Albums

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Violin Concertos - Released November 16, 2018 | LSO Live

Hi-Res Booklet Distinctions 5 de Diapason
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Duets - Released November 9, 2018 | harmonia mundi

Hi-Res Booklet Distinctions 5 de Diapason
At a time when Mozart was writing his first sonatas for violin and clavier, in 1778, it was the done thing to write piano sonatas with violin accompaniment in which the violin part is fairly unobtrusive. The purpose of this was not to put off the target audience for the scores: educated amateurs. But Mozart paid no heed to this convention and took off into a new world with real duets, in which the two instruments found themselves on an even footing. At the same time, he avoided the corrective exaggeration which would appear in some scores which resembled violin concertos with a little piano support. Here we have a perfect balance between the two players: Isabelle Faust on the violin and Alexander Melnikov at the clavier. The latter of the two plays on a copy of a Viennese fortepiano made in 1795 by Anton Walter. The sound balance is utterly perfect, which is a relief, as all too often these sonatas either favour the keyboard part when played on the piano or the violinist tries to force it. We have here two sonatas written in Paris shortly after the death of Mozart's mother (who accompanied him on the journey), and then another from 1787 written in the wake of Leopold Mozart's death. Despite this the composer seems to be putting on a brave face, flashing a smile tinged with a tender nostalgia on the Sonata in E Minor K. 304. © SM/Qobuz
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Violin Concertos - Released October 28, 2016 | harmonia mundi

Hi-Res Booklet Distinctions Gramophone Record of the Year - Gramophone Award - Choc de Classica - Choc Classica de l'année
"Not another complete recording of Mozart's violin concertos!", some might complain, and in absolute terms they wouldn’t necessarily be wrong. Except that this complete edition is signed by star violinist Isabelle Faust, accompanied by Il Giardino Armonico (who plays on instruments from Mozart’s time, including natural horns, nine-key bassoons, six-key flutes, two-key oboes), and – last but not least – the cadenzas are signed by Andreas Staier, since Mozart has left us no cadenzas for his violin concertos (unlike several piano concertos, as well as his Sinfonia concertante for violin and viola). Far from playing the star, Isabelle Faust prefers to blend in with the whole orchestra, a kind of primus inter pares attitude quite refreshing in this repertoire which, in fact, does not require so much emphasis of the part of soloist – the sound engineering and balance itself favours an overall sound rather than an opposition between solo violin and orchestra. This is a new and very original interpretation, whatever the abundant discography of these works may already be. In addition to the five concertos, Faust plays the three single movements for violin and orchestra – two Rondos and one Adagio – which are actually "spare" movements for one or the other of the concertos written on request for soloists of that time. One wonders what Mozart would have written had he had Isabelle Faust by his side! © SM/Qobuz
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Concertos - Released May 1, 2016 | Brilliant Classics

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Duets - Released October 2, 2015 | Movimento Classical

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Violin Concertos - Released February 3, 2015 | Haenssler Classic

Hi-Res Booklet Distinctions 4 étoiles de Classica - 5 Sterne Fono Forum Klassik
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Violin Concertos - Released May 6, 2014 | PentaTone

Hi-Res Booklet Distinctions 5 de Diapason - Gramophone Editor's Choice - Hi-Res Audio
With several of her recordings of Romantic and modern violin concertos already issued on the PentaTone label, Arabella Steinbacher releases her first Classical-era album with this hybrid SACD of Mozart's Violin Concertos No. 3, No. 4, and No. 5. One may presume that she will eventually round out the series with the first two violin concertos and the Sinfonia concertante, but it's still a fine program for connoisseurs of Mozart and aficionados of Steinbacher's exquisite playing. Performing with Daniel Dodds and the Festival Strings Lucerne, she delivers all three works with bright sonorities and fluid grace, and plays with an elegance that is quite attractive. Even so, she reserves her virtuosity for the cadenzas (Wolfgang Schneiderhan's in the Violin Concerto No. 3, and Joseph Joachim's in the last two concertos), and the brilliance and warmth of her sound is well matched by the rounded tone of the orchestra, which in spite of its name includes woodwinds and horns. While the ensemble isn't a period orchestra, and Steinbacher makes no attempt to play in the historically informed manner, that's just as well, considering that the later vintage of the cadenzas would clash stylistically, and that this group of musicians obviously knew what they'd feel comfortable playing. In the end, it comes down to taste, and these are quite tasteful performances, so putting the historical debate aside, they are an enjoyable change of fare for this artist.
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Violin Concertos - Released February 25, 2014 | Oehms Classics

Booklet Distinctions 5 de Diapason
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Duets - Released January 1, 1959 | BnF Collection

Hi-Res Booklet
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Duets - Released January 1, 1959 | BnF Collection

Hi-Res Booklet
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Concertos - Released November 27, 2010 | Archipel - Walhall

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Chamber Music - Released October 27, 2009 | Chandos

Booklet
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Chamber Music - Released October 28, 2008 | Chandos

Booklet
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Violin Concertos - Released May 27, 2008 | Naxos

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Chamber Music - Released May 13, 2008 | Analekta

Booklet
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Classical - Released January 1, 2008 | Haenssler Classic

Booklet
£11.99

Concertos - Released May 30, 2007 | Avie Records

Distinctions 4 étoiles du Monde de la Musique
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Classical - Released January 1, 2006 | Artek

Booklet
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Classical - Released January 1, 2006 | Haenssler Classic