Chamber Music - Released October 26, 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Distinctions Gramophone Editor's Choice - 5 étoiles de Classica
During the course of a full career, which justly earned him the name of "prince of baroque violinists", Giuliano Carmignola developed a remarkable vision of Bach's works for solo violin. Carmignola, a student of Szeryng and Milstein, knows this repertoire inside and out, creating a feeling of spontaneity and improvisation while remaining closely faithful to Bach's writing. He uses a discreet but present vibrato beautifully (a far cry from some other baroque musicians who step much further back from the material), and he favours a free approach to rhythm and an expressive style that highlights all the colours and subtleties of Bach's phrasing. His playing is influenced by the historical techniques unearthed by modern musicology, but it is also profoundly original, lyrical, and moving. The three Sonatas and three Partitas date back to the 1720s, the era of the great instrumental masterworks known as the Brandeburg Concertos, the First Book of the Well-Tempered Clavier and the Cello Suites. The sonatas take the form of church sonatas – four movements, slow-fast-slow-fast – and the partitas borrow from the old-style dance suites in five, six or even eight movements. © SM/Qobuz

Violin Solos - Released October 5, 2018 | Decca Music Group Ltd.

Hi-Res Booklet Distinctions 5 de Diapason - Gramophone Record of the Month
A student of the last student of Ysaÿe, American violinist Hilary Hahn has played Bach's solo violin music since she was nine, and inaugurated her recording career seven years later with a recording of half the cycle of six, in 1997. That recording rightly won acclaim with its flawless technique and Apollonian lines straight out of the best of the French violin school. Uniquely, she has returned to complete the set 21 years later, and the results are marvelous. It's sometimes hard to pin down the ways in which Hahn's style has changed, but it has to do with a kind of inner relaxation, with a willingness to let the meter vary a bit and pick it up again in the longer line. The flawless tone is still there, but it's not so much an end in itself. It's not an accident that some of the graphics picture Hahn smiling, nor that her quite relevant notes to the album detail the long creative process that went into making it. Sample anywhere, but you could try the very beginning, the first movement of the Sonata for solo violin No. 1 in G minor, BWV 1001, where Hahn takes just a bit of time, draws you in, and lets the rest of the movement flow from there. Decca's engineers do excellent work in a Bard College auditorium that one might not have picked as a venue for this. A superb release from one of the preeminent violinists of our time.

Concertos - Released September 10, 2018 | Channel Classics Records

Hi-Res Booklet Distinctions Diapason d'or - Choc de Classica - Exceptional sound - Hi-Res Audio

Violin Solos - Released September 7, 2018 | Aparté

Hi-Res Booklet
In his turn the conductor and first violin of the Freiburger Barockorchester engraved these emblematic pages for violin. On his instrument by the Milanese lutenist Paolo Antonio Testore (1690-1767), Gottfried von der Goltz tackles without any display this corpus for solo violin. He plays them in an authentic, personal and sober (a little too reserved?) way with a constant concern to put forward their rich architecture and polyphony always in a deep understanding of the writing. © Qobuz 2018    

Duets - Released January 12, 2018 | harmonia mundi

Hi-Res Booklet Distinctions 5 Sterne Fono Forum Klassik - 5 étoiles de Classica
The six Sonatas for Violin and Obbligato Harpsichord BWV 1014-1019 (“obbligato” – compulsory – means the keyboard is fully scored, as opposed to basso continuo for which only the bass is scored, the rest being left to the discretion of the performer, who improvises) are some of these works that Bach kept revisiting and reworking. The oldest remaining source – from around 1725, through one of his nephews – already highlights the will to make these compositions evolve by refining them with successive adjustments. The work underwent another overhaul in Agricola’s manuscript, around 1741, while a copy made around 1750 by Altnickol reveals a third cycle status. An observation made by the musician’s second youngest son, Johann Christoph Friedrich Bach – “He wrote these trios just before his end” – seems to have been interpreted as proof that Bach was still working on these sonatas in the last years of his life. This new recording by Isabelle Faust, a great specialist of baroque interpretation, and Christian Bezuidenhout on the harpsichord, discretely reveals the extraordinary richness of these works’ three-voice writing, that resembles the format of a trio sonata. © SM/Qobuz

Classical - Released November 24, 2014 | naïve classique

Booklet Distinctions 5 de Diapason

Chamber Music - Released April 1, 2016 | Avie Records

Distinctions Gramophone Editor's Choice

Duets - Released January 29, 2016 | Glossa

Hi-Res Booklet Distinctions Diapason d'or de l'année - Diapason d'or - Gramophone Editor's Choice

Violin Solos - Released March 3, 2015 | Canary Classics

Hi-Res Booklet Distinctions 5 de Diapason - 4 étoiles de Classica - 5 Sterne Fono Forum Klassik

Classical - Released October 7, 2014 | Zig-Zag Territoires

Booklet Distinctions Diapason d'or

Concertos - Released July 1, 2013 | Les Indispensables de Diapason

Booklet Distinctions Diapason d'or

Classical - Released April 2, 2012 | Zig-Zag Territoires

Hi-Res Booklet Distinctions Diapason d'or - Hi-Res Audio

Classical - Released September 29, 2011 | Zig-Zag Territoires

Hi-Res Booklet Distinctions Diapason d'or de l'année - Diapason d'or - Choc de Classica - Choc Classica de l'année - Hi-Res Audio

Classical - Released January 4, 2011 | Mirare

Hi-Res Booklet Distinctions Hi-Res Audio

Concertos - Released September 1, 2010 | Artek


Classical - Released April 19, 2010 | naïve classique


Violin Solos - Released April 9, 2010 | Berlin Classics


Classical - Released March 3, 2009 | naïve classique

Booklet Distinctions Exceptional sound

Classical - Released April 29, 2008 | Naxos


Violin Solos - Released March 31, 2008 | Aeon