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Hip-Hop/Rap - Released May 24, 2018 | Getting Out Our Dreams, Inc. - Def Jam Recordings

Hi-Res Distinctions Pitchfork: Best New Music
The first in a promised cluster of mid-2018 releases from GOOD Music came from label president Pusha T, who followed up the compact King Push with this briefer EP-length set. Designated an album possibly for the strategic sake of preventing the release from being buried on the artist's streaming service profile pages, Daytona nonetheless warrants top billing. Kanye West grants taut, grimace-inducing beats, assisted infrequently by Mike Dean and Andrew Dawson, enabling Pusha to pack each one of the seven tracks with characteristically trenchant and terse rhymes. The lyrical focus is similarly laser-sharp -- primarily assertion of equally high regard in the drug trade and rap game with coded and transparent references to disposable income. Lines aimed at ghostwriter-employing competition appear as nonchalant swats but land like precise knockout blows. Respect paid to a newly freed peer is as vivid: "Angel on my shoulder, 'What should we do?'/Devil on the other, 'What would Meek do?'/Pop a wheelie, tell the judge to Akinyele/Middle fingers out the Ghost, screamin' 'Makaveli'." Throughout, Pusha's in typically percussive and phonetically advanced form with melodicism evidently eschewed as a potential distraction. It's a testament to the rapper's excellence that he can release a 20-minute album that withstands West's ostentatious art direction and shoddy guest verse. © Andy Kellman /TiVo
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Hip-Hop/Rap - Released January 1, 2014 | Getting Out Our Dreams Inc. (G.O.O.D.) Music - IDJ

Booklet
Pusha T's slow crawl to a debut solo album included the killer mixtape Fear of God II: Let Us Pray, which sure seemed official, being released by Kanye West's G.O.O.D. Music with major-label distribution. It stretched the definition of a mixtape fairly far, but West and his team are masters at using smoke and mirrors, as My Name Is My Name is a combination of right place and right time with the results being hot enough to burn up any rulebook. Here, the former Clipse member takes that crew's uncompromising stance into the post-Yeezus and post-Death Grips age with a claustrophobic and tight effort that roars. If ever an album could slap a listener, it's this one or Yeezus, but the big difference is that Pusha is pavement while West is penthouse. With this one, the streets keep rocking with cool and connectable moments, from an album title inspired by the television series The Wire to the idea of inviting Kelly Rowland over for the playful come-on "Let Me Love You" (Pusha offers "I know you think I'm the one, but who doesn't?," a flirty moment that would have never seemed possible while in Clipse). The Rowland cut neatly fits into an album that arcs up to its most approachable moment, because even when Big Sean and 2 Chainz show up on "Who I Am," the guaranteed 2013 hitmakers are thrown into an industrial hip-hop grinder, a challenging moment balanced by a simplistic hook right out of the Busta Rhymes playbook. "Sweet Serenade" is aptly titled, although even Chris Brown and Swizz Beatz can't pull Pusha from the edge, while "40 Acres" with the-Dream lives up to its guest's name as elegant and ethereal production meets the rapper at his most poignant ("Born to mothers who couldn't deal with us/Left by fathers who wouldn't build with us"). "S.N.I.T.C.H." with Pharrell brings some light Neptunes soul into this ominous universe, "Suicide" is a raw Clipse flashback mashing with stuttering electro trap music, and "Hold On" with Rick Ross tastes like well-aged port as an uncredited Kanye brings the sweetness with background singing while the downtrodden lyrics offer the bitter and give the song some serious body. With Pusha's pen at full force and his performance a proper combination of cold and tense, the album is as if Clipse's Hell Hath No Fury were atom-smashed into something more artful and unstable. My Name Is My Name is a remarkable and vital solo debut. © David Jeffries /TiVo
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Hip-Hop/Rap - Released December 18, 2015 | Getting Out Our Dreams Inc. (G.O.O.D.) Music - IDJ

