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2 albums sorted by Price: from least expensive to most expensive and filtered by Pop/Rock, EG Records and £10.00 to £20.00
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Rock - Released January 1, 1999 | EG Records

When Jerry Hall, front-cover model on Roxy's Siren, left Ferry for Mick Jagger, his response was this interesting album, not a full success but by no means a washout. In part Ferry returned to the model of his solo work before In Your Mind, with half the tracks being covers of rock and soul classics. Thus, Sam and Dave's "Hold On (I'm Coming)," Al Green's "Take Me to the River" (which arguably sounds like a strong influence on Talking Heads' near contemporaneous version) and even the Velvet Underground's "What Goes On," among others, take a bow. Unfortunately Ferry's backing performers, mostly drawing on studio pros like Waddy Wachtel, don't seem to have the real affinity for the material like his earlier solo-effort cohorts did. If anything, though, there's also the sense of Ferry channeling his romantic gloom through a number of the songs, giving them a strong personal bite. The guitar and bass-only version of the traditional folk tune "Carrickfergus" works best of all, its lovelorn sentiments and slow pace connecting just right. As for Ferry's originals, his sentiments are all the more clear, right from the abbreviated charge of the opening "Sign of the Times," its fractured sentiments of disturbed, vicious romance matched by the clipped punch of the music and Ferry's own brisk delivery. The other originals don't cut quite so bloodily, but the sense of loss and confusion is all there, from the opening line "Well I rush out blazin'/My pulse is racin'" on "Can't Let Go" to the lonely sense of mystery on "This Island Earth," the album's conclusion. © Ned Raggett /TiVo
From
CD£11.49

Rock - Released January 1, 1999 | EG Records

With Roxy Music set aside for the time being, Ferry took the solo plunge with an album of totally original material. As such, the underrated In Your Mind makes a logical follow-on from Roxy's Siren, especially since usual suspects -- Thompson, Manzanera, Wetton, and many more -- assist him in the brief eight-song effort. While lacking early Roxy's long-gone freakouts In Your Mind still burns more fiercely than both the later solo and group albums, at least on certain tracks - like Siren, it balances between rockier and smoother paths, most often favoring the former. Ferry's lyrics remain in his own realm of intelligent, romantic dissipation, and are some of his best efforts. The strong opener "This Is Tomorrow" starts with Ferry and keyboards before moving into a big, chugging full band arrangement and a wistful chorus: "This is tomorrow callin'/Wish you were here." When Ferry aims for a calmer mood, rather than stripped-down melancholia, he lets everyone play along. Sometimes the arrangements almost swamp the songs, but "One Kiss'" combination of female backing vocals, sax, and straight-up rock for instance, make it a great woozy, end-of-the-night singalong before the bars close. There are a few blatant misfires -- "Tokyo Joe" has the chugging, dark funk/rock beat down cold, but the lyrics play around too much with Asian stereotypes (and let's not mention the opening gong and all too obvious attempts at "atmosphere" via the strings). On balance, though, In Your Mind remains the secret highlight of Ferry's musical career, an energetic album that would have received far more attention as a full Roxy release. © Ned Raggett /TiVo

Artist

Bryan Ferry in the magazine
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