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Solo Piano - Released January 25, 2019 | Deutsche Grammophon (DG)

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Concertos - Released March 7, 2012 | ARTALINNA

Hi-Res Booklet Distinctions Pianiste Maestro - 4 étoiles Classica - Hi-Res Audio
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Solo Piano - Released October 6, 2017 | Alpha

Hi-Res Booklet Distinctions 5 de Diapason - 4F de Télérama
‘Sophisticated colourist and cerebral virtuoso though he is, Nelson Goerner nevertheless brings out the moments of weakness, the hesitations, the lightning passions in the labyrinth of Chopin’, wrote Diapason on the release of the Preludes in 2015 (Diapason d’Or, Choc de Classica). ‘Serenity’, ‘balance’, ‘clarity’, ‘phrasing’ are the key words that recur in reviews of the discs and concerts of the Argentine pianist, whose fifth solo release on Alpha this is. His latest venture is a complete recording of the Nocturnes, a highpoint of Chopinesque poetry. These twenty-one miniatures accompanied Chopin over a good part of his life, for he composed them between 1827 and 1848. They are tributes to Italian bel canto, expressing reveries but also complexity of feeling and a profundity that far transcends their apparent simplicity. Nelson Goerner’s feeling for melody and tempo works wonders in these pieces, which he recorded in the ideal surroundings of the Salle de Musique of La Chaux de Fonds (Switzerland). © Alpha
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Classical - Released January 1, 1984 | Deutsche Grammophon (DG)

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Both sets of Chopin's etudes can be as fiendishly difficult for the performer as they are mesmerizing for the listener, yet Maurizio Pollini makes them sound as if they pose no problems whatsoever for him in this 1972 recording. Every one of the etudes is played with easy precision, energy, and an entirely enjoyable musicality that demonstrates why Chopin's etudes are no mere exercises and are as suited to the recital hall as to the practice room. The Op. 25 No. 5 Etude in E minor has some tricky finger acrobatics in it, but Pollini brings out a singing melody all the same in the middle section, while adding a bit of dancing animation to the outer sections. The melody of the famous Etude No. 3 in E major is lyrical and warm, which highlights precisely the challenge posed by Chopin in these brief pieces: bring out an effective melody while mastering an exact technique through repetition. The recording also shows why Pollini is one of the most respected Chopin interpreters of all time.
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Classical - Released February 1, 2013 | Sony Classical

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Solo Piano - Released May 17, 2019 | Evidence

Hi-Res Booklet Distinctions 5 de Diapason
In his first recording, Pianist Jean-Paul Gasparian had shown a healthy technique that is essential to play the music of Russian giants. But his strong play is also sensible. In his second disc that is now dedicated to Chopin, the young performer confirms these qualities. Especially in the four Ballads, true bravura pieces in which Jean-Paul Gasparian never fails. And if he shows rigor, he also gives himself the lyricism and beauty of these pages, from Nocturnes to Waltzes and Polonaises. His elegant expression and full sound make this new album a second essential milestone in the discography of the young pianist and more generally in that of Chopin. © Little Tribeca
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Classical - Released October 19, 2012 | Sony Classical

Hi-Res Booklet Distinctions Choc de Classica - Hi-Res Audio
The Chopin Album is Lang Lang's first recording for Sony devoted entirely to the solo piano music of the Romantic master, focused on the Études, Op. 25, with three of the most popular Nocturnes and a handful of other pieces included for good measure. While Lang Lang's phenomenal popularity guarantees this CD's success, and his ability to play the technically demanding Études will impress his fans, devotees of Chopin's music may be skeptical of the pianist's interpretations, which at their best are flashy and extroverted. While it's not necessary to play Chopin close to the vest, with the expressive reticence of a wallflower, Lang Lang is no introvert, and it shows in the pieces where sensitivity and poetic refinement are desirable. He plays with his customary bravado in the loudest Études, the Grande Valse Brillante, the Grande Polonaise, and even in the inaccurately nicknamed "Minute" Waltz, but his expression at softer levels seems affectless, uninvolved, and rather uninteresting. While connoisseurs may balk at this fairly showy album, it is sure to appeal to a wide audience, perhaps most especially because of the inclusion of Lang Lang's duet with Danish singer Oh Land, "Tristesse," which is based on Chopin's Étude in E major, Op. 10/3, and taken from the soundtrack for the film The Flying Machine. Sony's sound is generally good, though Lang Lang's dynamic range is wide enough to make setting the volume a little tricky.
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Classical - Released January 1, 1986 | Deutsche Grammophon (DG)

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Classical - Released September 14, 2018 | ARTALINNA

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In September 2017, during the Brussels Chopin Days, the annual concert season entirely dedicated to the music of the Polish composer, Vestard Shimkus gave a recital that unveiled his irrefutable and oh so personal sense of construction, combined with a narrative power as rare as it is spellbinding, thus confirming his place at the apex among the most striking pianists of the new generation. © Artalinna
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Solo Piano - Released September 1, 2017 | Warner Classics

