Nikolaus Harnoncourt when they revolutionized the approach to style and sound." But, Petibon goes on, this new world "is one that always has to be expanded with new explorations and new conquests." Thus we get pieces from a previously untouched Peruvian manuscript of the late 18th century along with a Spanish-language aria by Handel, popular songs from the Old and New Worlds, excerpts from Charpentier's Medée (with its crossing of the river Styx, yet another "new world" opera), Rameau's Les Indes galantes (a work desperately in need of a full-scale revival), Purcell's "When I Am Laid in Earth" from Dido and Aeneas (an "Egyptian" work), and more. Petibon weaves the various themes -- pastoral, nostalgic, self-destructive -- together in such a way that this extremely disparate material seems to flow together, and indeed she makes the point convincingly that audiences of the Baroque and Classical eras might have known a good deal of this music and considered it fit for inclusion on the same bill. Her voice may be a bit on the dry side for some, but the same is true of many Christie products, and she has given the Baroque repertory a very strong shake-up here. The La Cetra ensemble of Basel is an adept co-conspirator in Petibon's plans, and even Deutsche Grammophon's graphics, not a field in which the label typically excels, are delightful.
© TiVo

More info

Nouveau Monde - Baroque Arias And Songs

Patricia Petibon

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

Copy the following link to share it

You are currently listening to samples.

Listen to over 70 million songs with an unlimited streaming plan.

Listen to this album and more than 70 million songs with your unlimited streaming plans.

Vendado es amor, no es ciego (Zarzuela) (José de Nebra)

1
El bajel que no recela
Patricia Petibon
00:05:30

Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - José de Nebra, ComposerLyricist - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Yo soy la locura (Henri de Bailly)

2
de Bailly: Yo soy la locura
Patricia Petibon
00:02:40

Anonymous, Author - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Joël Grare, Percussion, MainArtist, AssociatedPerformer - Henri de Bailly, Composer - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Codex Martínez Compañon (Anonymous)

3
Cachua a voz y bajo Al Nacimento de Christo Nuestro Señor
Joël Grare
00:03:13

Anonymous, ComposerLyricist - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Joël Grare, Percussion, MainArtist, AssociatedPerformer - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Vendado es amor, no es ciego (Zarzuela) (José de Nebra)

4
En amor, pastorcillos, no hay quien distinga
Patricia Petibon
00:01:47

Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - José de Nebra, ComposerLyricist - Joël Grare, Castanets, MainArtist, AssociatedPerformer - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Dido and Aeneas / Act 3 (Henry Purcell)

5
"Thy hand, Belinda...When I am laid in earth"
Patricia Petibon
00:05:21

Virgil, Author, Original Text Author - Nahum Tate, Author - Henry Purcell, Composer - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Les Indes galantes / Nouvelle Entrée: Les Sauvages Scène 6 (Jean-Philippe Rameau)

6
Danse du Grand Calumet de la Paix (Rondeau) - Forêts paisibles
Patricia Petibon
00:04:12

Jean-Philippe Rameau, Composer - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Louis Fuzelier, Author - Kevin Greenlaw, Baritone, MainArtist, AssociatedPerformer - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - La Cetra Vocalensemble Basel, Chorus, MainArtist, AssociatedPerformer - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Cantata spagnola HWV 140 (Georg Friedrich Händel)

7
No se emendará jamás
Patricia Petibon
00:03:36

George Frideric Handel, Composer - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Joël Grare, Castanets, MainArtist, AssociatedPerformer - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Codex Martínez Compañon (Anonymous)

8
Tonada la Lata a voz y bajo para bailar cantando
Patricia Petibon
00:02:10

Anonymous, ComposerLyricist - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Joël Grare, Percussion, MainArtist, AssociatedPerformer - Pierre Hamon, Flute, MainArtist, AssociatedPerformer - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Mon amy s'en est allÈ (Anonymous)

9
Mon amy s'en est allé
Joël Grare
00:03:35

Anonymous, ComposerLyricist - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Joël Grare, Percussion, MainArtist, AssociatedPerformer - Pierre Hamon, Flute, MainArtist, AssociatedPerformer - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, Arranger, Work Arranger, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Codex Martínez Compañon (Anonymous)

10
Tonada la Lata el Congo a voz y bajo para baylar cantando
Patricia Petibon
00:03:20

Anonymous, ComposerLyricist - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Joël Grare, Percussion, MainArtist, AssociatedPerformer - Pierre Hamon, Flute, MainArtist, AssociatedPerformer - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Chaconne for Soprano and Continuo (Marc-Antoine Charpentier)

11
Sans frayer dans ce bois
Patricia Petibon
00:02:29

Anonymous, Author - Marc-Antoine Charpentier, Composer - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Joël Grare, Percussion, MainArtist, AssociatedPerformer - Ovid, Author, Original Text Author - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Medée / Acte III / Scène 3 (Marc-Antoine Charpentier)

12
Quel prix de mon amour
Patricia Petibon
00:05:35

Marc-Antoine Charpentier, Composer - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Medée / Acte III / Scène 5 / Scéne 6 (Marc-Antoine Charpentier)

13
Prélude - Noire filles du stix - L'Enfer obéit à ta voix
Patricia Petibon
00:03:57

Marc-Antoine Charpentier, Composer - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - La Cetra Vocalensemble Basel, Chorus, MainArtist, AssociatedPerformer - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Medée / Acte III / Scène 7 (Marc-Antoine Charpentier)

14
Dieu du Cocyte et des Royaumes sombres
Patricia Petibon
00:04:49

Marc-Antoine Charpentier, Composer - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - La Cetra Vocalensemble Basel, Chorus, MainArtist, AssociatedPerformer - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Greensleeves To A Ground (Anonymous)

