Albums

3615 albums sorted by Date: from newest to oldest
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Rock - Released December 1, 2017 | Rhino - Warner Bros.

Hi-Res Distinctions 4F de Télérama - The Qobuz Ideal Discography - Best New Reissue
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Classical - Released December 1, 2017 | Aeolus

Hi-Res Booklet Distinctions 5 de Diapason - Exceptional Sound Productions
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Rock - Released November 24, 2017 | Rhino - Elektra

Hi-Res Distinctions The Qobuz Ideal Discography
Released in 1976, this fifth album from the Eagles would remain their greatest success. Opened by the eponymous hit single, Hotel California marked a turning point in the career of the American group. Bernie Leadon, the most country-orientated band member, jumped ship and Joe Walsh came on board. For his part, Don Henley also seemed to take more control the business. The result was a much more mainstream record than the album’s predecessors with truly enveloping sounds at the peak of their tracks. Everything is XXL here! The production, the solos, the melodies… everything! A masterpiece of classic rock, this is above all a work that crosses decades and makes the crowds go wild. Glenn Frey, Don Felder, Joe Walsh, Randy Meisner and Don Henley would never again find again such impressive complicity and efficiency… Published in November 2017, this 40th anniversary edition offers an original remastered album as well as an energetic Californian live session recorded at The Forum in Inglewood, October 1976. © CM/Qobuz
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Punk / New Wave - Released November 24, 2017 | Rhino - Warner Bros.

Hi-Res Distinctions Ideal Audio Discography
The rules of the game were certainly perfectly clear after their first album: in the third instalment of the Ramones' story, they surpassed themselves. And even refined their art! Once again, with this Rocket to Russia, released on 4 November 1977, at the height of the Cold War, it was all about three-chord symphonies, enthusiastically cretinous and 100% adolescent hi-jinks and above all, taking rock'n'roll back to its birthplace: the garage! But the refrains of Sheena Is A Punk Rocker or Teenage Lobotomy are peerless in their re–imagining of their rock’n’roll, bubblegum pop and surf heritage. And even when they cover the cult tracks Surfin’ Bird by the Trashmen or Do You Wanna Dance? (made famous by Cliff Richard, the Beach Boys and even Bette Midler) our delinquent punks from Queens produced savage and raw rock like nobody else! This edition to mark the 40th birthday of this sublime sonic attack offers two mixes of the album: the original, and a new mix, entitled Tracking Mix by Ed Stasium, the sound engineer on the original release. It also includes 24 rare or unreleased tracks, demos, alternative versions and B–sides. And the cherry on the cake is a dazzling, unreleased live version by the four Ramones brothers (all from other mothers) recorded on 19 December 1977 the Apollo Centre in Glasgow, Scotland. © MZ/Qobuz
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Alternative & Indie - Released November 10, 2017 | La Castanya

Hi-Res Distinctions Qobuzissime
Psych pop, surf music, shoegaze and dream pop isn’t just confined to America or the UK. Even in Barcelona they master the notions of this blend of electronic notes and dreamer harmonies. There in the heart of the Catalonian capital, we find two Chileans and two Spaniards; all experts in sugary melodies oozing with dreamlike guitars and reverb, The Zephyr Bones have concocted a superb sun-drenched record. The aptly named album Secret Place is a little island of hedonistic pop where the crystalline six-strings and muffled voices make the rules. A refined treaty that brings together a blend of their contemporary influences (DIIV, Beach House, Black Lips, Wild Nothing, Real Estate, Beach Fossils) while retaining a very personal tone. This warm and sunny Qobuzissime is more than perfect to keep you toasty as winter comes creeping in... © MZ/Qobuz
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Alternative & Indie - Released October 20, 2017 | Rhino

