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The Jesus And Mary Chain|Honey's Dead  (Expanded Version)

Honey's Dead (Expanded Version)

The Jesus And Mary Chain

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Again working with Alan Moulder but now also using a live drummer on most tracks -- namely Monti from Curve, one of the Mary Chain's many descendants -- the Reids came back strong with Honey's Dead, on balance a more consistent and satisfying record than Automatic. There's a sense of greater creativity with the arrangements, while the balance between blasting static rampage and precise, almost clinical delivery is the finest yet, making the album as a whole the best straight-through listen since Psychocandy. Monti's drumming finally replaces Bobby Gillespie's properly; he's a much more talented musician than the Primal Scream overlord, using the warped funk hits familiar from Curve's work to the Mary Chain's advantage. Even the drum machine-driven cuts work better than before, especially the brilliant, coruscating opener, "Reverence." Burning with some of the best nails-on-chalkboard feedback the band had yet recorded, combined with a whipsmart sharp breakbeat, all it took was the finishing touch of Jim Reid's sneering lines like "I wanna die like Jesus Christ" to make it another stone-cold classic single from the band. Other winners include "Sugar Ray," with beats and melody so immediate and addictive the track was actually used for a beer commercial, of all things, and the steady slap and crunch of "Good for My Soul." If there's a danger in Honey's Dead, it's that the near bottomless pit of reworked melodies and lyrics had almost reached its end -- even the final track, "Frequency," combines both "Reverence" itself with the Modern Lovers' "Roadrunner" -- which made the stylistic shift on Stoned & Dethroned a logical follow-up. William and Jim Reid split all the vocals almost evenly, the former especially shining on the nearly gentle "Almost Gold," the closest the record comes to a sweet ballad.

© Ned Raggett /TiVo

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Honey's Dead (Expanded Version)

The Jesus And Mary Chain

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1
Reverence
00:03:40

William Reid, Composer, Producer - ALAN MOULDER, Mixer, Engineer - The Jesus And Mary Chain, MainArtist - Jim Reid, Composer, Producer

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music UK Ltd

2
Teenage Lust
00:03:06

William Reid, Producer, Writer - ALAN MOULDER, Mixer, Engineer - The Jesus And Mary Chain, MainArtist - Jim Reid, Producer, Writer

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music UK Ltd

3
Far Gone and Out
00:02:51

William Reid, Composer, Producer - ALAN MOULDER, Mixer, Engineer - The Jesus And Mary Chain, MainArtist - Monti, Drums - Jim Reid, Composer, Producer

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music UK Ltd

4
Almost Gold
00:03:18

William Reid, Composer, Producer - ALAN MOULDER, Mixer, Engineer - The Jesus And Mary Chain, MainArtist - Monti, Drums - Jim Reid, Composer, Producer

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music UK Ltd

5
Sugar Ray
00:04:40

William Reid, Writer, Performance - ALAN MOULDER, Engineer - John Reid, Writer, Performance - The Jesus And Mary Chain, MainArtist - Monti, Drums

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music UK Ltd

6
Tumbledown
00:04:09

William Reid, Writer, Performance - ALAN MOULDER, Engineer - The Jesus And Mary Chain, MainArtist - Monti, Drums - Jim Reid, Writer, Performance

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music UK Ltd

7
Catchfire
00:04:46

William Reid, Writer, Performance - ALAN MOULDER, Engineer - The Jesus And Mary Chain, MainArtist - Jim Reid, Writer, Performance

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music UK Ltd

8
Good for My Soul
00:03:05

William Reid, Writer, Performance - ALAN MOULDER, Engineer - The Jesus And Mary Chain, MainArtist - Jim Reid, Writer, Performance

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music UK Ltd

9
Rollercoaster
00:03:45

William Reid, Composer, Producer - ALAN MOULDER, Mixer - Flood, Engineer - The Jesus And Mary Chain, MainArtist - Monti, Drums - Jim Reid, Composer, Producer

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music UK Ltd

10
I Can't Get Enough
00:02:56

William Reid, Writer, Performance - ALAN MOULDER, Engineer - The Jesus And Mary Chain, MainArtist - Jim Reid, Writer, Performance

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music Ltd

11
Sundown Explicit
00:04:58

William Reid, Writer, Performance - ALAN MOULDER, Engineer - The Jesus And Mary Chain, MainArtist - Monti, Drums - Jim Reid, Writer, Performance

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music Ltd

12
Frequency
00:01:19

William Reid, Writer, Performance - ALAN MOULDER, Engineer - The Jesus And Mary Chain, MainArtist - Jim Reid, Writer, Performance

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music UK Ltd

13
Rollercoaster (Single Version)
00:03:51

William Reid, Composer - The Jesus And Mary Chain, MainArtist - Jim Reid, Composer

