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Lana Del Rey - Norman Fucking Rockwell!

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Norman Fucking Rockwell!

Lana Del Rey

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Her sensual voice is irresistible. Elizabeth Grant, aka Lana Del Rey, could sing the instruction manual for a wireless vacuum cleaner and she would still have our full attention. Even when she invites the whole world to join her (A$AP Rocky, The Weeknd, Stevie Nicks and Sean Lennon all featured on Lust For Life, her album released in 2017), she lives in her own little world where time moves slow and melancholy reigns supreme. Making music is her way of talking about her era, her contemporaries, the American Dream and, as far as we can tell, herself... With its shocking title, stylised album cover (featuring Duke Nicholson, Jack Nicholson’s grandson, aboard a boat sailing away from a burning coast) and her particularly slow tempos (only ballads here), Norman Fucking Rockwell! is largely rooted in folk. Del Rey roams around this great soundscape, more melancholic and evanescent than ever. She closely collaborated with Jack Antonoff on this album (a sought-after producer for pop stars such as Taylor Swift, St. Vincent, Lorde, Carly Rae Jepsen and Pink) and the producer shapes her melancholy with equal amounts of sobriety and slickness. The slow rhythms on this beautiful record offer a welcome break from the turbulence of today. One of the tracks that stands out is a cover of Sublime’s Doin’ Time (1996), itself a new interpretation of Gershwin’s Summertime, offering further proof of Lana Del Rey’s originality, something which is much more complex than some would have us believe... © Marc Zisman/Qobuz

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Norman Fucking Rockwell!

Lana Del Rey

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1
Norman fucking Rockwell
00:04:08

Chris Gehringer, Mastering Engineer, StudioPersonnel - Will Quinnell, Assistant Mastering Engineer, StudioPersonnel - Laura Sisk, Mixer, Recording Engineer, StudioPersonnel - Lana Del Rey, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Mixer, Keyboards, Piano, Recording Engineer, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Phillip Peterson, Cello, Flugelhorn, Baritone, AssociatedPerformer - Victoria Parker, Violin, AssociatedPerformer - Evan Smith, Saxophone, AssociatedPerformer

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2019 Lana Del Rey, under exclusive licence to Universal Music Operations Limited

2
Mariners Apartment Complex
00:04:05

John Hanes, Mix Engineer, StudioPersonnel - Chris Gehringer, Mastering Engineer, StudioPersonnel - Serban Ghenea, Mixer, StudioPersonnel - Will Quinnell, Mastering Engineer, StudioPersonnel - Laura Sisk, Engineer, Programmer, StudioPersonnel - Lana Del Rey, Producer, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Drums, Acoustic Guitar, Electric Guitar, Piano, Programmer, Synthesizer, AssociatedPerformer, ComposerLyricist

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2018 Lana Del Rey, under exclusive license to Polydor Ltd. (UK), under exclusive license to Interscope Records in the USA.

3
Venice Bitch
00:09:37

Chris Gehringer, Mastering Engineer, StudioPersonnel - Will Quinnell, Mastering Engineer, StudioPersonnel - Laura Sisk, Mixer, Engineer, StudioPersonnel - Lana Del Rey, Producer, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Mixer, Drums, Acoustic Guitar, Electric Guitar, Piano, Programmer, Synthesizer, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Greg Eliason, Asst. Recording Engineer, StudioPersonnel - Derrick Stockwell, Asst. Recording Engineer, StudioPersonnel

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2018 Lana Del Rey, under exclusive license to Polydor Ltd. (UK), under exclusive license to Interscope Records in the USA.

4
Fuck it I love you
00:03:38

Chris Gehringer, Mastering Engineer, StudioPersonnel - Will Quinnell, Assistant Mastering Engineer, StudioPersonnel - Paul Lamalfa, Engineer, StudioPersonnel - Laura Sisk, Mixer, Recording Engineer, StudioPersonnel - John Rooney, Asst. Recording Engineer, StudioPersonnel - Lana Del Rey, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Mixer, Drums, Acoustic Guitar, Electric Guitar, Keyboards, Piano, Recording Engineer, Programming, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Andrew Watt, Producer - Louis Bell, Producer, ComposerLyricist - Ben Fletcher, Asst. Recording Engineer, StudioPersonnel - Andrew Wotman, ComposerLyricist - Mikey Freedom Hart, Keyboards, AssociatedPerformer - Billy Cumella, Asst. Recording Engineer, StudioPersonnel

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2019 Lana Del Rey, under exclusive licence to Universal Music Operations Limited

