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Teo Gheorghiu|Duende

Duende

Teo Gheorghiu

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« One hot summer day, I headed due south from London and crossed France and Spain on my road bike. Challenging it was, yet beautiful, emotional and colourful all at once — while pedalling thousands of kilometres, the journey brought me closer to my innermost core. Upon my return home, I wished to express all the intense feelings and sensations I experienced on the road in my own way — the language of music. The metamorphosis was already underway when I became aware of the duende and after digging a bit deeper, I immediately sensed that it was this feeling which touched me on my journey, giving me strength and letting me connect with people and their land more profoundly ».

« There is a duality at play between the repetition of recording and the spontaneity and unpredictability of duende — and to summon duende, the process had to be as free and fluid as possible: all sessions built up to a final complete ‘recital’-take to capture the spirit of live creation. This was masterfully recorded by Jean-Martial Golaz — a magician of sound who effortlessly played the timeless acoustics of La Salle de Musique, La Chaux-de-Fonds to create a soundscape from another time. We intuitively found the golden balance to bring out the whispers of burning wind to the cries of flamenco from the old Steinway dating back to 1966 — the very same piano on which the great chilean pianist Claudio Arrau recorded Debussy’s Images in 1979. The soul of the piano was both conjured up and tamed by Corinne Wieland — a consummate piano technician. My gratitude goes out to both of them — this team gave me the wings to take off and be free.» Teo Gheorghiu / © Claves Records

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Duende

Teo Gheorghiu

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Goyescas (Enrique Granados)

1
IV. Quejas ó la Maja y el Ruiseñor
00:05:27

Teo Gheorghiu, Piano - Enrique Granados, Composer - Jean-Martial Golaz, Recording producer, Balance Engineer, Editing & Mastering

(C) 2020 Claves Records (P) 2020 Claves Records

Suita Española No. 1, Op. 47 (Isaac Albéniz)

2
I. Serenata
00:04:15

Teo Gheorghiu, Piano - Isaac Albeniz, Composer - Jean-Martial Golaz, Recording producer, Balance Engineer, Editing & Mastering

(C) 2020 Claves Records (P) 2020 Claves Records

3
II. Curranda
00:04:22

Teo Gheorghiu, Piano - Isaac Albeniz, Composer - Jean-Martial Golaz, Recording producer, Balance Engineer, Editing & Mastering

(C) 2020 Claves Records (P) 2020 Claves Records

4
III. Sevillana
00:04:38

Teo Gheorghiu, Piano - Isaac Albeniz, Composer - Jean-Martial Golaz, Recording producer, Balance Engineer, Editing & Mastering

(C) 2020 Claves Records (P) 2020 Claves Records

5
IV. Saeta
00:04:38

Teo Gheorghiu, Piano - Isaac Albeniz, Composer - Jean-Martial Golaz, Recording producer, Balance Engineer, Editing & Mastering

(C) 2020 Claves Records (P) 2020 Claves Records

Préludes, Livre 1, L. 117 (Claude Debussy)

6
IX. La sérénade interrompue
00:02:23

Teo Gheorghiu, Piano - Claude Debussy, Composer - Jean-Martial Golaz, Recording producer, Balance Engineer, Editing & Mastering

(C) 2020 Claves Records (P) 2020 Claves Records

Préludes, Livre 2, L. 123 (Claude Debussy)

7
III. La puerta del vino
00:03:34

Teo Gheorghiu, Piano - Claude Debussy, Composer - Jean-Martial Golaz, Recording producer, Balance Engineer, Editing & Mastering

(C) 2020 Claves Records (P) 2020 Claves Records

Estampes, L. 100 (Claude Debussy)

8
II. La soirée dans Grenade
00:05:18

Teo Gheorghiu, Piano - Claude Debussy, Composer - Jean-Martial Golaz, Recording producer, Balance Engineer, Editing & Mastering

(C) 2020 Claves Records (P) 2020 Claves Records

Miroirs, M. 43 (Maurice Ravel)

9
IV. Alborada del Gracioso
00:07:29

Teo Gheorghiu, Piano - Maurice Ravel, Composer - Jean-Martial Golaz, Recording producer, Balance Engineer, Editing & Mastering

(C) 2020 Claves Records (P) 2020 Claves Records

Suita Española No. 1, Op. 47 (Isaac Albéniz)

10
V. Leyenda
00:07:21

Teo Gheorghiu, Piano - Isaac Albeniz, Composer - Jean-Martial Golaz, Recording producer, Balance Engineer, Editing & Mastering

(C) 2020 Claves Records (P) 2020 Claves Records

11
VI. Fantasia
00:04:35

Teo Gheorghiu, Piano - Isaac Albeniz, Composer - Jean-Martial Golaz, Recording producer, Balance Engineer, Editing & Mastering

(C) 2020 Claves Records (P) 2020 Claves Records

12
VII. Seguidillas
00:03:00

Teo Gheorghiu, Piano - Isaac Albeniz, Composer - Jean-Martial Golaz, Recording producer, Balance Engineer, Editing & Mastering

(C) 2020 Claves Records (P) 2020 Claves Records

13
VIII. Capricho
00:04:35

Teo Gheorghiu, Piano - Isaac Albeniz, Composer - Jean-Martial Golaz, Recording producer, Balance Engineer, Editing & Mastering

(C) 2020 Claves Records (P) 2020 Claves Records

El Amor brujo (Manuel de Falla)

14
VIII. Danza ritual del fuego
00:03:49

Teo Gheorghiu, Piano - Manuel de Falla, Composer - Jean-Martial Golaz, Recording producer, Balance Engineer, Editing & Mastering

(C) 2020 Claves Records (P) 2020 Claves Records

Album review

« One hot summer day, I headed due south from London and crossed France and Spain on my road bike. Challenging it was, yet beautiful, emotional and colourful all at once — while pedalling thousands of kilometres, the journey brought me closer to my innermost core. Upon my return home, I wished to express all the intense feelings and sensations I experienced on the road in my own way — the language of music. The metamorphosis was already underway when I became aware of the duende and after digging a bit deeper, I immediately sensed that it was this feeling which touched me on my journey, giving me strength and letting me connect with people and their land more profoundly ».

« There is a duality at play between the repetition of recording and the spontaneity and unpredictability of duende — and to summon duende, the process had to be as free and fluid as possible: all sessions built up to a final complete ‘recital’-take to capture the spirit of live creation. This was masterfully recorded by Jean-Martial Golaz — a magician of sound who effortlessly played the timeless acoustics of La Salle de Musique, La Chaux-de-Fonds to create a soundscape from another time. We intuitively found the golden balance to bring out the whispers of burning wind to the cries of flamenco from the old Steinway dating back to 1966 — the very same piano on which the great chilean pianist Claudio Arrau recorded Debussy’s Images in 1979. The soul of the piano was both conjured up and tamed by Corinne Wieland — a consummate piano technician. My gratitude goes out to both of them — this team gave me the wings to take off and be free.» Teo Gheorghiu / © Claves Records

Details of original recording : Recorded June 2020, Théâtre populaire romand, Salle de Musique, La Chaux-de-Fonds (Switzerland)

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