Hi-Res Distinctions The Qobuz Ideal Discography
For their third album, The Smiths are at the top of their game: a tortured crooning voice, crystalline arpeggios seeping from a limpid guitar, romantic and cynical lyrics, everything’s gathered for some 100% British pop, like The Kinks, The Who and The Jam knew how to create in their day… The Queen Is Dead, Bigmouth Strikes Again, The Boy With The Thorn In His Side, There Is A Light That Never Goes Out and Some Girls Are Bigger Than Others are all introspective gems that the charismatic Morrissey transforms into pure poetry. Teenage worries, social paintings, subtle caricatures, Mozzer dips his pen here in the ink of perfection. © MD/Qobuz
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Alternative & Indie - Released October 13, 2017 | Universal Music

Hi-Res Booklet Distinctions Qobuzissime
In the latest edition of the hipster series, Lawrence Rothman seems to be the world champion. An androgynous face (and voice) made for the glossy pages of fashion magazines, a passion for the noteworthy transformations in Cindy Sherman’s photography (Rothman changes his look with every clip!) and packed full with friends who came to lend a helping hand (Kim Gordon from Sonic Youth, Angel Olsen, Marissa Nadler, Duff McKagan from Guns’N’Roses, Stella Mozgawa from Warpaint, Tom Krell a.k.a. How To Dress Well, the bassist Pino Palladino, Kristin Kontrol from Dum Dum Girls…the list goes on!). To our ears, Rothman sounds like the soul dandy/R&B from the 80s. Talk Talk often comes to mind, as well as David Bowie, Depeche Mode or sometimes Prince and, a little closer to home, Ariel Pink and How To Dress Well. But under the glitzy varnish, this début album holds songs with staggering melodies. Some compositions bring a rather cathartic style of writing with which Rothman displays his personal quest for an identity that he defines as non-binary (gender queer). This Californian, who was born in Los Angeles 35 years ago and who claims to love Charles Bukowski just as much as R. Kelly and Tupac Shakur as much as Leonard Cohen, has assured that The Book Of Law is one of the most moving albums of 2017. A highly refined Qobuzissime. © MZ/Qobuz
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Quartets - Released October 13, 2017 | BMC Records

Booklet Distinctions Qobuzissime
Homer, James Joyce and Kafka, these are the three authors Peter Eötvös has chosen for his Sirens Cycle, composed 2016. It is a string quartet with an added soprano coloratura voice, just as Schönberg did in his Second Quartet, Berg in the vocal version of his Lyrische Suite, or Wellesz in his Sonnets for Elisabeth  Barrett-Browning.  The composer illustrates three very different literary versions of the mythological Ulysses meeting the sirens, each entrusted to the singer in the respective languages they were written in : Greek, English, German. The first and longest part, Joyce, has seven movements in which Eötvös freely transcribes Joyce’s "interior monologue". On the other hand, Homer’s Odyssey and Kafka’s Silence of the Sirens uses the exact original text, even though Homer is assigned a Lied form, Kafka a kind of recitative. “Each language, by its rhythms and own consonants, its accents and its inner architecture, implies a very peculiar musical character”, says Eötvös. With regards to his first quartet, Korrespondenz composed in 1992, it is a kind of “mini-opera” without singers or singing. Its starting point was an exchange of letters between Mozart and his father Leopold in 1778, when the 22-year-old composer was unhappily living in Paris. In the quartet’s three “scenes” the viola represents Wolfgang and the cello Leopold, both with music that mimics the inflexions of what they write in their letters, while the two violins attempt to mediate between them. Eötvös assigns each vowel of the text to an interval, diphthongs become glissandi, while the consonants are expressed by different ways of playing; for instance, ‘r’ is always a trill or a tremolo. This technique would appear to place severe restrictions on the composer, but Eötvös feels that the more he has to compose within limitations, the wider opens the store of infinite possibilities. The work is divided into three scenes: Leopold trying to dissuade his son from pursuing his passion for the soprano Aloysia Weber; Wolfgang complaining that the Parisians are indifferent to his music; and Wolfgang tells his father of his mother’s death in Paris. The score contains the complete text but the listener does not know it, yet the string instruments communicate in a startlingly human fashion. Eötvös’s music “reads between the lines”, so to say. A fascinating composer, two of his fascinating works, both played with passion by the Calder Quartet, joined by Audrey Luna for the Sirens. © SM/Qobuz
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Alternative & Indie - Released October 6, 2017 | Abbey Records