A teaser for an upcoming album, Pusha T's 2015 effort is uneven, odd, and hard to navigate, but like his cohort Kanye West, this rapper remains an unstoppable artist, even when presented in shards and strange experiments. King Push - Darkest Before Dawn: The Prelude comes with plenty of examples of both, but the MC pushes out honest and riveting lyrics like "They call him a 'crack dealer'/I am like Warhol/Gonna paint a picture of a bullet for all y'all" ("Keep Dealing") at an amazing rate, so navigating even his more "difficult" releases yields plenty of gold. He's also a Warhol who is more proud of his cocaine-dealing days than his current status of revered rapper plus CEO of Kanye West's GOOD Music label, an attitude fleshed out on "M.F.T.R.," which stands for "More Famous Than Rich." A Notorious B.I.G. sample and an infectious Timbaland beat make "Untouchable" an approachable single, then Timbaland returns for a wonderfully weird number dubbed "Retribution." The biggest surprise from the production department has to be "Harlem Shake" man Baauer constructing a Michael Bay-worthy, cinematic soundtrack for the closing "Sunshine" with Jill Scott. The album just doesn't flow as well as his monolithic 2013 effort My Name Is My Name, but as a mere "prelude" to the next LP, it's miles above "throwaway" and comes with the quality control that would put it in the top tiers of both the mixtape and street release formats. © David Jeffries /TiVo
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Hip-Hop/Rap - Released June 23, 2016 | Getting Out Our Dreams Inc. (G.O.O.D.) Music - IDJ

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Hip-Hop/Rap - Released November 8, 2011 | Mass Appeal

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Hip-Hop/Rap - Released January 1, 2014 | Getting Out Our Dreams Inc. (G.O.O.D.) Music - IDJ

Booklet
Pusha T's slow crawl to a debut solo album included the killer mixtape Fear of God II: Let Us Pray, which sure seemed official, being released by Kanye West's G.O.O.D. Music with major-label distribution. It stretched the definition of a mixtape fairly far, but West and his team are masters at using smoke and mirrors, as My Name Is My Name is a combination of right place and right time with the results being hot enough to burn up any rulebook. Here, the former Clipse member takes that crew's uncompromising stance into the post-Yeezus and post-Death Grips age with a claustrophobic and tight effort that roars. If ever an album could slap a listener, it's this one or Yeezus, but the big difference is that Pusha is pavement while West is penthouse. With this one, the streets keep rocking with cool and connectable moments, from an album title inspired by the television series The Wire to the idea of inviting Kelly Rowland over for the playful come-on "Let Me Love You" (Pusha offers "I know you think I'm the one, but who doesn't?," a flirty moment that would have never seemed possible while in Clipse). The Rowland cut neatly fits into an album that arcs up to its most approachable moment, because even when Big Sean and 2 Chainz show up on "Who I Am," the guaranteed 2013 hitmakers are thrown into an industrial hip-hop grinder, a challenging moment balanced by a simplistic hook right out of the Busta Rhymes playbook. "Sweet Serenade" is aptly titled, although even Chris Brown and Swizz Beatz can't pull Pusha from the edge, while "40 Acres" with the-Dream lives up to its guest's name as elegant and ethereal production meets the rapper at his most poignant ("Born to mothers who couldn't deal with us/Left by fathers who wouldn't build with us"). "S.N.I.T.C.H." with Pharrell brings some light Neptunes soul into this ominous universe, "Suicide" is a raw Clipse flashback mashing with stuttering electro trap music, and "Hold On" with Rick Ross tastes like well-aged port as an uncredited Kanye brings the sweetness with background singing while the downtrodden lyrics offer the bitter and give the song some serious body. With Pusha's pen at full force and his performance a proper combination of cold and tense, the album is as if Clipse's Hell Hath No Fury were atom-smashed into something more artful and unstable. My Name Is My Name is a remarkable and vital solo debut. © David Jeffries /TiVo
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Hip-Hop/Rap - Released October 11, 2019 | Getting Out Our Dreams, Inc. - Def Jam Recordings

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Hip-Hop/Rap - Released May 24, 2018 | Getting Out Our Dreams, Inc. - Def Jam Recordings

The first in a promised cluster of mid-2018 releases from GOOD Music came from label president Pusha T, who followed up the compact King Push with this briefer EP-length set. Designated an album possibly for the strategic sake of preventing the release from being buried on the artist's streaming service profile pages, Daytona nonetheless warrants top billing. Kanye West grants taut, grimace-inducing beats, assisted infrequently by Mike Dean and Andrew Dawson, enabling Pusha to pack each one of the seven tracks with characteristically trenchant and terse rhymes. The lyrical focus is similarly laser-sharp -- primarily assertion of equally high regard in the drug trade and rap game with coded and transparent references to disposable income. Lines aimed at ghostwriter-employing competition appear as nonchalant swats but land like precise knockout blows. Respect paid to a newly freed peer is as vivid: "Angel on my shoulder, 'What should we do?'/Devil on the other, 'What would Meek do?'/Pop a wheelie, tell the judge to Akinyele/Middle fingers out the Ghost, screamin' 'Makaveli'." Throughout, Pusha's in typically percussive and phonetically advanced form with melodicism evidently eschewed as a potential distraction. It's a testament to the rapper's excellence that he can release a 20-minute album that withstands West's ostentatious art direction and shoddy guest verse. © Andy Kellman /TiVo
From
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Hip-Hop/Rap - Released December 18, 2015 | Getting Out Our Dreams Inc. (G.O.O.D.) Music - IDJ

