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Mose Allison|Swingin' Machine

Swingin' Machine

Mose Allison

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Jazz fans may find this Mose Allison session unique among scads of releases from this laid-back, witty and original singer and pianist. Almost never found recording outside of the piano trio context, this album perhaps reveals the reason why: on a whole, adding horns to Allison's band just doesn't work that well. The trombonist Jimmy Knepper is of particular interest, in that he most often recorded under the intense leadership of Charles Mingus, a far cry from the loose and relaxed sound of Allison. His fellow hornman here is tenor saxophonist Jimmy Reider; not a very well-known jazzman but certainly competent in a swing style. If the leader had stuck to all vocal numbers this might have been a top drawer album. All the vocal tracks here are fine, with the song "Stop This World" rating among the best things this artist has recorded in a long career. It's the instrumental tracks that drag, however, since like any respectable pianist bandleader, Allison chooses to put the two horns out front for theme-solo-theme arrangements that would only be worth repeated listening if every other jazz performance ever recorded happened to vanish off the face of the earth. Allison's piano playing picked up some steam as the '60s wore on, so it is a shame he didn't revisit this concept at a later date. In all, an enjoyable album but a bit disappointing.

© Eugene Chadbourne /TiVo

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Swingin' Machine

Mose Allison

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1
Swingin' Machine (LP Version)
00:02:29

Mose Allison, Composer, Lyricist, Piano, Vocals, MainArtist - Nesuhi Ertegun, Producer - Addison Farmer, Bass Guitar - Jimmy Knepper, Trombone - Bob Porter, Producer - Jimmy Reider, Tenor Saxophone - Frankie Dunlop, Drums

© 2004 Atlantic Recording Corp. Manufactured and Marketed by Warner Strategic Marketing ℗ 1963 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

2
Do It (LP Version)
00:04:35

Mose Allison, Composer, Lyricist, Piano, Vocals, MainArtist - Nesuhi Ertegun, Producer - Addison Farmer, Bass Guitar - Jimmy Knepper, Trombone - Bob Porter, Producer - Jimmy Reider, Tenor Saxophone - Frankie Dunlop, Drums

© 2004 Atlantic Recording Corp. Manufactured and Marketed by Warner Strategic Marketing ℗ 1975 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

3
Stop This World (LP Version)
00:03:24

Mose Allison, Composer, Lyricist, Piano, Vocals, Writer, MainArtist - Nesuhi Ertegun, Producer - Addison Farmer, Bass Guitar - Jimmy Knepper, Trombone - Bob Porter, Producer - Jimmy Reider, Tenor Saxophone - Frankie Dunlop, Drums

© 2004 Atlantic Recording Corp. Manufactured and Marketed by Warner Strategic Marketing ℗ 1963 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

4
Promenade (LP Version)
00:05:12

Mose Allison, Composer, Lyricist, Piano, Vocals, MainArtist - Nesuhi Ertegun, Producer - Addison Farmer, Bass Guitar - Jimmy Knepper, Trombone - Bob Porter, Producer - Jimmy Reider, Tenor Saxophone - Frankie Dunlop, Drums

© 2004 Atlantic Recording Corp. Manufactured and Marketed by Warner Strategic Marketing ℗ 1975 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

5
If You're Going to the City (1968 Version) (LP Version)
00:02:50

Mose Allison, Piano, Vocals, Writer, MainArtist - Nesuhi Ertegun, Producer - Red Mitchell, Bass - Jimmy Knepper, Trombone - Jimmy Reider, Tenor Saxophone - Bill Goodwin, Drums

© 2004 Atlantic Recording Corp. Manufactured and Marketed by Warner Strategic Marketing ℗ 1968 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

6
Saritha (LP Version)
00:04:59

Mose Allison, Composer, Lyricist, Piano, Vocals, MainArtist - Nesuhi Ertegun, Producer - Addison Farmer, Bass Guitar - Jimmy Knepper, Trombone - Bob Porter, Producer - Jimmy Reider, Tenor Saxophone - Frankie Dunlop, Drums

© 2004 Atlantic Recording Corp. Manufactured and Marketed by Warner Strategic Marketing ℗ 1975 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

7
I Ain't Got Nothing but the Blues (LP Version)
00:03:57

Duke Ellington, Writer - Mose Allison, Piano, Vocals, MainArtist - Nesuhi Ertegun, Producer - Addison Farmer, Bass Guitar - Jimmy Knepper, Trombone - Don George, Writer - Bob Porter, Producer - Jimmy Reider, Tenor Saxophone - Frankie Dunlop, Drums

© 2004 Atlantic Recording Corp. Manufactured and Marketed by Warner Strategic Marketing ℗ 1975 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

8
So Rare (LP Version)
00:05:01

Mose Allison, Composer, Lyricist, Piano, Vocals, MainArtist - Nesuhi Ertegun, Producer - Addison Farmer, Bass Guitar - Jimmy Knepper, Trombone - Bob Porter, Producer - Jimmy Reider, Tenor Saxophone - Frankie Dunlop, Drums

© 2004 Atlantic Recording Corp. Manufactured and Marketed by Warner Strategic Marketing ℗ 1975 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

Album review

Jazz fans may find this Mose Allison session unique among scads of releases from this laid-back, witty and original singer and pianist. Almost never found recording outside of the piano trio context, this album perhaps reveals the reason why: on a whole, adding horns to Allison's band just doesn't work that well. The trombonist Jimmy Knepper is of particular interest, in that he most often recorded under the intense leadership of Charles Mingus, a far cry from the loose and relaxed sound of Allison. His fellow hornman here is tenor saxophonist Jimmy Reider; not a very well-known jazzman but certainly competent in a swing style. If the leader had stuck to all vocal numbers this might have been a top drawer album. All the vocal tracks here are fine, with the song "Stop This World" rating among the best things this artist has recorded in a long career. It's the instrumental tracks that drag, however, since like any respectable pianist bandleader, Allison chooses to put the two horns out front for theme-solo-theme arrangements that would only be worth repeated listening if every other jazz performance ever recorded happened to vanish off the face of the earth. Allison's piano playing picked up some steam as the '60s wore on, so it is a shame he didn't revisit this concept at a later date. In all, an enjoyable album but a bit disappointing.

© Eugene Chadbourne /TiVo

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