Hi-Res Distinctions Qobuzissime
England possesses a unique capacity to reinvent the wheel of rock’n’roll. Although it seems to have been said time and time again, the country regularly gives birth to young groups that come to add their unique stone to an already solidly constructed building. And even if the influences may seem obvious from the outset, each personal touch elbows its way through to the front. Pale Seas belongs to this breed of musicians - the type whose music bursts on the palate from the very first taste. By the sea in Southhampton, the singer Jacob Scott, guitarist Graham Poole, bassist Mathew Bishop and drummer Andrew Richardson drew from the early albums from the likes of Radiohead and Suede in order to establish their own rock’n’roll rulebook. But even though this distinct taste for the English rock of the 90s jumps to mind throughout Stargazing For Beginners, this British foursome manages to draw up a guitar landscape, making their first album truly original. Largely recorded at night in an old Abbey, here’s a Qobuzism disc that teases the animal instincts of guitar band fans. A true revelation. © CM/Qobuz
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Classical - Released September 29, 2017 | Erato - Warner Classics

Hi-Res Booklet Distinctions 4 étoiles Classica - Qobuzissime - 5 Sterne Fono Forum Klassik
For their first recording, the Arod Quartet has selected Mendelssohn, one of the pillars of the quartet's art, in particular his masterpiece, the Fourth Quartet in E Minor of June 1837 - more Mozartian than Beethovian in its structure and development, to be sure, even if it bears Mendelssohn's hallmark from the first note to the last. To find the influence of the deaf genius, we have to look in the Second Quartet Op. 13 of 1827, a work written shortly after Beethoven's death, the full extent of whose innovations Mendelssohn was only just discovering. The Arod Quartet continues its album with Four Pieces for Quartet, assembled posthumously and numbered Op. 81 by Mendelssohn's successor at the Gewandhaus, Julius Rietz, and based on four disparate pieces from various eras. Finally, the album closes with the Arod's re-interpretaton of a Lied, sung here by Marianne Crebassa, whose theme takes in several passages from Beethoven note for note, a real homage from the young composer to his illustrious elder. It’s worth noting that the Arod Quartet, only founded in 2013, has shot to global prominence, having performed at the Paris Philharmonic, the Louvre Auditorium, the Théâtre des Bouffes du Nord, the Metz Arsenal, and further afield the Salzburg Mozarteum, the Vienna Konzerthaus, the Amsterdam Concertgebouw, the Zurich Tonhalle, London's Wigmore Hall, as well as in Tokyo, Finland, Switzerland... the list goes on! © SM/Qobuz
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Electro - Released September 21, 2017 | Houndstooth

Hi-Res Distinctions Qobuzissime
At first glance, post-rock and techno were hardly made for one another. Guy Andrews would beg to differ. By fusing his two passions, the two major influences on his music, the young British producer has created his second album, Tåke, which means fog in Norwegian. This is an atmospheric journey, viscerally linked to nature. Andrews says plainly that the single Fjell was inspired by a walk on Cadair Idris, a Welsh mountain. It was inspired by the climbs. The challenge of the ascent. And the pride in reaching each peak... Another escapade, this time in Norway, offered added fuel for his record. It gave a power that has influenced this captivating work from beginning to end. Guy Andrews plays with atmospheres (his first works were very much rooted in ambient music) and alternates between Northern Lights and violent hurricanes. Each composition on Tåke is in fact a kind of miniature sonic documentary, inspired by the writer's many wanderings. Here, even more than on his 2016 debut album Our Spaces, Andrews is a painter. He is sketching out an electro landscape with diverse textures and hypnotic effects. No surprise that the Londoner's art has been hailed by big names such as Massive Attack, Scuba, Bonobo, Max Cooper and others. Tåke depicts a vast sound tapestry, mottled by rhythms and lit up by the colours that Andrews offers. Fog has never looked so radiant. © MD/Qobuz
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Violin Solos - Released September 8, 2017 | Ondine

