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Carole Cerasi|Couperin: Complete Works for Harpsichord, III. 3e & 5e Ordres

Couperin: Complete Works for Harpsichord, III. 3e & 5e Ordres

Carole Cerasi

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François Couperin was the most illustrious member of a dynasty of musicians comparable to that of the Bach family. There is every reason to believe that his name "Couperin the Great", first found in writing in 1780, had already been bestowed upon him during his lifetime to distinguish him from the other musicians in his family. In addition to his duties as the King's organist at Versailles, Couperin taught the harpsichord to many students from the royal family and the ranks of the nobility and, at the turn of the century, he was as active a composer as he was a performer. His work for harpsichord represents the most prominent part of his musical production with his pedagogical work L'Art de toucher le clavecin, or “The Art of Playing the Harpsichord” in English. The work was published in 1716 and deals with ornamentation, fingering, the general position of the body, – particularly focusing on the wrists - the touch, the character of the instrument, and so on. Also from this fruitful period we find his twenty-seven "orders" - a term he used to refer to a group of pieces with similar tonalities, halfway between a suite and an anthology. The work is divided into four volumes, published between 1713 and 1730. He develops a world of poetic fantasy that takes on the form of simple dance movements, portraits, "character pieces", pastoral paintings or theatrical miniatures. Here the Swedish harpsichordist Carole Cerasi offers us the complete works, spread over ten albums including L'Art de toucher le clavecin and the four Books, which she distributes over six different harpsichords.

The first volume opens with L'art, which Cerasi performs on an Antwerp Ruckers model from 1624; it continues with the First Book which also covers the second and third volumes. This book contains five orders; it was published in 1713, although several of the pieces it contains had been written years earlier. For the First Book , Carole Cerasi plays an Antwerp harpsichord by Andreas Ruckers, built in 1636 and reworked in 1763 in Paris by Henri Hemsch, giving a Franco-Flemish sound! © SM/Qobuz

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Couperin: Complete Works for Harpsichord, III. 3e & 5e Ordres

Carole Cerasi

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Pièces de clavecin, Book 1, 3rd Ordre in C Major-Minor (François Couperin)

1
La ténébreuse
00:03:59

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

2
Première courante
00:01:26

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

3
Seconde courante
00:01:57

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

4
La lugubre
00:03:08

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

5
Gavotte
00:00:57

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

6
Menuett
00:01:03

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

7
Les pélerines: La Marche - La Caristade - Le Remerciement
00:03:31

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

8
Les laurentines
00:04:37

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

9
L'Espagnolète
00:01:25

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

10
Les regrets
00:04:54

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

11
Les matelotes provençales
00:02:44

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

12
La favorite
00:04:36

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

13
La lutine
00:01:56

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

Pièces de clavecin, Book 1, 5th Ordre in A Major-minor (François Couperin)

14
La logiviére
00:05:19

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

15
Premiere courante
00:02:13

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

16
Seconde courante
00:01:51

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

17
Sarabande: La dangereuse
00:03:08

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

18
Gigue
00:02:00

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

19
La tendre Fanchon (Rondeau)
00:03:55

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

20
La badine
00:01:29

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

21
La bandoline
00:02:17

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

22
La Flore
00:02:06

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

23
L'Angélique
00:02:31

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

24
La Villers
00:03:44

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

25
Les vendangeuses
00:01:50

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

26
Les agrémens
00:05:44

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

27
Les ondes (Rondeau)
00:02:56

François Couperin, Composer - Carole Cerasi, Artist, MainArtist

(C) 2018 Metronome (P) 2018 Metronome

Album review

François Couperin was the most illustrious member of a dynasty of musicians comparable to that of the Bach family. There is every reason to believe that his name "Couperin the Great", first found in writing in 1780, had already been bestowed upon him during his lifetime to distinguish him from the other musicians in his family. In addition to his duties as the King's organist at Versailles, Couperin taught the harpsichord to many students from the royal family and the ranks of the nobility and, at the turn of the century, he was as active a composer as he was a performer. His work for harpsichord represents the most prominent part of his musical production with his pedagogical work L'Art de toucher le clavecin, or “The Art of Playing the Harpsichord” in English. The work was published in 1716 and deals with ornamentation, fingering, the general position of the body, – particularly focusing on the wrists - the touch, the character of the instrument, and so on. Also from this fruitful period we find his twenty-seven "orders" - a term he used to refer to a group of pieces with similar tonalities, halfway between a suite and an anthology. The work is divided into four volumes, published between 1713 and 1730. He develops a world of poetic fantasy that takes on the form of simple dance movements, portraits, "character pieces", pastoral paintings or theatrical miniatures. Here the Swedish harpsichordist Carole Cerasi offers us the complete works, spread over ten albums including L'Art de toucher le clavecin and the four Books, which she distributes over six different harpsichords.

The first volume opens with L'art, which Cerasi performs on an Antwerp Ruckers model from 1624; it continues with the First Book which also covers the second and third volumes. This book contains five orders; it was published in 1713, although several of the pieces it contains had been written years earlier. For the First Book , Carole Cerasi plays an Antwerp harpsichord by Andreas Ruckers, built in 1636 and reworked in 1763 in Paris by Henri Hemsch, giving a Franco-Flemish sound! © SM/Qobuz

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