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Bryan Ferry - The Jazz Age

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The Jazz Age

The Bryan Ferry Orchestra

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Over the last 40 years, singer Bryan Ferry has established himself not only as the frontman of one of rock's most iconic bands, but also as a unique interpreter covering the songs of others. The songwriters he's covered have been transformed into something wholly other by him. Ferry's ability to find and reveal what is hidden in a lyric, a musical phrase, or even a key signature is uncanny. The Jazz Age finds Ferry covering himself in radical fashion: he doesn't sing. He is credited as co-producer (with Rhett Davies) and "director." The Jazz Age celebrates Ferry's 40th anniversary in music by re-recording some of his classic tunes -- from the 1972 Roxy Music album to 2010's Olympia -- inspired by the sounds of '20s jazz. Ferry's looked deeply into the past before -- 1999's As Time Goes By paid tribute to the music of the '30s, an album of sung standards from the era -- but not his own. This set was performed by many of the same British jazz musicians who performed on that record under the musical direction of Colin Good. Musically, Ferry and these musicians drew on the influences of Louis Armstrong's Hot Sevens, Duke Ellington's Orchestra, Bix Beiderbecke's Wolverines, and the Original Dixieland Jazz Band. But they also found inspiration in the heady historical era before 1929 detailed so intensely in the novels of F. Scott Fitzgerald, Michael Arlen, and Ernest Hemingway. All 13 of these tunes have been wildly revamped and offer interesting textures: a bass clarinet and baritone saxophone are used instead of a double bass to carry the bottom end, but the music here is played so well, it doesn't feel gimmicky. All of the original melodies have been left intact, though tempos are often completely reset. The sprightly "Do the Strand" features piano, brass, reeds, banjo, and drums all competing for dominance (they were recorded live in the studio), and swings hard. "Love Is the Drug" is played as a moaning, bluesy dirge, while "Avalon" retains its sense of melancholy even as clarinets, trumpets, and piano commingle in a midtempo dialogue on different aspects of the melody. "Virginia Plain" is a fingerpopping dancefloor jaunt that recalls flappers doing the Lindy Hop. Given that Ferry doesn't sing on The Jazz Age, the appeal for casual fans is debatable. But for the faithful, trad-jazz heads, and open-minded listeners, the musical quality -- from expert arrangements, virtuosic playing, and the brilliant concept -- offer something wholly different and rewarding.
© Thom Jurek /TiVo

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The Jazz Age

Bryan Ferry

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1
Do the Strand
00:02:10

Bob Ludwig, Mastering Engineer - Frank Ricotti, Percussion - Rhett Davies, Producer, Mixer - Colin Good, Arranger, Director, Piano - Bryan Ferry, Composer, Produced & Arranged by - Simon Willey, Engineer, Recording & Mixing - Richard White, Bass Saxophone - Robert Fowler, Clarinet - John Sutton, Drums - The Bryan Ferry Orchestra, Composer, MainArtist - Martin Wheatley, Banjo, Guitar, Ukulele - Enrico Tomasso, Trumpet - Malcolm Earle-Smith, Trombone

2012 BMG Rights Management (UK) Ltd. 2012 BMG Rights Management (UK) Ltd.

2
Love Is the Drug
00:03:14

Bob Ludwig, Engineer, Mastering Engineer - Frank Ricotti, Percussion - Rhett Davies, Producer, Mixer - Colin Good, Arranger, Director, Piano - Bryan Ferry, Composer, Producer, Produced & Arranged by - Simon Willey, Mixer, Engineer, Recorded by - Richard White, Bass Saxophone - Andrew MacKay, Composer - Robert Fowler, Clavinet - John Sutton, Drums - The Bryan Ferry Orchestra, Composer, MainArtist - Martin Wheatley, Banjo, Guitar, Ukulele - Enrico Tomasso, Trumpet - Malcolm Earle-Smith, Trombone

2012 BMG Rights Management (UK) Ltd. 2012 BMG Rights Management (UK) Ltd.

3
Don't Stop the Dance
00:02:51

Bob Ludwig, Mastering Engineer - Rhett Davies, Composer, Produced & Mixed by - Colin Good, Arranger, Director, Piano - Bryan Ferry, Composer - Simon Willey, Engineer, Recording & Mixing - Richard White, Bass Saxophone - Robert Fowler, Clarinet - John Sutton, Drums - The Bryan Ferry Orchestra, Composer, MainArtist - Martin Wheatley, Banjo, Guitar, Ukulele - Enrico Tomasso, Trumpet - Malcolm Earle-Smith, Trombone

