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Alternative & Indie - Released July 30, 2021 | Darkroom - Interscope Records

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It goes without saying that this second album was hotly anticipated. Having shot to international superstardom with When We All Fall Asleep, Where Do We Go? and having already taken five Grammy Awards, Billie Eilish has flipped the script without changing the fundamentals. Her tortured dark pop has evolved with the ironically-titled Happier Than Ever. "Almost none of the songs on this album are joyful", she points out. Take the cover, where she poses as Our Lady of Sorrows, this gifted but tearful icon chooses to clothe yesterday's sorrows in soft and voluptuous pop sounds. Where the last album was all about nightmarish fiction, this more intimate work takes a realist turn. Very eclectic musically, sometimes vintage, sometimes futuristic, its sixteen tracks rack up one surprise after another: Billie is never where you expect her to be.The sequences are carefully worked-out. Eilish oscillates between slow tempos (Getting Older, Billie bossa nova) and haunting EDM beats on Oxytocin – the hormone of love – or minimalist sounds (as on OverHeated), making for an amazing mix of genres. Thus, among Grimes-like syncopated choruses (GOLDWING), autotuned R'N'B (NDA) in the style of 070 Shake, folk ballads (Halley's Comet) and spartan soundscapes (Not My Responsibility), she manages to slip in the guitar-vocals number "Your Power", an emotional peak on which she speaks about suffering abuse. Accompanied by her brother, Finneas O'Connell, an enjoying a slick production job, Billie Eilish has created a masterful record which she hoped would prove timeless. That ambition is easy to understand when she mentions Frank Sinatra, Antonio Carlos Jobim and Julie London as influences. "It was the most enriching and deepest experience I have ever had with my music," she says. Fortunately, at just 19, there are likely to be many more. © Charlotte Saintoin / Qobuz
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Alternative & Indie - Released March 29, 2019 | Darkroom - Interscope Records

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“We are not serious when we are 17.” But Billie Eilish has all the marks of a serious young lady and someone who we should indeed take seriously. At the age of sixteen she released the noteworthy Don’t Smile at Me, an EP created with the help of her older brother, Finneas O’Connell. The EP is comprised of the singles Copycat, Bellyache and Ocean Eyes and was posted two years earlier on Soundcloud when Eilish was just 14 years old. Critics hailed her music due to its depiction of a lost adolescent with bleached hair, dressed in oversized sweaters. With the album When We All Fall Asleep, Where Do We Go? and its strange title and shocking cover, Eilish and her dark hair flaunt their more obscure side. One is immediately struck with how well polished Finneas O’Connell’s production is after an intro in which Eilish jokingly mocks her brother for his Invisalign (a kind of invisible dental brace). The first track Bad Guy features an EDM beat which contrasts with the dreaminess of the subsequent Xanny. The rest of the album follows this trend, weaving together both harsh and soft songs combined with the mature lyrics of a girl who was diagnosed with Tourette’s at the age of 11 and speaks of Xanax and young girls descent into a hellish existence. In this mix of gloomy pop and creepy trap beats, Eilish excels. A real eye-opener. © Charlotte Saintoin/Qobuz
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Alternative & Indie - Released March 29, 2019 | Darkroom - Interscope Records

“We are not serious when we are 17.” But Billie Eilish has all the marks of a serious young lady and someone who we should indeed take seriously. At the age of sixteen she released the noteworthy Don’t Smile at Me, an EP created with the help of her older brother, Finneas O’Connell. The EP is comprised of the singles Copycat, Bellyache and Ocean Eyes and was posted two years earlier on Soundcloud when Eilish was just 14 years old. Critics hailed her music due to its depiction of a lost adolescent with bleached hair, dressed in oversized sweaters. With the album When We All Fall Asleep, Where Do We Go? and its strange title and shocking cover, Eilish and her dark hair flaunt their more obscure side. One is immediately struck with how well polished Finneas O’Connell’s production is after an intro in which Eilish jokingly mocks her brother for his Invisalign (a kind of invisible dental brace). The first track Bad Guy features an EDM beat which contrasts with the dreaminess of the subsequent Xanny. The rest of the album follows this trend, weaving together both harsh and soft songs combined with the mature lyrics of a girl who was diagnosed with Tourette’s at the age of 11 and speaks of Xanax and young girls descent into a hellish existence. In this mix of gloomy pop and creepy trap beats, Eilish excels. A real eye-opener. © Charlotte Saintoin/Qobuz
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Alternative & Indie - Released July 28, 2017 | Darkroom

