- 1 Wanderer
- 2 In Your Face
- 3 You Get
- 4 Woman (feat. Lana Del Rey)
- 5 Horizon
- 6 Stay
- 7 Black
- 8 Robbin Hood
- 9 Nothing Really Matters
- 10 Me Voy
- 11 Wanderer/Exit
About
A guitar held up by the neck, a child's head pressed against the holder's body. Cat Power reveals a lot with the cover of her tenth album. The American is up and running again and now she is a mother. At 46, Chan Marshall seems to be doing... better? Well, It's not as if her life, which has been studded with internal chaos, turbulence, a lot of moving around, depression and addiction is going to be all plain sailing from here on in, but Wanderer contains some of her most beautiful songs yet. Stripped-down compositions. A simple piano. A few notes on a guitar. A lean rhythm section. It's clear that the message here is "less is more."
Perhaps her aim is to return to the roots of her old folk and blues mentors. Bringing a child into the world during the Trump era is enough to get anyone thinking again... And Cat Power hasn't sung for years. Her tones with their bluesy style, unmistakeable from the first syllable, reach sublime heights here. After a slightly electro detour with Sun, mixed by Zdar from Cassius, she doesn't give us too many surprises here in terms of the pretty classical form of her songs, but the surprise comes in the sheer quality of the tracks. One of her biggest fans, Lana Del Rey, makes an appearance on the album on the track Woman maintaining the sober feel to this beautiful and honest record. © Marc Zisman/Qobuz
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To discover
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Cat Power in the magazine
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Less is more
A guitar held up by the neck, a child's head pressed against the holder's body. Cat Power reveals a lot with the cover of her tenth album.
Read the article
Label
Domino Recording Co
In 1997 Domino released Pavement's landmark commercial breakthrough Brighten The Corners which was followed a year later by Elliot Smith's Either/Or and in 1999 the debut album by Will Oldham as Bonnie 'Prince' Billy - I See Darkness: a series of albums that confirmed the label's reputation as the preeminent European home of American music. Bell's desire to work with British bands as innovative and singular as his American artists reached fruition in the late nineties with the signings of Four Tet, Clinic, James Yorkston and The Kills. All were acts with a distinct identity that established Domino as a label interested in creativity rather than in any particular ...
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