Albums

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Violin Concertos - Released June 8, 2018 | Claves Records

Hi-Res Booklet
Swiss violinist Caroline Goulding offers us a singular pairing here: the brilliant, lyrical and very fin-de-siècle-Vienna Concerto by Korngold, written in 1945 and based on themes borrowed from some pieces of film music, followed by an ever-so-delicate Fifth Concerto by Mozart, one of those miracles of the composer's youth, from when he was just 19, but already in full command of staggering powers. Consider that the whole orchestral introduction, which could easily serve as a rich opening theme, is in fact merely the accompaniment to the real theme, which is richer still, and played by the solo violin. Caroline Goulding has been building an international career since she started with the Cleveland Orchestra in 2006. Sometimes she will sit out for a few weeks of contemplative silence, and it is just one such period of silence which produced this album. Since her début, she has performed as a soloist with the orchestras of Toronto, Detroit, Dallas, Houston, Denver, Milwaukee and Washington in North America, as well as with numerous European orchestras, in Amsterdam, Frankfurt, Berlin, and Berne. Her style owes much to her teacher, Christian Tetzlaff. © SM/Qobuz
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Violin Concertos - Released October 28, 2016 | harmonia mundi

Hi-Res Booklet Distinctions Gramophone Record of the Year - Gramophone Award - Choc de Classica - Choc Classica de l'année
"Not another complete recording of Mozart's violin concertos!", some might complain, and in absolute terms they wouldn’t necessarily be wrong. Except that this complete edition is signed by star violinist Isabelle Faust, accompanied by Il Giardino Armonico (who plays on instruments from Mozart’s time, including natural horns, nine-key bassoons, six-key flutes, two-key oboes), and – last but not least – the cadenzas are signed by Andreas Staier, since Mozart has left us no cadenzas for his violin concertos (unlike several piano concertos, as well as his Sinfonia concertante for violin and viola). Far from playing the star, Isabelle Faust prefers to blend in with the whole orchestra, a kind of primus inter pares attitude quite refreshing in this repertoire which, in fact, does not require so much emphasis of the part of soloist – the sound engineering and balance itself favours an overall sound rather than an opposition between solo violin and orchestra. This is a new and very original interpretation, whatever the abundant discography of these works may already be. In addition to the five concertos, Faust plays the three single movements for violin and orchestra – two Rondos and one Adagio – which are actually "spare" movements for one or the other of the concertos written on request for soloists of that time. One wonders what Mozart would have written had he had Isabelle Faust by his side! © SM/Qobuz
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Violin Concertos - Released February 3, 2015 | Haenssler Classic

Hi-Res Booklet Distinctions 4 étoiles de Classica - 5 Sterne Fono Forum Klassik
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Violin Concertos - Released July 18, 2014 | Berlin Classics

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Violin Concertos - Released May 6, 2014 | PentaTone

Hi-Res Booklet Distinctions 5 de Diapason - Gramophone Editor's Choice - Hi-Res Audio
With several of her recordings of Romantic and modern violin concertos already issued on the PentaTone label, Arabella Steinbacher releases her first Classical-era album with this hybrid SACD of Mozart's Violin Concertos No. 3, No. 4, and No. 5. One may presume that she will eventually round out the series with the first two violin concertos and the Sinfonia concertante, but it's still a fine program for connoisseurs of Mozart and aficionados of Steinbacher's exquisite playing. Performing with Daniel Dodds and the Festival Strings Lucerne, she delivers all three works with bright sonorities and fluid grace, and plays with an elegance that is quite attractive. Even so, she reserves her virtuosity for the cadenzas (Wolfgang Schneiderhan's in the Violin Concerto No. 3, and Joseph Joachim's in the last two concertos), and the brilliance and warmth of her sound is well matched by the rounded tone of the orchestra, which in spite of its name includes woodwinds and horns. While the ensemble isn't a period orchestra, and Steinbacher makes no attempt to play in the historically informed manner, that's just as well, considering that the later vintage of the cadenzas would clash stylistically, and that this group of musicians obviously knew what they'd feel comfortable playing. In the end, it comes down to taste, and these are quite tasteful performances, so putting the historical debate aside, they are an enjoyable change of fare for this artist.
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Violin Concertos - Released February 28, 2014 | Suite Classics

Hi-Res
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Violin Concertos - Released February 25, 2014 | Oehms Classics

Booklet Distinctions 5 de Diapason
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Violin Concertos - Released October 26, 2007 | Berlin Classics

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Violin Concertos - Released January 1, 2007 | Naxos

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Violin Concertos - Released October 6, 2003 | Naxos

Booklet Distinctions Diapason d'or
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Violin Concertos - Released September 9, 2001 | Naxos

Booklet
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Violin Concertos - Released January 17, 2001 | Naxos

Booklet
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Violin Concertos - Released November 12, 2000 | Naxos

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Violin Concertos - Released October 31, 2000 | Naxos

Booklet
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Violin Concertos - Released November 6, 1990 | Naxos

Booklet
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Violin Concertos - Released April 1, 1990 | Naxos

Booklet