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Gramophone: Wind Ensemble

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Playlist: Gramophone: Wind Ensemble

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Philip Clark looks at works inspired by the timbral possibilities of wind instruments In this issue’s Musician and Score, Trevor Pinnock enthuses about the Gran Partita, Mozart’s inventive writing for a 13-piece wind ensemble continually catching him by surprise. Whether any of the composers included here consciously modelled anything after Mozart’s groun...

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Gramophone: Wind Ensemble

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Title Artist Album Duration
1
Giant Abstract Samba (Version for Clarinet & Wind Ensemble)
Michael Norsworthy WAM 00:13:36

Michael Norsworthy, Performer - New England Conservatory Wind Ensemble, Ensemble - Charles Peltz, Conductor - Michael Finnissy, Composer

(C) 2015 New Focus Recordings (P) 2015 New Focus Recordings

2
Akrata
Hiroaki Ooi Œuvres orchestrales, volume 4 00:10:38

Arturo Tamayo, Conductor - Luxembourg Philharmonic Orchestra, Orchestra - Iannis Xenakis, Composer

(C) 2007 Timpani (P) 2007 Timpani

Hector Berlioz, Composer - TOM BROWN, Engineer - Helmut Schmitt, Artist, MainArtist - Cologne Choir, Choir - Cologne Great Symphonic Brass and String Orchestras, Orchestra - Fritz Straub, Conductor - David Lennick, Producer

(C) 2000 Naxos Classical Archives (P) 2000 Naxos Classical Archives

4
III. Fugue. Rather Broad
Various Artists Best of Hindemith 00:04:46

Paul Hindemith, Composer, Conductor, Performer - Philharmonia Orchestra, Orchestra, Performer

BnF Collection 2015

5
Symphonies of Wind Instruments:
Sir Simon Rattle Stravinsky 00:09:46

Stephen Johns, Producer - Berliner Philharmoniker, Orchestra - Sir Simon Rattle, Conductor, MainArtist - Igor Stravinsky, Composer - Mike Clements, Balance Engineer

© 2009 EMI Records Ltd. ℗ 2008 Warner Classics, Warner Music UK Ltd

6
IV. Ils ressusciteront, glorieux, avec un nom nouveau, dans le concert joyeux des étoiles et les acclamations de fils du Ciel
SWR Sinfonieorchester Baden-Baden und Freiburg Messiaen: Orchestral Works 00:08:26

Sylvain Cambreling, Conductor - Olivier Messiaen, Composer - SWR Sinfonieorchester Baden-Baden und Freiburg, Orchestra, MainArtist

(C) 2018 SWR Classic (P) 2018 SWR Classic

7
Theme and Variations, Op. 43a: Finale: Moderato
Lowell Graham United States Air Force Concert Band: Signatures 00:02:50

Lowell Graham, Conductor - Lowell Graham, Conductor

Berliner Philharmoniker, Ensemble - Sergiù Celibidache, Conductor - Darius Milhaud, Composer

2013 Ludger Boeckenhoff Audite Musikproduktion 2013 Ludger Boeckenhoff Audite Musikproduktion

9
I. Chaconne (Instrumental)
Eastman Wind Ensemble Live in Osaka 00:04:07

Donald Hunsberger, Director - Tetsuri Kaneko, Producer - Eastman Wind Ensemble, Performer - Colin Matthews, Edited By - GUSTAV HOLST (1874-1934), Composer

(P) 1992 SONY BMG MUSIC ENTERTAINMENT

10
10 Marsche um den Sieg zu verfehlen (10 Marches to miss the Victory)
HR Brass Marches 00:17:39

Mauricio Kagel, Composer - Lutz Kohler, Conductor - HR Brass, Ensemble, MainArtist

(C) 2012 Capriccio (P) 2012 Capriccio

About Playlist

Philip Clark looks at works inspired by the timbral possibilities of wind instruments In this issue’s Musician and Score, Trevor Pinnock enthuses about the Gran Partita, Mozart’s inventive writing for a 13-piece wind ensemble continually catching him by surprise. Whether any of the composers included here consciously modelled anything after Mozart’s groundbreaking work is arguable; but all this exploratory music finds something fresh and wonderful from within the shape-shifting timbral possibilities of wind instruments. Berlioz’s Grande symphonie funèbre et triomphale (1840) was apparently cut-and-pasted together in a couple of days from bottom-drawer sketches, mainly because Berlioz was indecently keen to bank his commission fee – but his fascination with wind sonority is clear for all to hear. Kagel aimed the satire of his caustic 10 Marches to Miss the Victory at precisely the sort of triumphalist nationalism Berlioz was evoking – a wickedly funny burlesque. Holst’s Suite was the first through-composed piece for military band, a British institution that had hitherto lent heavily on transcription, while Finnissy’s Giant Abstract Samba is the nearest he’s come to creating an Ebony Concerto. The Stravinsky, Messiaen and Xenakis works, meanwhile, repurpose longstanding harmonic and timbral obsessions, their music overriding what lesser composers might consider to be a reduced orchestral palette. This is visionary music that, like Mozart’s, just happens to be for winds.

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