Hi-Res Booklet Distinctions Diapason d'or - Le Choix de France Musique - Exceptional Sound Productions
Of course, since years Bach’s Sonatas and Partitas for solo violin have been recorded over and over again, including by world’s best and most prestigious solists. But when violinist Christian Tetzlaff releases a brand new recording, we can only say: “Friends, countrymen, lend Qobuz your ears”. Concerts with Christian Tetzlaff often become an existential experience for interpreter and audience alike; old familiar works suddenly appear in an entirely new light, also – of course – within the frame of a new studio recording such as this one. Essential to Tetzlaff’s approach are the courage to take risks, technical brilliance, openness and alertness to life. Such an interpretation becomes a real challenge for the aficionado and guarantees a brilliant musical adventure.
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Africa - Released September 8, 2017 | Bonsound Records

Hi-Res Booklet Distinctions Qobuzissime
Breaking down borders, a total musical mix, eclecticism à go go: without a doubt, Pierre Kwenders is a creative of his time. With Makanda At The End Of Space, The Beginning Of Time the Canadian multi-instrumentalist of Congo origin (he was born in Kinshasa in 1985 and has lived in Quebec since 2001) unites rumba from his home soil with pop and electro. A multitude of languages bubble from his mouth: Lingala, French, English, and Tshiluba. Kwenders devises a stupendous pan-African symphony that one would be tempted, out of sheer laziness, to label as ‘world music’ - a term that brings him out in a rash! Produced by Tendai Maraire from Shabazz Palaces (an intriguing rap group made up of Ishmael Butler, otherwise known as Palaceer Lazaro who sings on a track in this album), Makanda At The End Of Space, The Beginning Of Time commands the listener to simply let go. Allow yourself to be carried along by the versatile rhythms and changing melodies where Congolese rumba meets contemporary sounds. An incredibly groovy nimbleness that doesn’t obscure the powerful intention behind this album. For Pierre Kwenders, this is above all a homage to the important women in his life. Four strong personalities: his mother, grandmother, aunt and little sister. It follows that the Tshiluba word ‘Makanda’ translates as ‘force’. A human and sensory kaleidoscope for a completely unique album.
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Classical - Released September 1, 2017 | Warner Classics

Hi-Res Booklet Distinctions Qobuzissime
"Handel goes wild", that’s putting it mildly: in Christina Pluhar’s album, he goes wild to quite some extremes! Indeed the Austrian harpist, theorbist, and lute player picked a handful of Handel’s (and a bit of Vivaldi’s) arias, concerto movements and overtures, and put them not only in the hands of baroque musicians of the L’Arpeggiata Ensemble, but also of half a dozen jazz musicians of various styles. The result is a reinterpretation, in turn gypsy, Klezmer, salsa, New Orleans jazz, lounge, blues and so on, that everyone can either love or hate depending on their own degree of adaptability. Undeniably using a clarinet and piano in this language can be confusing for some… But Pluhar’s approach is simple: Handel himself reused, reshaped, tinkered, disguised, ransacked and rewrote, using both the works of other composers and his own, always with his own personal approach and the most immediate style of his time. So why not do the same nowadays?! In any case, this mixture of baroque instruments and voices with 20th-century instruments and genres is breathtaking. The artists invited include clarinettist Gianluigi Trovesi, pianist Francesco Turrisi and bass player Boris Schmidt in the field of jazz, but also countertenor Valer Barna-Sabadus and soprano Nuria Rial. © SM/Qobuz
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Alternative & Indie - Released July 21, 2017 | Columbia

Hi-Res Booklet Distinctions Qobuzissime