Hi-Res Booklet Distinctions 5 de Diapason - 4 étoiles Classica - Exceptional Sound Recording
Fazil Say, who made his debut on this label with a very, very well-received work on Mozart’s Complete Piano Sonatas, is now turning his attention to Chopin, but a more confidential side of Chopin, much less virtuoso, the Chopin Nocturnes, the almost complete work of which he recorded in the Mozarteum Salzburg in March 2016. An “almost complete work” because the Nocturne in C-Sharp minor Op. 71/1 is missing, most likely due to CD running time restrictions as the total exceeded the limit by just a handful of seconds… Regardless the interpretation is dazzling and almost symphonic, taking these Nocturnes out of the hyper-romantic state of torpor they are so frequently plunged in by musicians. In addition to Chopin’s music, a few of Say’s short-lived grunts can also be heard who, much like Gould (albeit to a lesser extent), sometimes enjoys humming in the background. © SM/Qobuz
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Keyboard Concertos - Released January 1, 2012 | Deutsche Grammophon (DG)

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Classical - Released September 14, 2012 | Sony Classical

Hi-Res Booklet Distinctions 4 étoiles Classica - Hi-Res Audio
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Classical - Released April 7, 2015 | Deutsche Grammophon (DG)

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Classical - Released January 1, 2013 | Deutsche Grammophon (DG)

Hi-Res Booklet Distinctions 5 de Diapason - Gramophone Editor's Choice - 4 étoiles Classica - Hi-Res Audio
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Solo Piano - Released September 27, 2019 | Aparté

Hi-Res Booklet Distinctions 5 de Diapason
Bruno Rigutto performed a new recording, matured over time, of Chopin's Nocturnes, 40 years after his first complete recording of these pieces. His long-time attendance and his poetic approach to this corpus make this new album an exciting object. This second complete recording is enriched with the sheen that only time and long-lasting imagination can give to the performance. For the French pianist, playing Chopin's music has a mysterious aura. The performer's sensitivity has to resonate with the composer's affects. The alchemy is complete, the interpreter drawing from within himself the atmospheres to create subtle nuances and phrasings. Finally, the album is the mirror of the inner life of Chopin since it follows the chronological order of composition of the Nocturnes. So this is the soundtrack to Chopin’s life that we are following as we listen. The listener discovers or rediscovers Bruno Rigutto under the nocturnal rays of romanticism, which are infused with the works of one of the most endearing composers and pianists. © Aparté
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Classical - Released January 1, 2002 | Deutsche Grammophon (DG)

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Classical - Released January 4, 2010 | Deutsche Grammophon (DG)

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German-Japanese pianist Alice Sara Ott is a performer who appears to care more about the score and the composer than about her image and interpretations. After promoting Lang-Lang, a pianist of maximal technique but debatable taste, DG has given Ott an exclusive recording contract, and her first release, the complete waltzes of Chopin, shows her to be a pianist of taste and restraint. That is not to say that her performances here are ever less than dazzling, because she plays with supreme ease, or any less than affecting, because she brings out everything in the scores, from sparkling wit to darkest melancholy. But Ott is not interested in demonstrating her technique or in grandstanding her interpretations. Everything here is in the score: the tender countermelodies, the long legato phrasing, the exquisite harmonic balances, and the lilting rubato. It sounds fresh and natural because Ott herself seems fresh and natural, and apparently not at all a showoff. Though by no means the greatest performances of the waltzes ever recorded -- Dinu Lipatti's EMI recording is now and likely always will be the most beautiful, the most masterful, and the most moving version of these works -- Ott's recording is well worth hearing by anyone who loves the music. The sound of DG's digital recording is limpid.
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Classical - Released January 27, 2017 | Deutsche Grammophon (DG)

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Solo Piano - Released September 7, 2018 | Sony Classical

Hi-Res Booklet Distinctions 5 de Diapason
The four ballades of Chopin, more than the somewhat inaccurately named piano sonatas, are the composer's most complex works, both structurally and emotionally, and performances of them differ in substantial ways. They may emphasize sheer virtuosity, leading with Motorik rhythms in the big tunes toward blazing passages like the coda of the Ballade No. 4 in F minor, Op. 52. The Norwegian pianist Leif Ove Andsnes takes a different direction. He says that he has avoided playing the Ballades until he felt ready, and indeed his work here differs from his rather cool, clean way with Chopin in the past. "This is very personal music," he told Joshua Barone. "It’s not so often that you hear such a confessional quality: Give space for that when you listen to it." It's good advice: Andsnes' Ballades are ongoing monologues, with meter deemphasized and the virtuoso passages coming as explosions of passion that, as often as not, don't lead anywhere. This is arch-Romantic pianism of the best kind, even if it's rather low-key, and it's enhanced by the structure of the program: nocturnes serve as entr'actes between the four ballades. Sample one of these (perhaps the Nocturne in C minor, Op. 48, No. 1) to hear Andsnes' ability to put you in a state of suspended linear time here. Sony's sound from the studios of Radio Bremen is beautifully suited to Andsnes' reflective, intimate aims. The omission of the Ballade No. 4 from the booklet track list in the CD copy is a notable editorial flaw, but this is highly recommended.
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Solo Piano - Released November 3, 2015 | Alpha

Hi-Res Booklet Distinctions Diapason d'or - Choc de Classica