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Red Garland Trio|Groovy (Rudy Van Gelder Remaster)

Groovy (Rudy Van Gelder Remaster)

Red Garland Trio

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Red Garland's third recording as a leader has him playing very well, somewhat energetic and more inclusive in his direction to span the mainstream jazz palate beyond the cool exterior he emanates. The title might be a bit deceptive, for this is not a project where soul-jazz or early boogaloo influences turned jazzmen into groovemeisters -- it's a swinging groove. With bassist Paul Chambers and drummer Art Taylor, Garland has all the support he needs to wing it in a variety of directions. Recorded in that most legendary year of jazz, 1957, Garland is coming into his own in a more confident way, buoyed by his association at the time with Miles Davis. Chambers is flawless in his support role, and on this recording deserves a close listen, especially for students of the acoustic upright. They immediately dig in on the opener "C Jam Blues," with Garland at his heartiest during his bridge solo, they agree in the affirmative during the entirety of the hard bop take of "Will You Still Be Mine?," and repeat but modify the melody à la "Cool Blues" in an adept display of artistry for "Hey Now." Of course Garland has to play a ballad or two, as on "Willow Weep for Me," luscious with chord sequences, and really reflects the influence of Erroll Garner in that chiming, two-handed sustenato style for Garner's "Gone Again." It is said that by the third recording, most musicians should have their style down pat and begin attempting to take the music to a higher level. You really hear that in this recording, which was a springboard to making Red Garland one of the most revered and respected jazz pianists of the modern era.
© Michael G. Nastos /TiVo

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Groovy (Rudy Van Gelder Remaster)

Red Garland Trio

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1
C-Jam Blues (RVG Remaster)
00:08:21

Duke Ellington, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Paul Chambers, Upright Bass, AssociatedPerformer - Red Garland, Piano, AssociatedPerformer - Bob Weinstock, Recording Supervisor, StudioPersonnel - Red Garland Trio, MainArtist - Arthur Taylor, Drums, AssociatedPerformer

℗ 2008 Prestige Records/Fantasy, Inc.

2
Gone Again (RVG Remaster)
00:06:46

CURTIS LEWIS, ComposerLyricist - Lionel Hampton, ComposerLyricist - Curley Hamner, ComposerLyricist - Red Garland Trio, MainArtist

℗ 2008 Prestige Records/Fantasy, Inc.

3
Will You Still Be Mine (RVG Remaster)
00:04:43

Matt Dennis, ComposerLyricist - Tom Adair, ComposerLyricist - Red Garland Trio, MainArtist

℗ 2008 Prestige Records/Fantasy, Inc.

4
Willow Weep For Me (RVG Remaster)
00:09:35

Ann Ronell, ComposerLyricist - Red Garland Trio, MainArtist

℗ 2008 Prestige Records/Fantasy, Inc.

5
What Can I Say After I Say I'm Sorry (RVG Remaster)
00:07:14

Walter Donaldson, Composer - ABE LYMAN, Composer - Red Garland Trio, MainArtist

℗ 2008 Prestige Records/Fantasy, Inc.

6
Hey Now (RVG Remaster)
00:03:40

Red Garland, ComposerLyricist - Red Garland Trio, MainArtist

℗ 2008 Prestige Records/Fantasy, Inc.

Album Description

Red Garland's third recording as a leader has him playing very well, somewhat energetic and more inclusive in his direction to span the mainstream jazz palate beyond the cool exterior he emanates. The title might be a bit deceptive, for this is not a project where soul-jazz or early boogaloo influences turned jazzmen into groovemeisters -- it's a swinging groove. With bassist Paul Chambers and drummer Art Taylor, Garland has all the support he needs to wing it in a variety of directions. Recorded in that most legendary year of jazz, 1957, Garland is coming into his own in a more confident way, buoyed by his association at the time with Miles Davis. Chambers is flawless in his support role, and on this recording deserves a close listen, especially for students of the acoustic upright. They immediately dig in on the opener "C Jam Blues," with Garland at his heartiest during his bridge solo, they agree in the affirmative during the entirety of the hard bop take of "Will You Still Be Mine?," and repeat but modify the melody à la "Cool Blues" in an adept display of artistry for "Hey Now." Of course Garland has to play a ballad or two, as on "Willow Weep for Me," luscious with chord sequences, and really reflects the influence of Erroll Garner in that chiming, two-handed sustenato style for Garner's "Gone Again." It is said that by the third recording, most musicians should have their style down pat and begin attempting to take the music to a higher level. You really hear that in this recording, which was a springboard to making Red Garland one of the most revered and respected jazz pianists of the modern era.
© Michael G. Nastos /TiVo

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