2012 BMG Rights Management (UK) Ltd. 2012 BMG Rights Management (UK) Ltd.

4
Just Like You
00:03:24

Bob Ludwig, Mastering Engineer - Rhett Davies, Producer, Mixer - Colin Good, Arranger, Director, Piano - Bryan Ferry, Composer, Produced & Arranged by - Simon Willey, Recording & Mixing - Richard White, Bass Saxophone - Emma Owens, Viola - Robert Fowler, Clarinet - Alan Barnes, Baritone Saxophone, Clavinet - John Sutton, Drums - The Bryan Ferry Orchestra, Composer, MainArtist - Martin Wheatley, Banjo, Guitar, Ukulele - Emma Parker, Violin - Enrico Tomasso, Trumpet - Katy Cox, Cello - Malcolm Earle-Smith, Trombone - Victoria Sutherland, Violin

2012 BMG Rights Management (UK) Ltd. 2012 BMG Rights Management (UK) Ltd.

5
Avalon
00:02:23

Bob Ludwig, Engineer, Mastering Engineer - Rhett Davies, Producer, Mixer - Colin Good, Arranger, Director, Piano - Bryan Ferry, Composer, Producer, Produced & Arranged by - Simon Willey, Engineer, Recording & Mixing - Richard White, Bass Saxophone - Emma Owens, Viola - Robert Fowler, Clarinet - Alan Barnes, Clarinet, Baritone Saxophone - John Sutton, Drums - The Bryan Ferry Orchestra, Composer, MainArtist - Martin Wheatley, Banjo, Guitar, Ukulele - Emma Parker, Violin - Enrico Tomasso, Trumpet - Katy Cox, Cello - Malcolm Earle-Smith, Trombone - Victoria Sutherland, Violin

2012 BMG Rights Management (UK) Ltd. 2012 BMG Rights Management (UK) Ltd.

6
The Bogus Man
00:02:07

Bob Ludwig, Mastering Engineer - Frank Ricotti, Percussion - Rhett Davies, Producer, Mixer - Colin Good, Arranger, Director, Piano - Bryan Ferry, Composer, Produced & Arranged by - Simon Willey, Engineer, Recording & Mixing - Richard White, Bass Saxophone - Robert Fowler, Clarinet - Sarah Chapman, Viola - Alan Barnes, Clarinet, Baritone Saxophone - John Sutton, Drums - The Bryan Ferry Orchestra, Composer, MainArtist - Martin Wheatley, Banjo, Guitar, Ukulele - Emma Parker, Violin - Enrico Tomasso, Trumpet - Katy Cox, Cello - Malcolm Earle-Smith, Trombone - Victoria Sutherland, Violin

2012 BMG Rights Management (UK) Ltd. 2012 BMG Rights Management (UK) Ltd.

7
Slave to Love
00:02:38

Colin Good, Arranger, Director, Piano - Bryan Ferry, Composer - Simon Willey, Engineer, Recording & Mixing - Richard White, Bass Saxophone - Robert Fowler, Clarinet - Alan Barnes, Clarinet, Baritone Saxophone - John Sutton, Drums - The Bryan Ferry Orchestra, Composer, MainArtist - Martin Wheatley, Banjo, Guitar, Ukulele - Enrico Tomasso, Trumpet - Malcolm Earle-Smith, Trombone

2012 BMG Rights Management (UK) Ltd. 2012 BMG Rights Management (UK) Ltd.

8
This Is Tomorrow
00:02:27

Colin Good, Piano - Bryan Ferry, Composer - Richard White, Composer - Robert Fowler, Clarinet - Alan Barnes, Baritone Saxophone - John Sutton, Drums - The Bryan Ferry Orchestra, MainArtist - Martin Wheatley, Guitar - Enrico Tomasso, Trumpet - Malcolm Earle-Smith, Trombone - Simon Wiley, Engineer

2012 BMG Rights Management (UK) Ltd. 2012 BMG Rights Management (UK) Ltd.

9
The Only Face
00:02:57

Bob Ludwig, Engineer, Mastering Engineer - Rhett Davies, Producer, Mixer - Colin Good, Arranger, Director, Piano - Bryan Ferry, Composer, Producer, Produced & Arranged by - Simon Willey, Engineer, Recording & Mixing - Richard White, Bass Saxophone - Robert Fowler, Clarinet - Alan Barnes, Clarinet, Baritone Saxophone - John Sutton, Drums - The Bryan Ferry Orchestra, Composer, MainArtist - Martin Wheatley, Banjo, Guitar, Ukulele - Enrico Tomasso, Trumpet - Malcolm Earle-Smith, Trombone

2012 BMG Rights Management (UK) Ltd. 2012 BMG Rights Management (UK) Ltd.

10
I Thought
00:02:35

Bob Ludwig, Mastering Engineer - Rhett Davies, Producer, Mixer - Colin Good, Director, Piano, Produced & Arranged by - Bryan Ferry, Composer, Produced & Arranged by - Brian Eno, Composer - Simon Willey, Engineer, Recording & Mixing - Richard White, Bass Saxophone - Emma Owens, Viola - Robert Fowler, Clarinet - Alan Barnes, Clarinet, Baritone Saxophone - John Sutton, Drums - The Bryan Ferry Orchestra, Composer, MainArtist - Martin Wheatley, Banjo, Guitar, Ukulele - Emma Parker, Violin - Enrico Tomasso, Trumpet - Katy Cox, Cello - Malcolm Earle-Smith, Trombone - Victoria Sutherland, Violin