A teaser for an upcoming album, Pusha T's 2015 effort is uneven, odd, and hard to navigate, but like his cohort Kanye West, this rapper remains an unstoppable artist, even when presented in shards and strange experiments. King Push - Darkest Before Dawn: The Prelude comes with plenty of examples of both, but the MC pushes out honest and riveting lyrics like "They call him a 'crack dealer'/I am like Warhol/Gonna paint a picture of a bullet for all y'all" ("Keep Dealing") at an amazing rate, so navigating even his more "difficult" releases yields plenty of gold. He's also a Warhol who is more proud of his cocaine-dealing days than his current status of revered rapper plus CEO of Kanye West's GOOD Music label, an attitude fleshed out on "M.F.T.R.," which stands for "More Famous Than Rich." A Notorious B.I.G. sample and an infectious Timbaland beat make "Untouchable" an approachable single, then Timbaland returns for a wonderfully weird number dubbed "Retribution." The biggest surprise from the production department has to be "Harlem Shake" man Baauer constructing a Michael Bay-worthy, cinematic soundtrack for the closing "Sunshine" with Jill Scott. The album just doesn't flow as well as his monolithic 2013 effort My Name Is My Name, but as a mere "prelude" to the next LP, it's miles above "throwaway" and comes with the quality control that would put it in the top tiers of both the mixtape and street release formats. © David Jeffries /TiVo
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Hip-Hop/Rap - Released August 26, 2019 | Getting Out Our Dreams, Inc. - Def Jam Recordings

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Hip-Hop/Rap - Released August 28, 2019 | Getting Out Our Dreams, Inc. - Def Jam Recordings

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Hip-Hop/Rap - Released March 22, 2013 | Dundridge Entertainment - Unlimited Business

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Hip-Hop/Rap - Released March 2, 2013 | Nyc haze entertainment

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Hip-Hop/Rap - Released October 28, 2016 | Getting Out Our Dreams Inc. (G.O.O.D.) Music - IDJ

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Hip-Hop/Rap - Released January 1, 2012 | Getting Out Our Dreams Inc. (G.O.O.D.) Music - IDJ

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Electronic - Released January 30, 2015 | Onelove

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Hip-Hop/Rap - Released November 19, 2014 | Getting Out Our Dreams Inc. (G.O.O.D.) Music - IDJ

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Hip-Hop/Rap - Released September 4, 2015 | Wireless

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Hip-Hop/Rap - Released October 5, 2018 | Mass Appeal

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Hip-Hop/Rap - Released May 24, 2018 | Getting Out Our Dreams, Inc. - Def Jam Recordings

The first in a promised cluster of mid-2018 releases from GOOD Music came from label president Pusha T, who followed up the compact King Push with this briefer EP-length set. Designated an album possibly for the strategic sake of preventing the release from being buried on the artist's streaming service profile pages, Daytona nonetheless warrants top billing. Kanye West grants taut, grimace-inducing beats, assisted infrequently by Mike Dean and Andrew Dawson, enabling Pusha to pack each one of the seven tracks with characteristically trenchant and terse rhymes. The lyrical focus is similarly laser-sharp -- primarily assertion of equally high regard in the drug trade and rap game with coded and transparent references to disposable income. Lines aimed at ghostwriter-employing competition appear as nonchalant swats but land like precise knockout blows. Respect paid to a newly freed peer is as vivid: "Angel on my shoulder, 'What should we do?'/Devil on the other, 'What would Meek do?'/Pop a wheelie, tell the judge to Akinyele/Middle fingers out the Ghost, screamin' 'Makaveli'." Throughout, Pusha's in typically percussive and phonetically advanced form with melodicism evidently eschewed as a potential distraction. It's a testament to the rapper's excellence that he can release a 20-minute album that withstands West's ostentatious art direction and shoddy guest verse. © Andy Kellman /TiVo