15
Arranged By La Cetra
Joël Grare
00:04:08

Traditional, Author - Anonymous, Composer - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Joël Grare, Percussion, MainArtist, AssociatedPerformer - Pierre Hamon, Bagpipes, MainArtist, AssociatedPerformer - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, Arranger, Work Arranger, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

J'ai vu le loup, le renard et la belette (Anonymous)

16
J'ai vu le loup, le renard et la belette
Patricia Petibon
00:02:54

Traditional, ComposerLyricist - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Joël Grare, Percussion, MainArtist, AssociatedPerformer - Pierre Hamon, Bagpipes, MainArtist, AssociatedPerformer - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, Arranger, Work Arranger, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Les Indes galantes / Première Entrée: Le Turc généreux Scène 2 (Jean-Philippe Rameau)

17
La nuit couvre les cieux - Que nous sert d'échapper à la fureur des mers
Patricia Petibon
00:04:44

Jean-Philippe Rameau, Composer - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Louis Fuzelier, Author - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - La Cetra Vocalensemble Basel, Chorus, MainArtist, AssociatedPerformer - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

King Arthur, or The British Worthy (1691) / Act 5 (Henry Purcell)

18
Fairest Isle (Venus)
Patricia Petibon
00:03:37

Henry Purcell, Composer - John Dryden, Author - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Album Description

The program for this release by French soprano Patricia Petibon is insanely ambitious, but she pulls it off brilliantly. The "nouveau monde" of the title refers not only to the Americas but to other overseas (from Europe) lands and even, Petibon says in the interview-style booklet, to the new world '"revealed to me by [early music pioneers] William Christie, Jordi Savall, and Nikolaus Harnoncourt when they revolutionized the approach to style and sound." But, Petibon goes on, this new world "is one that always has to be expanded with new explorations and new conquests." Thus we get pieces from a previously untouched Peruvian manuscript of the late 18th century along with a Spanish-language aria by Handel, popular songs from the Old and New Worlds, excerpts from Charpentier's Medée (with its crossing of the river Styx, yet another "new world" opera), Rameau's Les Indes galantes (a work desperately in need of a full-scale revival), Purcell's "When I Am Laid in Earth" from Dido and Aeneas (an "Egyptian" work), and more. Petibon weaves the various themes -- pastoral, nostalgic, self-destructive -- together in such a way that this extremely disparate material seems to flow together, and indeed she makes the point convincingly that audiences of the Baroque and Classical eras might have known a good deal of this music and considered it fit for inclusion on the same bill. Her voice may be a bit on the dry side for some, but the same is true of many Christie products, and she has given the Baroque repertory a very strong shake-up here. The La Cetra ensemble of Basel is an adept co-conspirator in Petibon's plans, and even Deutsche Grammophon's graphics, not a field in which the label typically excels, are delightful.
© TiVo

About the album

Distinctions:

Improve this page

Qobuz logo Why buy on Qobuz...

On sale now...

Philip Glass: Piano Works

Víkingur Ólafsson

Philip Glass: Piano Works Víkingur Ólafsson

Prokofiev: Piano Concerto No.3 / Ravel: Piano Concerto In G Major

Martha Argerich

Rachmaninov : Piano Concertos 2, 4 - Bach-Rachmaninov : Partita BWV 1006

Daniil Trifonov

A Rush of Blood to the Head

Coldplay

More on Qobuz
By Patricia Petibon

The Art of Patricia Petibon

Patricia Petibon

The Art of Patricia Petibon Patricia Petibon

L'Amour, la Mort, la Mer

Patricia Petibon

L'Amour, la Mort, la Mer Patricia Petibon

La Belle Excentrique

Patricia Petibon

La Belle Excentrique Patricia Petibon

Rosso - Italian Baroque Arias

Patricia Petibon

Poulenc: Stabat Mater; Gloria; Litanies à la Vierge noire

Patricia Petibon

Playlists

You may also like...

On DSCH

Igor Levit

On DSCH Igor Levit

Schubert: Winterreise

Mark Padmore

Schubert: Winterreise Mark Padmore

Souvenirs d'Italie

Maurice Steger

Souvenirs d'Italie Maurice Steger

Exiles

Max Richter

Exiles Max Richter

El Nour

Fatma Said

El Nour Fatma Said
In your panoramas...
10 Versions of Berlioz’s Symphonie Fantastique

As a proper manifesto of French romanticism, Berlioz’s Symphonie fantastique marked the 19th century as much as Stravinsky’s The Rite of Spring impacted the 20th. Composed in Paris − which at the time was a global crucible for artistic creation − these two masterpieces catapulted musical language into another dimension. On December 5th, 1830 the revolutionary work of 27-year-old Hector Berlioz deeply moved the musicians present in the small room of the old academy of music, among whom were Meyerbeer and Liszt, who were impressed by the extraordinary audacity of this piece presented just three years after Beethoven’s death.

Strauss & Kempe: Elective Affinities

The name of conductor Rudolf Kempe (1910-1976) is indissociable from those of composer Richard Strauss and the Dresden Staatskapelle orchestra. As Warner is now re-releasing the recordings made between 1970 and 1975, Qobuz is putting the spotlight on the Straussian legacy of a precise, often incisive conductor, who always paid the greatest attention to the text and its charms.

Danny Elfman in Ten Albums

From fairy tales to wacky comedies, from the most extraordinary orchestral works to understated pieces, for almost forty years now Danny Elfman has been crafting his unique sound and injecting it into Hollywood productions by the likes of Tim Burton or Gus Van Sant. We look back over ten albums from his career, exploring both his essential works and less well-known compositions.

In the news...