5
Doin' Time
00:03:20

Happy Perez, Producer - Rick Rubin, ComposerLyricist - Adam Nathaniel Yauch, ComposerLyricist - Josh Freese, Drums, AssociatedPerformer - Chris Gehringer, Mastering Engineer, StudioPersonnel - George Gershwin, ComposerLyricist - Ira Gershwin, ComposerLyricist - Will Quinnell, Mastering Engineer, StudioPersonnel - Dorothy Heyward, ComposerLyricist - Dubose Heyward, ComposerLyricist - Paul Lamalfa, Mixer, Recording Engineer, Mix Engineer, StudioPersonnel - Adam Keefe Horovitz, ComposerLyricist - Bud Gaugh, Drums, AssociatedPerformer - Eric Wilson, Bass Guitar, AssociatedPerformer - Lana Del Rey, Vocals, MainArtist, AssociatedPerformer - Andrew Watt, Producer, Mixer, Guitar, Programmer, Recording Arranger, AssociatedPerformer, StudioPersonnel - Bradley James Nowell, ComposerLyricist - Marshall Raymond Goodman, ComposerLyricist - Gale Levant, Harp, AssociatedPerformer

A Polydor Records Recording / An Interscope Records Recording In The USA; ℗ 2019 Lana Del Rey, under exclusive licence to Polydor Records a division of Universal Music Operations Limited

6
Love song
00:03:47

Chris Gehringer, Mastering Engineer, StudioPersonnel - Will Quinnell, Assistant Mastering Engineer, StudioPersonnel - Laura Sisk, Mixer, Recording Engineer, StudioPersonnel - Lana Del Rey, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Mixer, Electric Guitar, Keyboards, Piano, Recording Engineer, Programming, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Phillip Peterson, Cello, AssociatedPerformer - Victoria Parker, Violin, AssociatedPerformer

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2019 Lana Del Rey, under exclusive licence to Universal Music Operations Limited

7
Cinnamon Girl
00:04:59

Chris Gehringer, Mastering Engineer, StudioPersonnel - Will Quinnell, Assistant Mastering Engineer, StudioPersonnel - Laura Sisk, Mixer, Recording Engineer, StudioPersonnel - Lana Del Rey, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Mixer, Guitar, Keyboards, Piano, Recording Engineer, Programming, AssociatedPerformer, StudioPersonnel, ComposerLyricist

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2019 Lana Del Rey, under exclusive licence to Universal Music Operations Limited

8
How to disappear
00:03:46

Chris Gehringer, Mastering Engineer, StudioPersonnel - Will Quinnell, Assistant Mastering Engineer, StudioPersonnel - Laura Sisk, Mixer, Recording Engineer, StudioPersonnel - Lana Del Rey, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Mixer, Drums, Acoustic Guitar, Electric Guitar, Keyboards, Percussion, Piano, Vibraphone, Recording Engineer, Programming, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Tate McDowell, Asst. Recording Engineer, StudioPersonnel

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2019 Lana Del Rey, under exclusive licence to Universal Music Operations Limited

9
California
00:05:05

Benji Lysaght, Guitar, AssociatedPerformer - Adam Ayan, Mastering Engineer, StudioPersonnel - Kieron Menzies, Engineer, Synthesizer, Mellotron, AssociatedPerformer, StudioPersonnel - Dean Reid, Engineer, Bass Guitar, AssociatedPerformer, StudioPersonnel - Zachary Dawes, Producer, Piano, AssociatedPerformer - Laura Sisk, Mixer, StudioPersonnel - Lana Del Rey, Producer, Additional Producer, Vocals, Synthesizer Programming, MainArtist, AssociatedPerformer, ComposerLyricist - Jack Antonoff, Mixer, StudioPersonnel - John Congleton, Engineer, StudioPersonnel - Darren Weiss, Drums, AssociatedPerformer - Tyler Parkford, Hammond B3, AssociatedPerformer - Evan Weiss, Guitar, AssociatedPerformer - Loren Humphrey, Drums, AssociatedPerformer - Nicolas Jodoin, Asst. Recording Engineer, StudioPersonnel - Travis Pavur, Asst. Recording Engineer, StudioPersonnel - Zachary Edwin Dawes, ComposerLyricist

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2019 Lana Del Rey, under exclusive licence to Universal Music Operations Limited

