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Rock - Released December 11, 1970 | Apple

Hi-Res Booklet Distinctions The Qobuz Ideal Discography
The cliché about singer/songwriters is that they sing confessionals direct from their heart, but John Lennon exploded the myth behind that cliché, as well as many others, on his first official solo record, John Lennon/Plastic Ono Band. Inspired by his primal scream therapy with Dr. Arthur Janov, Lennon created a harrowing set of unflinchingly personal songs, laying out all of his fears and angers for everyone to hear. It was a revolutionary record -- never before had a record been so explicitly introspective, and very few records made absolutely no concession to the audience's expectations, daring the listeners to meet all the artist's demands. Which isn't to say that the record is unlistenable. Lennon's songs range from tough rock & rollers to piano-based ballads and spare folk songs, and his melodies remain strong and memorable, which actually intensifies the pain and rage of the songs. Not much about Plastic Ono Band is hidden. Lennon presents everything on the surface, and the song titles -- "Mother," "I Found Out," "Working Class Hero," "Isolation," "God," "My Mummy's Dead" -- illustrate what each song is about, and chart his loss of faith in his parents, country, friends, fans, and idols. It's an unflinching document of bare-bones despair and pain, but for all its nihilism, it is ultimately life-affirming; it is unique not only in Lennon's catalog, but in all of popular music. Few albums are ever as harrowing, difficult, and rewarding as John Lennon/Plastic Ono Band. © Stephen Thomas Erlewine /TiVo
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Rock - Released September 9, 1971 | Apple

Booklet Distinctions The Qobuz Ideal Discography
After the harrowing Plastic Ono Band, John Lennon returned to calmer, more conventional territory with Imagine. While the album had a softer surface, it was only marginally less confessional than its predecessor. Underneath the sweet strings of "Jealous Guy" lies a broken and scared man, the jaunty "Crippled Inside" is a mocking assault at an acquaintance, and "Imagine" is a paean for peace in a world with no gods, possessions, or classes, where everyone is equal. And Lennon doesn't shy away from the hard rockers -- "How Do You Sleep" is a scathing attack on Paul McCartney, "I Don't Want to Be a Soldier" is a hypnotic antiwar song, and "Give Me Some Truth" is bitter hard rock. If Imagine doesn't have the thematic sweep of Plastic Ono Band, it is nevertheless a remarkable collection of songs that Lennon would never be able to better again. © Stephen Thomas Erlewine /TiVo
From
CD£11.49

Rock - Released December 11, 1970 | Apple

Booklet Distinctions The Qobuz Ideal Discography
The cliché about singer/songwriters is that they sing confessionals direct from their heart, but John Lennon exploded the myth behind that cliché, as well as many others, on his first official solo record, John Lennon/Plastic Ono Band. Inspired by his primal scream therapy with Dr. Arthur Janov, Lennon created a harrowing set of unflinchingly personal songs, laying out all of his fears and angers for everyone to hear. It was a revolutionary record -- never before had a record been so explicitly introspective, and very few records made absolutely no concession to the audience's expectations, daring the listeners to meet all the artist's demands. Which isn't to say that the record is unlistenable. Lennon's songs range from tough rock & rollers to piano-based ballads and spare folk songs, and his melodies remain strong and memorable, which actually intensifies the pain and rage of the songs. Not much about Plastic Ono Band is hidden. Lennon presents everything on the surface, and the song titles -- "Mother," "I Found Out," "Working Class Hero," "Isolation," "God," "My Mummy's Dead" -- illustrate what each song is about, and chart his loss of faith in his parents, country, friends, fans, and idols. It's an unflinching document of bare-bones despair and pain, but for all its nihilism, it is ultimately life-affirming; it is unique not only in Lennon's catalog, but in all of popular music. Few albums are ever as harrowing, difficult, and rewarding as John Lennon/Plastic Ono Band. © Stephen Thomas Erlewine /TiVo
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CD£12.49

Rock - Released December 12, 1969 | Apple

Although one of the world's best-kept secrets at the time, this was John Lennon's declaration of independence from the Beatles, the document of a concert appearance at Toronto's Rock and Roll Revival festival about a month after the conclusion of the Abbey Road sessions. Thrown together literally on the wing (they rehearsed only on the flight from England), the ad-hoc band consisting of Lennon, Yoko Ono, Eric Clapton on guitar, Klaus Voorman on bass, and Alan White on drums hit the stage to the surprise and delight of the thousands who packed Varsity Stadium. "We're just going to do numbers we know, you know, because we've never played together before," confesses John, who was reportedly extremely nervous before going on. But the repertoire ought to have been a cakewalk for a quartet of seasoned rockers -- blues-based oldies ("Blue Suede Shoes," "Money," "Dizzy Miss Lizzie") and basic recent Lennon numbers ("Yer Blues," "Cold Turkey," "Give Peace a Chance") -- and they lay it down in a dignified, noisy, glorified garage band manner. Lennon is in fine vocal form, confident and funny despite his frequent apologies, while Yoko confines her caterwauling to "Cold Turkey." That was side one of the original LP. Side two, alas, was devoted entirely to Ono's wailing, pitchless, brainless, banshee vocalizing on "Don't Worry Kyoko" and "John John (Let's Hope for Peace)" -- the former backed with plodding rock rhythms and the latter with feedback. No wonder you see many used copies of the LP with worn A-sides and clean, unplayed B-sides -- and Yoko's "art" is just as irritating today as it was in 1969. But in those days, if you wanted John you had to take the whole package. © Richard S. Ginell /TiVo
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Rock - Released September 9, 1971 | Apple

Hi-Res Booklet Distinctions The Qobuz Ideal Discography
After the harrowing Plastic Ono Band, John Lennon returned to calmer, more conventional territory with Imagine. While the album had a softer surface, it was only marginally less confessional than its predecessor. Underneath the sweet strings of "Jealous Guy" lies a broken and scared man, the jaunty "Crippled Inside" is a mocking assault at an acquaintance, and "Imagine" is a paean for peace in a world with no gods, possessions, or classes, where everyone is equal. And Lennon doesn't shy away from the hard rockers -- "How Do You Sleep" is a scathing attack on Paul McCartney, "I Don't Want to Be a Soldier" is a hypnotic antiwar song, and "Give Me Some Truth" is bitter hard rock. If Imagine doesn't have the thematic sweep of Plastic Ono Band, it is nevertheless a remarkable collection of songs that Lennon would never be able to better again. © Stephen Thomas Erlewine /TiVo