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Zagreb Philharmonic Orchestra|BEETHOVEN: Symphony No. 5 / SCHUBERT: Symphony No. 8

BEETHOVEN: Symphony No. 5 / SCHUBERT: Symphony No. 8

Ludwig van Beethoven - Franz Schubert

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These two classical symphonies receive remarkably good performances that can withstand comparison to other fine recordings. Beethoven's Symphony No. 5, performed by Richard Edlinger and the Zagreb Philharmonic Orchestra, is sensitively and sensibly played in a lean style approximating period practice as advocated by the Hanover Band and John Eliot Gardiner. Tempi are brisk and timbres are rather close to the bright and spare sound of authentic instruments, although it is likely that the Zagreb Philharmonic uses modern instruments, lacking indications to the contrary. Attention is paid to the specifics of the score and energy is placed above sentiment, making this recording a refreshing surprise for listeners who may be skeptical. Schubert's Symphony No. 8, the "Unfinished," performed by Michael Halasz and the Slovak Philharmonic, also bears comparison to better known performances, such as Nikolaus Harnoncourt's. Again, the orchestra's sound is rather close to that produced by period instruments, and the informed interpretation is focused on reproducing the score's details faithfully, without excessive rubato or ponderous exaggerations at climaxes. The woodwinds are particularly delightful, especially in the poignant Andante con moto. Naxos should be proud of this disc, as it represents the label at its best, both in terms of superb recording and excellence in performance.

© TiVo

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BEETHOVEN: Symphony No. 5 / SCHUBERT: Symphony No. 8

Zagreb Philharmonic Orchestra

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Symphony No. 5 in C minor, Op. 67 (Ludwig van Beethoven)

1
I. Allegro con brio
Zagreb Philharmonic Orchestra
00:06:56

Ludwig van Beethoven, Composer - Richard Edlinger, Conductor - Zagreb Philharmonic Orchestra, Orchestra, MainArtist

(C) 1990 Naxos (P) 1990 Naxos

2
II. Andante con moto
Zagreb Philharmonic Orchestra
00:09:18

Ludwig van Beethoven, Composer - Richard Edlinger, Conductor - Zagreb Philharmonic Orchestra, Orchestra, MainArtist

(C) 1990 Naxos (P) 1990 Naxos

3
III. Allegro
Zagreb Philharmonic Orchestra
00:04:56

Ludwig van Beethoven, Composer - Richard Edlinger, Conductor - Zagreb Philharmonic Orchestra, Orchestra, MainArtist

(C) 1990 Naxos (P) 1990 Naxos

4
IV. Allegro
Zagreb Philharmonic Orchestra
00:11:02

Ludwig van Beethoven, Composer - Richard Edlinger, Conductor - Zagreb Philharmonic Orchestra, Orchestra, MainArtist

(C) 1990 Naxos (P) 1990 Naxos

Symphony No. 8 in B minor, D. 759 "Unfinished" (Franz Schubert)

5
I. Allegro moderato
Slovak Philharmonic Orchestra
00:14:50

Franz Schubert, Composer - Slovak Philharmonic Orchestra, Orchestra, MainArtist - Michael Halasz, Conductor

(C) 1990 Naxos (P) 1990 Naxos

6
II. Andante con moto
Slovak Philharmonic Orchestra
00:11:02

Franz Schubert, Composer - Slovak Philharmonic Orchestra, Orchestra, MainArtist - Michael Halasz, Conductor

(C) 1990 Naxos (P) 1990 Naxos

Album review

These two classical symphonies receive remarkably good performances that can withstand comparison to other fine recordings. Beethoven's Symphony No. 5, performed by Richard Edlinger and the Zagreb Philharmonic Orchestra, is sensitively and sensibly played in a lean style approximating period practice as advocated by the Hanover Band and John Eliot Gardiner. Tempi are brisk and timbres are rather close to the bright and spare sound of authentic instruments, although it is likely that the Zagreb Philharmonic uses modern instruments, lacking indications to the contrary. Attention is paid to the specifics of the score and energy is placed above sentiment, making this recording a refreshing surprise for listeners who may be skeptical. Schubert's Symphony No. 8, the "Unfinished," performed by Michael Halasz and the Slovak Philharmonic, also bears comparison to better known performances, such as Nikolaus Harnoncourt's. Again, the orchestra's sound is rather close to that produced by period instruments, and the informed interpretation is focused on reproducing the score's details faithfully, without excessive rubato or ponderous exaggerations at climaxes. The woodwinds are particularly delightful, especially in the poignant Andante con moto. Naxos should be proud of this disc, as it represents the label at its best, both in terms of superb recording and excellence in performance.

© TiVo

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