10
The Next Best American Record
00:05:48

Zac Rae, Keyboards, AssociatedPerformer - Chris Gehringer, Mastering Engineer, StudioPersonnel - David Levita, Electric Guitar, AssociatedPerformer - Rick Nowels, Producer, Acoustic Guitar, Piano, AssociatedPerformer, ComposerLyricist - Kieron Menzies, Producer, Mixer, Drums, Engineer, Programmer, Sound Effects, AssociatedPerformer, StudioPersonnel - Dean Reid, Producer, Mixer, Engineer, Electric Guitar, Keyboards, Programmer, Sound Effects, AssociatedPerformer, StudioPersonnel - Lana Del Rey, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Mighty Mike, Producer, Drums, Additional Producer, Programmer, AssociatedPerformer - Trevor Yasuda, Engineer, StudioPersonnel - Chris Rockwell, Asst. Recording Engineer, StudioPersonnel - John Christopher Fee, Asst. Recording Engineer, StudioPersonnel

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2019 Lana Del Rey, under exclusive licence to Universal Music Operations Limited

11
The greatest
00:04:59

Chris Gehringer, Mastering Engineer, StudioPersonnel - Will Quinnell, Assistant Mastering Engineer, StudioPersonnel - Laura Sisk, Mixer, Recording Engineer, StudioPersonnel - Lana Del Rey, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Mixer, Drums, Acoustic Guitar, Electric Guitar, Keyboards, Piano, Recording Engineer, Programming, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Phillip Peterson, Cello, AssociatedPerformer - Victoria Parker, Violin, AssociatedPerformer - Tate McDowell, Asst. Recording Engineer, StudioPersonnel - Evan Smith, Flute, Saxophones, AssociatedPerformer

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2019 Lana Del Rey, under exclusive licence to Universal Music Operations Limited

12
Bartender
00:04:21

Chris Gehringer, Mastering Engineer, StudioPersonnel - Rick Nowels, Producer, Piano, AssociatedPerformer, ComposerLyricist - Kieron Menzies, Mixer, Recording Engineer, StudioPersonnel - Dean Reid, Mixer, StudioPersonnel - Lana Del Rey, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2019 Lana Del Rey, under exclusive licence to Universal Music Operations Limited

13
Happiness is a butterfly
00:04:31

Chris Gehringer, Mastering Engineer, StudioPersonnel - Will Quinnell, Assistant Mastering Engineer, StudioPersonnel - Rick, ComposerLyricist - Rick Nowels, Producer, Additional Producer - Laura Sisk, Mixer, Recording Engineer, StudioPersonnel - Lana Del Rey, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Mixer, Guitar, Keyboards, Piano, Recording Engineer, Programming, AssociatedPerformer, StudioPersonnel, ComposerLyricist

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2019 Lana Del Rey, under exclusive licence to Universal Music Operations Limited

14
hope is a dangerous thing for a woman like me to have - but I have it
00:05:24

Chris Gehringer, Mastering Engineer, StudioPersonnel - Laura Sisk, Mixer, Engineer, StudioPersonnel - Lana Del Rey, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Jack Antonoff, Producer, ComposerLyricist

℗ 2019 Lana Del Rey, under exclusive license to Polydor Ltd. (UK), under exclusive license to Interscope Records in the USA.

Album Description

Her sensual voice is irresistible. Elizabeth Grant, aka Lana Del Rey, could sing the instruction manual for a wireless vacuum cleaner and she would still have our full attention. Even when she invites the whole world to join her (A$AP Rocky, The Weeknd, Stevie Nicks and Sean Lennon all featured on Lust For Life, her album released in 2017), she lives in her own little world where time moves slow and melancholy reigns supreme. Making music is her way of talking about her era, her contemporaries, the American Dream and, as far as we can tell, herself... With its shocking title, stylised album cover (featuring Duke Nicholson, Jack Nicholson’s grandson, aboard a boat sailing away from a burning coast) and her particularly slow tempos (only ballads here), Norman Fucking Rockwell! is largely rooted in folk. Del Rey roams around this great soundscape, more melancholic and evanescent than ever. She closely collaborated with Jack Antonoff on this album (a sought-after producer for pop stars such as Taylor Swift, St. Vincent, Lorde, Carly Rae Jepsen and Pink) and the producer shapes her melancholy with equal amounts of sobriety and slickness. The slow rhythms on this beautiful record offer a welcome break from the turbulence of today. One of the tracks that stands out is a cover of Sublime’s Doin’ Time (1996), itself a new interpretation of Gershwin’s Summertime, offering further proof of Lana Del Rey’s originality, something which is much more complex than some would have us believe... © Marc Zisman/Qobuz

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