Albums

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Classical - To be released March 1, 2019 | Mirare

Hi-Res Booklet
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Classical - Released February 1, 2019 | Mirare

Hi-Res Booklet
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Classical - Released January 25, 2019 | Mirare

Booklet
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Classical - Released January 25, 2019 | Mirare

Hi-Res Booklet
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Classical - Released January 25, 2019 | Mirare

Hi-Res Booklet
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Quartets - Released January 11, 2019 | Mirare

Hi-Res Booklet
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Classical - Released January 11, 2019 | Mirare

Hi-Res Booklet Distinctions 4F de Télérama
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Classical - Released November 30, 2018 | Mirare

Hi-Res Booklet
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Solo Piano - Released November 30, 2018 | Mirare

Hi-Res Booklet Distinctions Diapason d'or - Le Choix de France Musique
Through his “brilliance and maturity” (as described by The Guardian) the Russian-Lithuanian pianist Lukas Geniušas has established himself on the international scene as one of the most interesting artists of his generation. He has appeared in London's Wigmore Hall, Amsterdam's Concertgebouw, Milan's Salle Verdi, Moscow's Conservatory and Roque d'Anthéron, and with orchestras such as the Philharmonique de Radio France, the National de Lyon, the NHK of Tokyo, the Saint Petersburg Philharmonic, the Russian National Orchestra, the list goes on... He has chosen here a Prokofiev programme combining early works from his younger years (the Ten Pieces Op. 12 which is a junior work and yet so intimately prokofievian already!) with the work from his first stage of maturity (Second Sonata from 1912) and the work from his full maturity (the Fifth Sonata). Even better, this Fifth Sonata was written "for the first time" in 1923 after his time in Paris, then revised three decades later under the constraint, undoubtedly, of the infamous Jdanov decree which had accused the composer of all anti-Soviet evils, but also due to a very personal concern (he wanted to purify the piano gesture). In a way this work seems almost "Parisian" as it has so many similarities with Poulenc's style. © SM/Qobuz
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Classical - Released November 9, 2018 | Mirare

Hi-Res Booklet
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Chamber Music - Released October 19, 2018 | Mirare

Hi-Res Booklet Distinctions 5 de Diapason
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Solo Piano - Released October 5, 2018 | Mirare

Hi-Res Booklet Distinctions 5 de Diapason - Gramophone Editor's Choice
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Choirs (sacred) - Released September 21, 2018 | Mirare

Hi-Res Booklet Distinctions 5 de Diapason - Choc de Classica
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Solo Piano - Released September 14, 2018 | Mirare

Hi-Res Booklet Distinctions 5 de Diapason - 4F de Télérama - Choc de Classica
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Classical - Released July 13, 2018 | Mirare

Booklet
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Solo Piano - Released June 29, 2018 | Mirare

Hi-Res Booklet Distinctions 5 de Diapason
The programme might be most eclectic; but its architecture is flawless: Lux, "Light", from dawn to night, an arc bending from Gregorian chant – the misa in aurora – all the way to the Moonlight of Beethoven's famous sonata, via the furious meridian heat of Scriabin's Fourth Sonata followed by the Prelude to the Afternoon of a Faun (rewritten for solo piano by Matan Porat himself), and many other pieces from Dowland to Thomas Adès to evoke this or that time of day. Matan Porat has put together a most original line-up – which is absolutely his hallmark – which some might find a little too challenging, but others will applaud: take your pick. We wonder where his next record will take us! © SM/Qobuz
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Classical - Released May 25, 2018 | Mirare

Hi-Res Booklet
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Classical - Released May 11, 2018 | Mirare

Hi-Res Booklet Distinctions 5 de Diapason
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Classical - Released April 27, 2018 | Mirare

Hi-Res Booklet