Since the 2015-2016 season, Giovanni Antonini has been the "principal guest conductor" of the Basel Chamber Orchestra (the Kammerorchester Basel, refounded in 1984 in the spirit of the original Basler Kammerorchester, founded by Swiss patron and conductor Paul Sacher), with whom he has worked on major discographic projects, like the ongoing complete recordings of Beethoven's Symphonies (Sony Classical), which has already seen lively success with press and public alike; and the "Haydn 2032" project, which aims to record all 700 of Joseph Haydn's symphonies in time to mark three hundred years since his birth (in 2032).
Started in 2014, this audacious project has been entirely organised, produced and financed by the Basel Joseph Haydn Foundation, and it aims to take in both records and 19 concert seasons across all of Europe. It is being undertaken in cooperation with Il Giardino Armonico, a well-known ensemble of which Giovanni Antonini is a founder member.. The two orchestras are sharing out the recordings which will appear on Alpha Classics, in thematic, rather than chronological order, with other symphonies by composers in Haydn's orbit, like Gluck, Porpora, C.P.E. Bach, Mozart, Beethoven, Michael Haydn, Stamitz, Pleyel and Salieri. The next few years look to be absolutely thrilling in terms of releases.
This sixth volume offers three symphonies which are full of a dense and almost spiritual expressiveness dating back to Haydn's Sturm und Drang era, coupled with a work by Joseph Martin Kraus, an exact contemporary of Wolfgang Amadeus Mozart, whose genius absolutely stands up alongside both Haydn and Mozart. But history was not kind to this visionary composer, who moved to Sweden, where he failed to make a mark, despite the protection of King Gustav III. His music, strongly expressive, is also influenced by the Sturm und Drang movement which brought drama to musical discourse and heralded the birth of Romanticism © François Hudry/Qobuz