2012 BMG Rights Management (UK) Ltd. 2012 BMG Rights Management (UK) Ltd.

11
Reason or Rhyme
00:04:15

Bob Ludwig, Mastering Engineer - Frank Ricotti, Percussion - Rhett Davies, Producer, Mixer - Colin Good, Orchestral Arranger, Director, Piano - Bryan Ferry, Composer, Orchestral Arranger, Produced & Arranged by - Simon Willey, Producer, Mixer, Engineer - Richard White, Bass Saxophone - Robert Fowler, Clarinet - John Sutton, Drums - The Bryan Ferry Orchestra, Composer, MainArtist - Martin Wheatley, Banjo, Guitar, Ukulele - Enrico Tomasso, Trumpet - Malcolm Earle-Smith, Trombone

2012 BMG Rights Management (UK) Ltd. 2012 BMG Rights Management (UK) Ltd.

12
Virginia Plain
00:02:14

Bob Ludwig, Mastering Engineer - Rhett Davies, Producer, Mixer - Colin Good, Arranger, Director, Piano - Bryan Ferry, Composer, Produced & Arranged by - Simon Willey, Engineer, Recording & Mixing - Richard White, Bass Saxophone - John Sutton, Drums - The Bryan Ferry Orchestra, Composer, MainArtist - Martin Wheatley, Banjo, Guitar, Ukulele - Enrico Tomasso, Trumpet - Malcolm Earle-Smith, Trombone

2012 BMG Rights Management (UK) Ltd. 2012 BMG Rights Management (UK) Ltd.

13
The Island Earth
00:04:24

Bob Ludwig, Mastering Engineer - Frank Ricotti, Percussion - Rhett Davies, Producer, Mixer - Colin Good, Arranger, Director, Piano - Bryan Ferry, Composer, Produced & Arranged by - Simon Willey, Recording & Mixing - Chris Lawrence, Double Bass - Robert Fowler, Clarinet - Sarah Chapman, Viola - John Sutton, Drums - The Bryan Ferry Orchestra, Composer, MainArtist - Martin Wheatley, Banjo, Guitar, Ukulele - Emma Parker, Violin - Enrico Tomasso, Trumpet - Katy Cox, Cello - Malcolm Earle-Smith, Trombone - Victoria Sutherland, Violin

2012 BMG Rights Management (UK) Ltd. 2012 BMG Rights Management (UK) Ltd.

Album Description

Over the last 40 years, singer Bryan Ferry has established himself not only as the frontman of one of rock's most iconic bands, but also as a unique interpreter covering the songs of others. The songwriters he's covered have been transformed into something wholly other by him. Ferry's ability to find and reveal what is hidden in a lyric, a musical phrase, or even a key signature is uncanny. The Jazz Age finds Ferry covering himself in radical fashion: he doesn't sing. He is credited as co-producer (with Rhett Davies) and "director." The Jazz Age celebrates Ferry's 40th anniversary in music by re-recording some of his classic tunes -- from the 1972 Roxy Music album to 2010's Olympia -- inspired by the sounds of '20s jazz. Ferry's looked deeply into the past before -- 1999's As Time Goes By paid tribute to the music of the '30s, an album of sung standards from the era -- but not his own. This set was performed by many of the same British jazz musicians who performed on that record under the musical direction of Colin Good. Musically, Ferry and these musicians drew on the influences of Louis Armstrong's Hot Sevens, Duke Ellington's Orchestra, Bix Beiderbecke's Wolverines, and the Original Dixieland Jazz Band. But they also found inspiration in the heady historical era before 1929 detailed so intensely in the novels of F. Scott Fitzgerald, Michael Arlen, and Ernest Hemingway. All 13 of these tunes have been wildly revamped and offer interesting textures: a bass clarinet and baritone saxophone are used instead of a double bass to carry the bottom end, but the music here is played so well, it doesn't feel gimmicky. All of the original melodies have been left intact, though tempos are often completely reset. The sprightly "Do the Strand" features piano, brass, reeds, banjo, and drums all competing for dominance (they were recorded live in the studio), and swings hard. "Love Is the Drug" is played as a moaning, bluesy dirge, while "Avalon" retains its sense of melancholy even as clarinets, trumpets, and piano commingle in a midtempo dialogue on different aspects of the melody. "Virginia Plain" is a fingerpopping dancefloor jaunt that recalls flappers doing the Lindy Hop. Given that Ferry doesn't sing on The Jazz Age, the appeal for casual fans is debatable. But for the faithful, trad-jazz heads, and open-minded listeners, the musical quality -- from expert arrangements, virtuosic playing, and the brilliant concept -- offer something wholly different and rewarding.
© Thom Jurek /TiVo

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