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Vocal Music (Secular and Sacred) - Released September 21, 2018 | Alpha

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The tenor Julian Prégardien joins Alpha Classics for several recording projects that will showcase every facet of his talent, notably lieder and oratorio. His first album on the label is devoted to one of the greatest masterpieces in the history of music, Winterreise in a version with orchestra composed by Hans Zender in 1993. He scored the work for orchestral forces very different from the ensembles used in the nineteenth century (including, for example, a soprano saxophone, an accordion, a harmonica, a wind machine, a guitar and a very large percussion section). Hans Zender describes his work as a ‘creative transformation’: ‘My own reading of Winterreise does not seek a new expressive interpretation, but systematically takes advantage of the freedoms that performers normally allow themselves in an intuitive way: slowing down or accelerating the tempo, transposition into different keys, emphasising and nuancing colours.’ © Outhere Music
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Lieder (German) - Released June 3, 2014 | Myrios Classics

Hi-Res Booklet Distinctions 5 de Diapason - Exceptional sound
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Classical - Released May 4, 2018 | CPO

Booklet Distinctions 5 de Diapason
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Vocal Music (Secular and Sacred) - To be released April 19, 2019 | Alpha

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Julian Prégardien decided to record the Dichterliebe cycle after he came across the new Bärenreiter edition; he went on to explore the work in concerts with his constant accompanist, Eric Le Sage, inserting other works by Robert and also by Clara Schumann, whose bicentenary is celebrated in 2019. When Clara played the Dichterliebe in the 1860s, she used to slip extracts from Kreisleriana between the songs. Prégardien asked Eric Le Sage to record the same extracts on a Blüthner piano of 1856, the year of Robert’s death, and also to include Romances composed by both Robert and Clara at a time when their future marriage was still uncertain. The sublime ballade Löwenbraut also forms part of the programme – a reminder of the young Robert’s anguish on Clara’s departure. At Julien’s suggestion, Sandrine Piau was invited to sing three duets: a simple Canon composed by Clara, and two duets by Robert, Wenn ich ein Vöglein wär, and the sublime In der Nacht. Four further songs complete the recording: Sängers Trost, a short piece in belcanto style; Kurzes Erwachen, composed by Robert at the age of just eighteen; Aus den hebräischen Gesängen, a very melancholy song; an extract from the cycle Myrthen (Robert’s wedding present to Clara); and Mein Wagen rollet langsam, a song that was included in the composer’s first version of Dichterliebe. The Dichterliebe songs micht have been expected to show Schumann triumphantly rejoicing in that year of 1840 when he was finally able to marry Clara; and yet they are characterised by bitter irony, nostalgic Sehnsucht, and a sense of dread… © Alpha Classics
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Lieder (German) - Released February 26, 2016 | Myrios Classics

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Lieder (German) - Released February 26, 2016 | Myrios Classics

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Lieder (German) - Released February 24, 2016 | Myrios Classics

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