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The debut EP from 15-year-old electronic pop singer/songwriter Billie Eilish, dont smile at me arrived in August 2017 from the Interscope label. Produced and co-written by Eilish's older brother, Finneas O'Connell, the eight-track release features the lush and lonesome single "Ocean Eyes," a song that first went viral for the Los Angeles-based artist in 2016 and brought her to the attention of Interscope. Eilish's sound is sleek, sometimes quirky, and often characterized by clever wordplay. Subsequent singles "watch" and "COPYCAT" were issued in the summer of 2017 in advance of the EP's release. © Timothy Monger /TiVo
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Alternative & Indie - Released February 14, 2020 | Darkroom - Interscope Records

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Alternative & Indie - Released July 28, 2017 | Darkroom

The debut EP from 15-year-old electronic pop singer/songwriter Billie Eilish, dont smile at me arrived in August 2017 from the Interscope label. Produced and co-written by Eilish's older brother, Finneas O'Connell, the eight-track release features the lush and lonesome single "Ocean Eyes," a song that first went viral for the Los Angeles-based artist in 2016 and brought her to the attention of Interscope. Eilish's sound is sleek, sometimes quirky, and often characterized by clever wordplay. Subsequent singles "watch" and "COPYCAT" were issued in the summer of 2017 in advance of the EP's release. © Timothy Monger /TiVo
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Alternative & Indie - Released November 14, 2019 | Interscope Records

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Alternative & Indie - Released November 12, 2020 | Darkroom - Interscope Records

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Alternative & Indie - Released July 30, 2021 | Darkroom - Interscope Records

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It goes without saying that this second album was hotly anticipated. Having shot to international superstardom with When We All Fall Asleep, Where Do We Go? and having already taken five Grammy Awards, Billie Eilish has flipped the script without changing the fundamentals. Her tortured dark pop has evolved with the ironically-titled Happier Than Ever. "Almost none of the songs on this album are joyful", she points out. Take the cover, where she poses as Our Lady of Sorrows, this gifted but tearful icon chooses to clothe yesterday's sorrows in soft and voluptuous pop sounds. Where the last album was all about nightmarish fiction, this more intimate work takes a realist turn. Very eclectic musically, sometimes vintage, sometimes futuristic, its sixteen tracks rack up one surprise after another: Billie is never where you expect her to be.The sequences are carefully worked-out. Eilish oscillates between slow tempos (Getting Older, Billie bossa nova) and haunting EDM beats on Oxytocin – the hormone of love – or minimalist sounds (as on OverHeated), making for an amazing mix of genres. Thus, among Grimes-like syncopated choruses (GOLDWING), autotuned R'N'B (NDA) in the style of 070 Shake, folk ballads (Halley's Comet) and spartan soundscapes (Not My Responsibility), she manages to slip in the guitar-vocals number "Your Power", an emotional peak on which she speaks about suffering abuse. Accompanied by her brother, Finneas O'Connell, an enjoying a slick production job, Billie Eilish has created a masterful record which she hoped would prove timeless. That ambition is easy to understand when she mentions Frank Sinatra, Antonio Carlos Jobim and Julie London as influences. "It was the most enriching and deepest experience I have ever had with my music," she says. Fortunately, at just 19, there are likely to be many more. © Charlotte Saintoin / Qobuz
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Alternative & Indie - Released April 19, 2018 | Darkroom

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Pop - Released January 21, 2021 | Darkroom - Interscope Records

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Alternative & Indie - Released July 30, 2020 | Darkroom - Interscope Records

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Alternative & Indie - Released November 17, 2016 | Darkroom

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Alternative & Indie - Released November 20, 2018 | Darkroom

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Alternative & Indie - Released January 9, 2019 | Darkroom

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Alternative & Indie - Released August 11, 2017 | Universal Music

The debut EP from 15-year-old electronic pop singer/songwriter Billie Eilish, dont smile at me arrived in August 2017 from the Interscope label. Produced and co-written by Eilish's older brother, Finneas O'Connell, the eight-track release features the lush and lonesome single "Ocean Eyes," a song that first went viral for the Los Angeles-based artist in 2016 and brought her to the attention of Interscope. Eilish's sound is sleek, sometimes quirky, and often characterized by clever wordplay. Subsequent singles "watch" and "COPYCAT" were issued in the summer of 2017 in advance of the EP's release. © Timothy Monger /TiVo

Alternative & Indie - Released March 30, 2017 | Darkroom

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Alternative & Indie - Released November 18, 2016 | Darkroom

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Alternative & Indie - Released March 30, 2018 | Darkroom

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Alternative & Indie - Released July 11, 2019 | Darkroom - Interscope Records

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Billie Eilish in the magazine
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