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Clifford Brown|Clifford Brown And Max Roach

Clifford Brown And Max Roach

Clifford Brown, Max Roach

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According to the original 1955 liner notes to Clifford Brown & Max Roach, the announcement that Clifford Brown and Max Roach had begun recording and playing together sent shock waves throughout the jazz community and predictions ran rampant about how the two might shape bop to come. The last duo to really shape the music had begun over ten years earlier, with the relationship between Bird and Diz. This recording was early fruit from a tree that would only live as long as Clifford Brown was around to water it (1956, the year of his tragic auto accident). The result is by far some of the warmest and most sincere bebop performed and committed to tape. Brown's tone is undeniably and characteristically warm, and he keeps the heat on alongside Roach's lilting vamps and pummeling solos. What really keeps this record on the orange side of things (other than the decidedly orange cover) is the solo work of saxophonist Harold Land, who plays part Bird and part Benny Goodman. His tone is as delightful as it gets on the sultry "Deliah" and as bop-expressive as it gets on "The Blues Walk" and "Parisian Thoroughfare," where he and Brownie go head to head blowing expressive runs of sheer New York-style jazz. This collection of songs runs a nice gamut between boplicity and pleasant balladry. It represents bop at its best and is recommended for collectors and casual fans alike.

© Sam Samuelson /TiVo

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Clifford Brown And Max Roach

Clifford Brown

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1
Delilah
00:08:06

Victor Young, Composer - Jerry Livingston, Author - Clifford Brown, MainArtist - Bob Shad, Producer - Harold Land, Saxophone, AssociatedPerformer - RAYMOND B. EVANS, Author - Max Roach Quintet, MainArtist - Richie Powell, Piano, AssociatedPerformer - George Morrow, Double Bass, AssociatedPerformer

℗ 1954 UMG Recordings, Inc.

2
Parisian Thoroughfare
00:07:18

Bud Powell, ComposerLyricist - Earl "Bud" Powell, ComposerLyricist - Clifford Brown, MainArtist - Bob Shad, Producer - Harold Land, Saxophone, AssociatedPerformer - Max Roach Quintet, MainArtist - Richie Powell, Piano, AssociatedPerformer - George Morrow, Double Bass, AssociatedPerformer

℗ 1954 UMG Recordings, Inc.

3
Daahoud
00:04:04

Clifford Brown, MainArtist, ComposerLyricist - Bob Shad, Producer - Harold Land, Saxophone, AssociatedPerformer - Max Roach Quintet, MainArtist - Richie Powell, Piano, AssociatedPerformer - George Morrow, Double Bass, AssociatedPerformer

℗ 1954 UMG Recordings, Inc.

4
Joy Spring
00:06:50

Clifford Brown, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Max Roach, Drums, AssociatedPerformer - Bob Shad, Producer - Harold Land, Saxophone, AssociatedPerformer - Max Roach Quintet, MainArtist - Richie Powell, Piano, AssociatedPerformer - George Morrow, Double Bass, AssociatedPerformer

℗ 1954 UMG Recordings, Inc.

5
Jordu
00:07:49

Clifford Brown, MainArtist - Duke Jordan, Composer - Bob Shad, Producer - Harold Land, Saxophone, AssociatedPerformer - Max Roach Quintet, MainArtist - Richie Powell, Piano, AssociatedPerformer - George Morrow, Double Bass, AssociatedPerformer

℗ 1954 UMG Recordings, Inc.

6
The Blues Walk (Alternate Take)
00:06:46

Clifford Brown, MainArtist, ComposerLyricist - Bob Shad, Producer - Harold Land, Saxophone, AssociatedPerformer - Max Roach Quintet, MainArtist - Richie Powell, Piano, AssociatedPerformer - George Morrow, Double Bass, AssociatedPerformer

℗ 1955 UMG Recordings, Inc.

7
What Am I Here For?
00:03:11

Duke Ellington, Composer - Clifford Brown, MainArtist - Bob Shad, Producer - Harold Land, Saxophone, AssociatedPerformer - Max Roach Quintet, MainArtist - Richie Powell, Piano, AssociatedPerformer - George Morrow, Double Bass, AssociatedPerformer

℗ 1955 UMG Recordings, Inc.

8
These Foolish Things
00:03:48

Jack Strachey, ComposerLyricist - Clifford Brown, MainArtist - Holt Marvell, ComposerLyricist - Max Roach, MainArtist - Bob Shad, Producer

℗ 1954 UMG Recordings, Inc.

9
The Blues Walk
00:06:52

Clifford Brown, Composer, MainArtist - Bob Shad, Producer - Harold Land, Saxophone, AssociatedPerformer - Max Roach Quintet, MainArtist - Richie Powell, Piano, AssociatedPerformer - George Morrow, Double Bass, AssociatedPerformer

℗ 1955 UMG Recordings, Inc.

10
Daahoud (Alternate Take)
00:04:09

Clifford Brown, MainArtist, ComposerLyricist - Bob Shad, Producer - Harold Land, Saxophone, AssociatedPerformer - Max Roach Quintet, MainArtist - Richie Powell, Piano, AssociatedPerformer - George Morrow, Double Bass, AssociatedPerformer

℗ 1954 UMG Recordings, Inc.

11
Joy Spring (Alternate Take)
00:06:43

Clifford Brown, Composer, Trumpet, MainArtist, AssociatedPerformer, ComposerLyricist - Max Roach, Drums, AssociatedPerformer - Bob Shad, Producer - Harold Land, Saxophone, AssociatedPerformer - Max Roach Quintet, MainArtist - Richie Powell, Piano, AssociatedPerformer - George Morrow, Double Bass, AssociatedPerformer

℗ 1989 The Verve Music Group, a Division of UMG Recordings, Inc.

Album review

According to the original 1955 liner notes to Clifford Brown & Max Roach, the announcement that Clifford Brown and Max Roach had begun recording and playing together sent shock waves throughout the jazz community and predictions ran rampant about how the two might shape bop to come. The last duo to really shape the music had begun over ten years earlier, with the relationship between Bird and Diz. This recording was early fruit from a tree that would only live as long as Clifford Brown was around to water it (1956, the year of his tragic auto accident). The result is by far some of the warmest and most sincere bebop performed and committed to tape. Brown's tone is undeniably and characteristically warm, and he keeps the heat on alongside Roach's lilting vamps and pummeling solos. What really keeps this record on the orange side of things (other than the decidedly orange cover) is the solo work of saxophonist Harold Land, who plays part Bird and part Benny Goodman. His tone is as delightful as it gets on the sultry "Deliah" and as bop-expressive as it gets on "The Blues Walk" and "Parisian Thoroughfare," where he and Brownie go head to head blowing expressive runs of sheer New York-style jazz. This collection of songs runs a nice gamut between boplicity and pleasant balladry. It represents bop at its best and is recommended for collectors and casual fans alike.

© Sam Samuelson /TiVo

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