Albums

466 albums sorted by Price: from most expensive to least expensive
£31.96

Violin Concertos - Released June 1, 2018 | DOREMI

Booklet Distinctions 5 de Diapason
£35.99
£30.99

Classical - Released October 13, 2017 | Warner Classics

Hi-Res Booklet Distinctions Diapason d'or - Le Choix de France Musique - Choc de Classica
For true fans of Christian Ferras (1933-1982), this box set of recordings (mono and stereo) made between 1957 and 1962 is an absolute treasure chest. In the company of his good friend Pierre Barbizet, Georges Prêtre, Malcolm Sargent, Menuhin for Bach's Double and several other big names of her era, this follower of George Enesco offers up a superb selection of great concertos and great sonatas, from before the famous recordings with Karajan that covered of the lion's share of the Ferras concert repertoire. Ferras had a searing career – these recordings were made by a man aged 24 to 29 years old! His glory years ran until the end of the 1960s, before meeting with an inexorable descent into the hell of alcoholism and depression (which would drive away the big labels, the orchestras and the public) – a descent which he would end with a ten-storey fall from his Parisian apartment on 14 September 1982. The world had lost one of the greatest violinists of his time, but his legend would never die. Naturally, all these recordings have been subject to a most careful remastering, based on the original matrices. © SM/Qobuz
£23.99

Classical - Released May 12, 2015 | Music and Arts Programs of America

Booklet Distinctions Diapason d'or
£17.99

Duets - Released August 12, 2016 | Decca

Distinctions 5 étoiles de Classica
£28.79
£19.19

Full Operas - Released August 26, 2013 | Naive

Hi-Res Booklet Distinctions 5 de Diapason - Hi-Res Audio
£17.59

Chamber Music - Released August 15, 2008 | Arion

Distinctions 3F de Télérama
£20.99

Classical - Released September 4, 2009 | Warner Classics (Parlophone)

£23.98
£15.98

Chamber Music - Released June 22, 2018 | Glossa

Hi-Res Booklet Distinctions 5 Sterne Fono Forum Klassik - 5 étoiles de Classica
François Francœur perfected his talents as a violinist and composer in the France of the 18th century, down the years of a very full and long life (1698-1787). He was admitted to the Académie Royale de Musique as a violinist at the age of just 15. After several years of playing concerts in the great towns of Europe, he rejoined the The King's 24 Violins in 1730, before becoming a member of the Concert Spirituel, a rare and much-coveted honour. He was also Master of Music at the Opéra de Paris and then musical director of the same institution with his good friend François Rebel. Francœur found himself increasingly in favour at the court of Louis XV who would name him His Majesty's Master of Music in 1760 and ennobled him into the bargain. This was the era of the great rivalry between French and Italian music: Francœur didn't take one side, but accepted the influence of both into his instrumental music. The ten first violin sonatas on this record make up the whole of his First Book published in 1720: ten sonatas, an unusual number at a time when they were normally published by the dozen or half dozen. The writing fuses courtly elegance and rather earthier, joyful Italian energy, and Francœur gives the work a unique voice of its own. In this fresh, melodious music, both refined and robust, we hear tender songs, feverish dances, pastorales, but also a stunning virtuosity. Violinist Mitzi Meyerson chose not to perform these sonatas in the order of their publication, on the grounds that they weren't written to be performed back to back. Meyerson instead arranges them by key as harmoniously possible, and also sorts them by major musical influence: French, Italian and German too. She plays each line with a gentle inflection of the rhythms and emphases that reflects the known historical style of each national body of music. © SM/Qobuz
£23.98
£15.98

Duets - Released January 29, 2016 | Glossa

Hi-Res Booklet Distinctions Diapason d'or de l'année - Diapason d'or - Gramophone Editor's Choice
£19.99

