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Classical - Released September 24, 2021 | IBS Classical

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Chamber Music - Released September 24, 2021 | IBS Classical

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Opera - Released September 24, 2021 | IBS Classical

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Classical - Released September 17, 2021 | IBS Classical

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Fire is what Josu De Solaun shed with his improvisations to the audience of the City of León Auditorium on 13th March 2021. It was an exceptional concert in which improvisations full of warmth and light now have a second life thanks to this album. "panDEMi-City" is the musical document - the still photo - of a unique event, an unprecedented hic et nunc in the artistic career of the great pianist born in Valencia and raised in New York. Undoubtedly, this is a milestone which makes Josu De Solaun an essential demiurge of the current world improvisation scene. De Solaun’s exuberant idiomaticism, his vast musical background, provokes vertigo in the listener. De Solaun not only pays a moving tribute to Keith Jarrett, but also visits and inhabits the music of numerous composers who have been nesting in his prodigious fingers for decades, such as his favorite composers: Schumann, Janácek, Bartók, Chopin, Brahms, Enescu, Carter, Liszt or Debussy, 20th century and interwar music, music close to Russian composers such as Shostakovich, but, above all, jazz, always jazz, because for Josu De Solaun this music is his “link with popular music, folklore… Jazz has very strong vernacular roots and this music keeps me with my feet on the ground, in the atavistic, in the ancestral”. © IBS Classical
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Classical - Released September 10, 2021 | IBS Classical

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Chamber Music - Released August 27, 2021 | IBS Classical

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Chamber Music - Released August 27, 2021 | IBS Classical

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Classical - Released July 23, 2021 | IBS Classical

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Classical - Released May 28, 2021 | IBS Classical

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In addition to including three harpsichord concertos composed in the 20th century, this album offers suggestive interweavings: the Concertos by Falla and Poulenc were both composed for Wanda Landowska (1879-1959), the great Polish harpsichordist who decisively contributed to the rediscovery of much 17th- and 18th-century music and to the renaissance of the harpsichord, not only as an ancient instrument, but also as a source of inspiration for 20th-century musicians. Poulenc’s Concert champêtre is the immediate heir of Falla’s Concerto. Accordingly, in the orchestral score of Poulenc’s Concert belonging to Falla, we can read the following autograph dedication by the French composer: “For you, my dear Falla, the little brother of your so magnificent Concerto. Fr. Poulenc”. The three Concertos share a neo-classical aesthetic, albeit from different approaches: in his Concerto; Falla explores and uses the ancient sources of Hispanic music; Poulenc evokes the French Baroque; and Bacarisse adopts stylistic elements typical of the neo-classicism of the 1920s. © IBS Classical
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Chamber Music - Released May 28, 2021 | IBS Classical

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Classical - Released May 28, 2021 | IBS Classical

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Classical - Released May 28, 2021 | IBS Classical

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Classical - Released April 16, 2021 | IBS Classical

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Pianist Antonio Oyarzabal takes us on a journey through the work of thirteen different female composers, most of them pianists. Their pieces have been a real source of motivation and inspiration for him. Here he pays tribute to the names and work of these women, unfairly and sadly neglected, in the shadow of compositions written by men. It is a musical journey that takes us on different paths: from Jacquet de la Guerre’s French Baroque style to the avant garde proposals of Ruth Crawford-Seeger in the beginning of the 20th century; from Lili Boulanger’s languor to Germaine Tailleferre’s constant joviality; or from the more popular Clara Schumann and Fanny Mendelssohn to the almost completely unknown Mana Zucca or Lucija Garuta. All of this is expressed by the extraordinary sensitivity of a performer who, through long and intense research, has dived deep into the life and historical context of these thirteen unique artistic voices, in order to provide them with the relevance they deserve. © IBS Classical
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Classical - Released April 2, 2021 | IBS Classical

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Here is a recording that combines the aesthetic value of music together with the musical works’ historical underpinnings. The pianist Josu De Solaun offers us his interpretation of two of the most significant pieces of the Romantic period: Davidsbündlertänze (1837) by Robert Schumann (1819-1856), the Spring and revolutionary high point of a first Romanticism, and two works by Johannes Brahms (1833-1897), heterodox and conflicting protagonists of an autumnal kind of Romanticism: the Intermezzi, Op. 117 (1892) and the Klavierstücke, Op. 118 (1893). At the same time, the performer proposes a title that, on the one hand, supports his interpretative ideas and, on the other, aims to be a guide for our understanding and comprehension of how many singularities articulate the content of the recording: "Digressions", a title suggesting a kind of reflection that sets in during the flow of the musical works themselves. © IBS Classical
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Classical - Released April 2, 2021 | IBS Classical

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Classical - Released April 2, 2021 | IBS Classical

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Classical - Released April 2, 2021 | IBS Classical

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Classical - Released April 2, 2021 | IBS Classical

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Classical - Released March 12, 2021 | IBS Classical

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Classical - Released March 12, 2021 | IBS Classical

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