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Classical - Released March 16, 2015 | Mercury (Universal France)

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This week's entry in the very-much-like-nothing-you've-ever-heard-before sweepstakes comes from Icelandic electronic musician and composer Ólafur Arnalds and German-Japanese pianist Alice Sara Ott, whose recording of Chopin waltzes inspired the project. What you get are recordings of Chopin piano compositions, plus original compositions by Arnalds based on motifs from Chopin. In one case, "Eyes Shut/Nocturne in C minor" (track six), the two are combined. Arnalds' pieces employ his own electronic keyboard textures, plus a live string quintet. On top of this, the pianos are vintage instruments hunted down in Reykjavik, and the ambience, if you will, was manipulated by recording in various venues and with various microphones there. And, on top of all this, Arnalds adds ambient soundscapes (noise, sounds of conversation, whispers, etc.) to the music. The ideas seem packed in a bit thick. The string quintet, for example, was a sound unused by Chopin, and it introduces an element that seems discordant with the source material. But there is a major X factor working in favor of this release: nobody has ever tried anything much like this, either with Chopin or with any other composer, and it just might be the beginning of something new and important. Check it out and decide for yourself! © James Manheim /TiVo
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Classical - Released October 28, 2016 | Mercury (Universal France)

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Classical - Released January 1, 2013 | Mercury (Universal France)

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Classical - Released October 28, 2016 | Mercury (Universal France)

CD£11.49

Classical - Released March 16, 2015 | Mercury (Universal France)

Booklet
This week's entry in the very-much-like-nothing-you've-ever-heard-before sweepstakes comes from Icelandic electronic musician and composer Ólafur Arnalds and German-Japanese pianist Alice Sara Ott, whose recording of Chopin waltzes inspired the project. What you get are recordings of Chopin piano compositions, plus original compositions by Arnalds based on motifs from Chopin. In one case, "Eyes Shut/Nocturne in C minor" (track six), the two are combined. Arnalds' pieces employ his own electronic keyboard textures, plus a live string quintet. On top of this, the pianos are vintage instruments hunted down in Reykjavik, and the ambience, if you will, was manipulated by recording in various venues and with various microphones there. And, on top of all this, Arnalds adds ambient soundscapes (noise, sounds of conversation, whispers, etc.) to the music. The ideas seem packed in a bit thick. The string quintet, for example, was a sound unused by Chopin, and it introduces an element that seems discordant with the source material. But there is a major X factor working in favor of this release: nobody has ever tried anything much like this, either with Chopin or with any other composer, and it just might be the beginning of something new and important. Check it out and decide for yourself! © James Manheim /TiVo
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Classical - Released August 30, 2019 | Mercury (Universal France)

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Classical - Released January 1, 2013 | Mercury (Universal France)

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Classical - Released July 11, 2016 | Mercury (Universal France)

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Classical - Released August 30, 2019 | Mercury (Universal France)

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Classical - Released January 1, 2013 | Mercury (Universal France)

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Classical - Released July 11, 2016 | Mercury (Universal France)

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Ólafur Arnalds in the magazine
  • Olafur Arnalds : futuristic music !
    Olafur Arnalds : futuristic music ! While the artificial intelligence tasked with composing music over these past few years have not produced anything particularly poignant, the Icelander Ólafur Arnalds has initiated a new relationsh...