Albums

£13.99

Vocal Jazz - Released May 20, 2013 | Le Chant du Monde

Booklet Distinctions The Qobuz Ideal Discography - The Qobuz Standard
£55.99

Vocal Jazz - Released January 1, 1993 | Capitol Records

Distinctions The Qobuz Ideal Discography - The Qobuz Standard
For an overview of Nat "King" Cole's years as a remarkably popular singer, this four-CD box would be difficult to top. Containing 100 songs spanning a 20-year period, this box has virtually all of Cole's hits, some of his best jazz sides, and more than its share of variety, including a humorous previously unreleased version of "Mr. Cole Won't Rock & Roll." Recommended to beginners and veteran collectors alike, its attractive booklet is also a major asset. ~ Scott Yanow
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Vocal Jazz - Released January 1, 2009 | FRANK SINATRA DIGITAL REPRISE

Distinctions The Qobuz Ideal Discography
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Vocal Jazz - Released January 1, 1998 | Capitol Records

Distinctions The Qobuz Ideal Discography
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Vocal Jazz - Released January 1, 1958 | Verve

Distinctions The Qobuz Ideal Discography
Vocalist Blossom Dearie's Summetime is a low-key collection of chamber-jazz arranged for a small trio. Working with guitarist Mundell Lowe, bassist Ray Brown, and drummer Ed Thigpen, Dearie sings the material with a gentle conviction; she may never sound passionate, but she never sounds like she doesn't care. The result is a pleasant record, that might never be a compelling listen, but it's never a bad one. ~ Thom Owens
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Vocal Jazz - Released January 1, 1993 | Capitol Records

Distinctions The Qobuz Ideal Discography - The Qobuz Standard
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Vocal Jazz - Released January 1, 2010 | Riverside

Distinctions The Qobuz Ideal Discography - The Qobuz Standard
The ultra-hip and sophisticated "cool jazz" that Chet Baker (trumpet/vocals) helped define in the early '50s matured rapidly under the tutelage of producer Dick Bock. This can be traced to Baker's earliest sides on Bock's L.A.-based Pacific Jazz label. This album is the result of Baker's first sessions for the independent Riverside label. The Chet Baker Quartet featured on Chet Baker Sings: It Could Happen to You includes Kenny Drew (piano), Sam Jones (bass), and Philly Joe Jones (drums). (Performances by bassist George Morrow and drummer Dannie Richmond are featured on a few cuts.) This results in the successful combination of Baker's fluid and nonchalant West Coast delivery with the tight swinging accuracy of drummer Jones and pianist Drew. Nowhere is this balance better displayed than the opening and closing sides on the original album, "Do It the Hard Way" and "Old Devil Moon," respectively. One immediate distinction between these vocal sides and those recorded earlier in the decade for Pacific Jazz is the lissome quality of Baker's playing and, most notably, his increased capacity as a vocalist. The brilliant song selection certainly doesn't hurt either. This is an essential title in Chet Baker's 30-plus year canon. [Some reissues contain two bonus tracks, "I'm Old Fashioned" and "While My Lady Sleeps"]. ~ Lindsay Planer
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Vocal Jazz - Released January 1, 1957 | Verve

Hi-Res Distinctions The Qobuz Ideal Discography
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Vocal Jazz - Released January 1, 2000 | Verve

Distinctions The Qobuz Ideal Discography
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Vocal Jazz - Released January 1, 2004 | Decca

Distinctions The Qobuz Ideal Discography
Peggy Lee left Capitol in 1952 for, among several other reasons, the label's refusal to let her record and release an exotic, tumultuous version of "Lover." Lee was certainly no Mitch Miller songbird, content to loosen her gorgeous pipes on any piece of tripe foisted upon her; she was a superb songwriter with a knowledge of production and arrangement gained from work in big bands and from her husband, Dave Barbour (although the two weren't together at the time). The more open-minded Decca acquiesced to her demand, and watched its investment pay off quickly when the single became her biggest hit in years. Black Coffee was Lee's next major project. Encouraged by longtime Decca A&R Milt Gabler, she hired a small group including trumpeter Pete Candoli and pianist Jimmy Rowles (two of her favorite sidemen) to record an after-hours jazz project similar in intent and execution to Lee Wiley's "Manhattan project" of 1950, Night in Manhattan. While the title-track opener of Black Coffee soon separated itself from the LP -- to be taught forever after during the first period of any Torch Song 101 class -- the album doesn't keep to its concept very long; Lee is soon enough in a bouncy mood for "I've Got You Under My Skin" and very affectionate on "Easy Living." (If there's a concept at work here, it's the vagaries of love.) Listeners should look instead to "It Ain't Necessarily So" or "Gee, Baby, Ain't I Good to You?" for more examples of Lee's quintessentially slow-burn sultriness. Aside from occasionally straying off-concept, however, Black Coffee is an excellent record, spotlighting Lee's ability to shine with every type of group and in any context. [When originally recorded and released in 1953, Black Coffee was an eight-song catalog of 78s. Three years later, Decca commissioned an LP expansion of the record, for which Lee recorded several more songs. The 2004 Verve edition is therefore a reissue of the 1956 12-song LP.] ~ John Bush
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Vocal Jazz - Released April 19, 2005 | Rhino Atlantic

Distinctions The Qobuz Ideal Discography
Most of this highly recommended set is taken from a series of 1957 sessions in which singer Chris Connor exclusively interprets songs of George Gershwin. To fill out the CDs, additional Gershwin cuts from other, otherwise unrelated dates by the vocalist have been added. Connor's cool delivery gives many of the largely familiar songs new life. She is assisted by such fine musicians as trumpeter Joe Newman, tenorman Al Cohn, flutist Herbie Mann, vibraphonist Milt Jackson and pianist Ralph Sharon, who add tasteful and concise solos. Many of the selections were quite rare before this well-conceived and appealing reissue was put together. ~ Scott Yanow
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Vocal Jazz - Released April 17, 2000 | RCA Victor

Distinctions The Qobuz Ideal Discography
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Vocal Jazz - Released January 1, 1998 | Verve

Distinctions The Qobuz Ideal Discography

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Vocal Jazz in the magazine