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Blues - Released November 30, 2018 | Provogue

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Beth Hart commands the stage with just one click of her fingers! The Californian tigress is still as feisty as ever without getting caught up in the clichés. In this live performance recorded on May 4th 2018 in London’s most prestigious setting, the Royal Albert Hall, she sets up her very own cabaret mixing blues, jazz and vintage soul. A woman who honours Nina Simone, Howlin’ Wolf, Dinah Washington, Buddy Guy and so many other key personalities of rhythm’n’blues, she shows us the full extent of her talent during this two-hour show. With a microphone to hand or sat behind her piano, what impresses us most is Beth Hart’s ability to mix all her musical influences and produce one very personal cocktail. Her secret? Her voice, of course. A kind of unstoppable magnet that pulls every word, every sentence, every chorus and which is made even more powerful by her contact with the audience. © Clotilde Maréchal/Qobuz
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Blues - Released April 13, 2018 | Provogue

Beth Hart is never out of the charts. Working solo or with Joe Bonamassa, the beauty is throwing out albums at an impressive rate. But her live recordings are somewhat rarer. After two live recordings in Amsterdam, the first at the Paradiso in 2005, the second with Bonamassa, her follower since 2010 and a tattooed Californian panther, she has brought out an American release, recorded for the show Front and Center, in the close atmosphere of New York's Iridium. A smoky vocal power sanctified in the intimacy of a jazz club will please the faithful. In it, the beautiful Hart shows off the spirit of her latest solo works Fire On The Floor, Jazz Man, No Place Like Home and Fat Man as well as older numbers like Baddest Blues, recalling the twenty-year stretch of hard happiness she sentenced us to. © Charlotte Saintoin/Qobuz
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Blues - Released October 14, 2016 | Provogue

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Blues - Released April 3, 2015 | Provogue

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Rock - Released August 13, 2009 | Provogue

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Blues - Released October 14, 2016 | Provogue

Beth Hart took some risks on 2015's Better Than Home, an ambitious record that sadly saw its co-producer Michael Stevens die from cancer during its recording. Given all this, it's not such a surprise to see Hart loosen up for its 2017 sequel, Fire on the Floor. Feeling the urgent need to exorcize lingering demons, Hart returned to the studio to cut Fire on the Floor before Better Than Home was released, and the record does carry a sense of urgency: It indeed feels fresh, even spontaneous. Certainly, it doesn't feel as weighty as the raw, yearning Better Than Home, not with the humor and swagger that Hart displays throughout the album. Working with producer Oliver Leiber, who helped assemble a selection of studio pros highlighted by the legendary studio guitarist Waddy Wachtel and organist Ivan Neville, Hart seems relaxed and playful -- a sensibility that's evident from the opening "Jazz Man." This song title suggests that she might be headed down a jazzy road, but Fire on the Floor showcases her versatility, bouncing between slinky jazz and grinding blues ("Love Gangster") while finding space for outright rockers ("Fat Man"), Southern soul ("Let's Get Together"), and a gospel-inflected ballad ("No Place Like Home"). None of this feels showy: it flows easily and naturally, the songs connected by their deep Americana roots and the snappy skill of the players. Even if the album is slick and in the pocket, it's soulful; it feels like Hart is reconnecting with the reason why she makes music and that's what gives Fire on the Floor a kick. ~ Stephen Thomas Erlewine
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Blues - Released October 5, 2012 | Provogue

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Rock - Released February 12, 2016 | Provogue

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Blues - Released April 3, 2015 | Provogue

Separating from producer Kevin Shirley for the first time in three records, Beth Hart chose to work with Rob Mathes and Michael Stevens for 2015's Better Than Home. A change in producers helped Hart change direction, letting her depart from the down-and-dirty blues belting she specialized in throughout her time with Shirley, reconnecting slightly to her singer/songwriter beginning while emphasizing deep soul roots. Despite opening with the tight Memphis groove of "Might as Well Smile," most of the album is grandly introspective -- majestic brooding ballads with a clear debt to early Elton John. This cinematic landscape provides a nice contrast to Hart's raw, nervy vocals, accentuating the aching in her delivery. This emotional immediacy compensates for the sometimes elliptical songs, songs that take a little while to settle, but the risks Hart's taken on Better Than Home pay off: this is a distinctive, ambitious record that takes advantage of her natural talents in surprising ways. ~ Stephen Thomas Erlewine
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Blues - Released February 13, 2018 | Provogue

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Blues - Released May 1, 2016 | Provogue

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Blues - Released March 6, 2017 | Provogue

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Blues - Released August 30, 2018 | Provogue

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Blues - Released March 6, 2017 | Provogue

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Blues - Released March 30, 2015 | Provogue

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Beth Hart in the magazine