Similar artists

Albums

£12.99

Pop - Released June 11, 2002 | Iso - Columbia

Heathen marks a new beginning for David Bowie in some ways -- it's his first record since leaving Virgin, his first for Columbia Records, his first for his new label, ISO -- yet it's hardly a new musical direction. Like Hours, this finds Bowie sifting through the sounds of his past, completely at ease with his legacy, crafting a colorful, satisfying album that feels like a classic Bowie album. That's not to say that Heathen recalls any particular album or any era in specific, yet there's a deliberate attempt to recapture the atmosphere, the tone of his '70s work -- there's a reason that Bowie decided to reteam with Tony Visconti, the co-producer of some of his best records, for this album -- even if direct comparisons are hard to come by. Which is exactly what's so impressive about this album. Bowie and Visconti never shy away from electronic instrumentations or modern production -- if anything, they embrace it -- but it's woven into Bowie's sound subtly, never drawing attention to the drum loops, guitar synths, and washes of electronica. For that matter, guest spots by Dave Grohl and Pete Townshend (both on guitar) don't stand out either; they're merely added texture to this an album that's intricately layered, but always plays smoothly and alluringly. And, make no mistake, this is an alluring, welcoming, friendly album -- there are some moody moments, but Bowie takes Neil Young's eerie "I've Been Waiting for You" and Pixies' elusively brutal, creepy "Cactus" and turns them sweet, which isn't necessarily a bad thing, either. In the end, that's the key to Heathen -- the undercurrent of happiness, not in the lyrics, but in the making of music, a realization by Bowie and Visconti alike that they are perfect collaborators. Unlike their previous albums together, this doesn't boldly break new ground, but that's because, 22 years after their last collaboration, Scary Monsters, both Bowie and Visconti don't need to try as hard, so they just focus on the craft. The result is an understated, utterly satisfying record, his best since Scary Monsters, simply because he'd never sounded as assured and consistent since. ~ Stephen Thomas Erlewine
£12.99

Alternative & Indie - Released September 16, 2003 | Iso - Columbia

Artist

David Bowie in the magazine
  • Glastonbowie 2000
    Glastonbowie 2000 The live Glastonbury 2000 performance is finally available in Hi-Res 24-Bit!
  • Bringing back Bowie
    Bringing back Bowie For diehard fans, 1983-88 was neither Bowie’s most fundamental nor most passionate period. It would, however, be his most fruitful, climaxing with the hit Let’s Dance.
  • Bowie, previously unreleased
    Bowie, previously unreleased After completing Low and Heroes, the first two albums of his Berlin trilogy, David Bowie spent most of 1978 touring the world.
  • The Qobuz Studio: Episode #7
    The Qobuz Studio: Episode #7 This week featuring albums from Breakbot, Rokia Traore, Dion, Bill Frisell, Helene Grimaud...
  • The 1000 lives of Bowie
    The 1000 lives of Bowie Major Tom also known as Ziggy Stardust also known as Aladdin Sane also known as Thin White Duke also known as...
  • David Bowie has died.
    David Bowie has died. A unique star, singular and brilliant, forever etched into the history of rock and pop, was taken from the world by cancer, just a few hours after celebrating his 69th birthday and releasing what w...
  • The Qobuz Studio: Episode #5
    The Qobuz Studio: Episode #5 This week featuring albums from David Bowie, Kevin Gates, Mariss Jansons & Wiener Philharmoniker, Pop ETC, John Moreland, and a retrospective on Mike Oldfield.
  • The Qobuz Minute #25
    The Qobuz Minute #25 Presented by Barry Moore, The Qobuz Minute sweeps you away to the 4 corners of the musical universe to bring you an eclectic mix of today's brightest talents. Jazz, Electro, Classical, World music ...