Classical - Released October 7, 2014 | Zig-Zag Territoires

Booklet Distinctions Diapason d'or
£15.99

Chamber Music - Released July 1, 1988 | Chandos

£23.98
£15.98

Duets - Released August 4, 2017 | Stradivarius

Hi-Res Booklet
£22.49
£15.99

Chamber Music - Released October 26, 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Distinctions Gramophone Editor's Choice - 5 étoiles de Classica
During the course of a full career, which justly earned him the name of "prince of baroque violinists", Giuliano Carmignola developed a remarkable vision of Bach's works for solo violin. Carmignola, a student of Szeryng and Milstein, knows this repertoire inside and out, creating a feeling of spontaneity and improvisation while remaining closely faithful to Bach's writing. He uses a discreet but present vibrato beautifully (a far cry from some other baroque musicians who step much further back from the material), and he favours a free approach to rhythm and an expressive style that highlights all the colours and subtleties of Bach's phrasing. His playing is influenced by the historical techniques unearthed by modern musicology, but it is also profoundly original, lyrical, and moving. The three Sonatas and three Partitas date back to the 1720s, the era of the great instrumental masterworks known as the Brandeburg Concertos, the First Book of the Well-Tempered Clavier and the Cello Suites. The sonatas take the form of church sonatas – four movements, slow-fast-slow-fast – and the partitas borrow from the old-style dance suites in five, six or even eight movements. © SM/Qobuz
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£11.99

Chamber Music - Released September 27, 2015 | Channel Classics Records

Hi-Res Booklet Distinctions Choc de Classica - 5 Sterne Fono Forum Klassik
The Rosary Sonatas of Heinrich Ignaz Franz von Biber (1644-1704), a cycle formed of fifteen sonatas for violin with basso continuo and a passacaglia for solo violin, are part of a creative movement that took place during the seventeenth century which forged daring, experimentation, exploration, and a deepening of difficult instrumental technique. This current was made possible by the proliferation of advanced instruments being exported from Italy, and it found fertile ground in central Europe with Schmelzer, amongst others, and a next generation that included Westhoff and, of course, Biber. The Rosary Sonatas require a soloist with a serious capacity for abstraction: indeed, most of them are written according to the principle of the scordat[t]ura, meaning that one or more strings of the violin are tuned differently from the usual sol-la-re-mi. The tuning, then, does not accord with what is usually intended in violin scores, since the detuned strings become transposed. In other words, certain notes sound like what is written, whilst others resonate differently, depending on the particular chord imposed by the composer. The instrumentalist should, therefore, do the same thing that you do when keys on your computer keyboard provide different letters than those signalled, that is, act as if nothing has happened! And, in the piece, in order to change the tone of the instrument, and to permit the creation of some different chords, open strings are used. What Biber offers us here is an infinitely confusing piece of music, manipulating unheard-of sounds and incongruous harmonies – both melodic and harmonic – in an amazing musical journey that puts him quite apart from the rest of the Baroque world. In the late 1670s the work was not fully understood, so much so that the score was almost forgotten, before experiencing a brilliant resurrection in the early twentieth century. This version was recorded by the English violinist Rachel Podger, a true star of the baroque instrument. Here, after her excursions in Mozart, Bach, Vivaldi, and some other important composers of the seventeenth and eighteenth centuries, which were all heralded by awards and other successes, she reveals the buried treasures of this true masterpiece. Accompanied by some fantastic instrumental friends (including Marcin Świątkiewicz on the keyboards, distinguished by his brilliant Müthel opus which was published by BIS a few months back, the violist Jonathan Manson, who regularly collaborates with the violonist and Trevor Pinnock), Rachel Podger expertly exploits this narrative poetry collection, distilling phrases of great elegance, and deploying a haunting sound. A truly mystical experience! © Qobuz
£17.99

Classical - Released June 4, 2012 | Zig-Zag Territoires

Booklet Distinctions Choc de Classica - Exceptional sound
£14.39

Classical - Released July 3, 2012 | Music and Arts Programs of America

Distinctions Diapason d'or
£17.99
£12.74

Violin Solos - Released September 7, 2018 | Aparté

Hi-Res Booklet
In his turn the conductor and first violin of the Freiburger Barockorchester engraved these emblematic pages for violin. On his instrument by the Milanese lutenist Paolo Antonio Testore (1690-1767), Gottfried von der Goltz tackles without any display this corpus for solo violin. He plays them in an authentic, personal and sober (a little too reserved?) way with a constant concern to put forward their rich architecture and polyphony always in a deep understanding of the writing. © Qobuz 2018    
£17.99
£12.74

Chamber Music - Released January 19, 2018 | NoMadMusic

Hi-Res Booklet Distinctions 5 étoiles de Classica
£17.59
£11.99

Chamber Music - Released September 25, 2015 | Pan Classics

Hi-Res Booklet Distinctions 5 de Diapason
£11.99

Concertos - Released May 30, 2007 | Avie Records

Distinctions 4 étoiles du Monde de la Musique