© 2006 Warner Music UK Ltd ℗ 1990 Warner Music UK Ltd

14
Silverblade (Single Version)
00:02:56

William Reid, Writer - The Jesus And Mary Chain, MainArtist - Jim Reid, Writer

© 2006 Warner Music UK Ltd ℗ 1990 Warner Music UK Ltd

15
Lowlife (Single Version)
00:03:28

William Reid, Writer - The Jesus And Mary Chain, MainArtist - Jim Reid, Writer

© 2006 Warner Music UK Ltd ℗ 1990 Warner Music UK Ltd

16
Tower of Song (Single Version)
00:04:49

Leonard Cohen, Writer - The Jesus And Mary Chain, MainArtist

© 2006 Warner Music UK Ltd ℗ 1990 Warner Music UK Ltd

17
Far Gone And Out (Arc Weld Mix)
00:05:01

William Reid, Composer, Producer - ALAN MOULDER, Mixer, Engineer - The Jesus And Mary Chain, MainArtist - Jim Reid, Composer, Producer

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music UK Ltd

18
Teenage lust (Desdemona Mix)
00:03:38

William Reid, Producer, Writer - ALAN MOULDER, Mixer, Engineer - The Jesus And Mary Chain, MainArtist - Jim Reid, Producer, Writer

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music UK Ltd

19
Reverence (Radio Mix)
00:05:39

William Reid, Composer, Producer - The Jesus And Mary Chain, MainArtist - Jim Reid, Composer, Producer - Anjali Dutt, Engineer

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music UK Ltd

20
Heat (Single Version)
00:03:01

William Reid, Writer - The Jesus And Mary Chain, MainArtist - Jim Reid, Writer

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music UK Ltd

21
Guitarman (Single Version)
00:03:42

Jerry Reed Hubbard, Composer - The Jesus And Mary Chain, MainArtist

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music UK Ltd

22
Why'd You Want Me (Single Version)
00:03:12

William Reid, Writer - The Jesus And Mary Chain, MainArtist - Jim Reid, Writer

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music UK Ltd

23
Sometimes (Single Version)
00:02:51

William Reid, Writer - The Jesus And Mary Chain, MainArtist - Jim Reid, Writer

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music UK Ltd

24
Teenage Lust (Acoustic Version)
00:02:25

William Reid, Writer - The Jesus And Mary Chain, MainArtist - Jim Reid, Writer

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music UK Ltd

25
Reverberation (Single Version)
00:03:46

Erickson, Composer - Stacy Sutherland, Writer - Tommy Hall, Writer - Hall, Composer - Roky Erickson, Writer - The Jesus And Mary Chain, MainArtist - Sutherland, Composer

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music UK Ltd

26
Don't Come Down (Single Version)
00:02:41

William Reid, Writer - The Jesus And Mary Chain, MainArtist - Jim Reid, Writer

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music UK Ltd

27
Why'd You Want Me (Alternate Version)
00:03:14

William Reid, Producer, Writer - ALAN MOULDER, Mixer, Engineer - The Jesus And Mary Chain, MainArtist - Jim Reid, Producer, Writer

© 2006 Warner Music UK Ltd ℗ 1992 Warner Music UK Ltd

Album review

Again working with Alan Moulder but now also using a live drummer on most tracks -- namely Monti from Curve, one of the Mary Chain's many descendants -- the Reids came back strong with Honey's Dead, on balance a more consistent and satisfying record than Automatic. There's a sense of greater creativity with the arrangements, while the balance between blasting static rampage and precise, almost clinical delivery is the finest yet, making the album as a whole the best straight-through listen since Psychocandy. Monti's drumming finally replaces Bobby Gillespie's properly; he's a much more talented musician than the Primal Scream overlord, using the warped funk hits familiar from Curve's work to the Mary Chain's advantage. Even the drum machine-driven cuts work better than before, especially the brilliant, coruscating opener, "Reverence." Burning with some of the best nails-on-chalkboard feedback the band had yet recorded, combined with a whipsmart sharp breakbeat, all it took was the finishing touch of Jim Reid's sneering lines like "I wanna die like Jesus Christ" to make it another stone-cold classic single from the band. Other winners include "Sugar Ray," with beats and melody so immediate and addictive the track was actually used for a beer commercial, of all things, and the steady slap and crunch of "Good for My Soul." If there's a danger in Honey's Dead, it's that the near bottomless pit of reworked melodies and lyrics had almost reached its end -- even the final track, "Frequency," combines both "Reverence" itself with the Modern Lovers' "Roadrunner" -- which made the stylistic shift on Stoned & Dethroned a logical follow-up. William and Jim Reid split all the vocals almost evenly, the former especially shining on the nearly gentle "Almost Gold," the closest the record comes to a sweet ballad.

© Ned Raggett /TiVo

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