Categories:
Cart 0

Your cart is empty

Twin Peaks - Soundtrack From Twin Peaks

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Soundtrack From Twin Peaks

Angelo Badalamenti

Available in
16-Bit CD Quality 44.1 kHz - Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

Angelo Badalamenti's score for David Lynch's television series Twin Peaks is a model of film music ideally matched to the images and actions it underscores. Lynch's world, in which almost nothing was what it seemed to be, was so devastatingly chilling, mysteriously sinister, and fall-down funny -- so surreal -- that audiences were kept in a state of emotional upheaval that tended to either make them flee or turn them into avid followers. The sometimes overtly and sometimes subliminally creepy music Badalamenti created contributed immeasurably to the deeply unsettling textures of the series. That was largely because of his skill at creating such complexly layered music that, like the drama itself, simultaneously stirred up such a flurry of powerful, conflicting emotions. The theme song "Falling" is a perfect example of the emotional layering Badalamenti used throughout the series. Its words, and even its melody, make it seem like a traditional love ballad, but the accompaniment is so deeply menacing that anyone to whom it might actually be sung as a love song would be hard pressed to keep from jumping up and running like hell. That threatening undercurrent, created by throbbing electric guitars, synthesizers with a vibrato that's off the charts, and a weirdly, relentlessly chugging percussion, subverts whatever style of music it underlies, whether it's the cool jazz of "Audrey's Dance" or the surging romantic passion of "Laura Palmer's Theme." (The spookiest thing about "Laura Palmer's Theme" is that its soaring lyricism evolves out of, and then recedes back into, music that evokes a chillingly dark perversity, an aural analog for Lynch's twisted narrative and visual imagery.) The composer and his ensemble deliver vivid performances of this eccentric music, and Julee Cruise's vocals are hauntingly ethereal. The sound is immaculate: clean, present, and atmospheric.
© TiVo

More info

Soundtrack From Twin Peaks

Twin Peaks

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

Copy the following link to share it

You are currently listening to samples.

Listen to over 70 million songs with an unlimited streaming plan.

Listen to this album and more than 70 million songs with your unlimited streaming plans.

1
Twin Peaks Theme (Instrumental Album Version)
Angelo Badalamenti
00:05:10

Howie Weinberg, Masterer - Eddie Dixon, Electric Guitar - Julee Cruise, Vocals - Angelo Badalamenti, Producer, Piano, Writer, Synthesizer, MainArtist - Art Pohlemus, Mixer, Recording Engineer - David Lynch, Producer, Writer - Kinny Landrum, Synthesizer - Grady Tate, Drums - Eddie Daniels, Clarinet, Flute - Al Regni, Clarinet, Flute, Tenor Saxophone - Vinnie Bell, Electric Guitar

© 1990 Warner Records Inc., 1990 Lynch/Frost Productions Inc. ℗ 1990 Warner Records Inc.

2
Laura Palmer's Theme (Instrumental Album Version)
Angelo Badalamenti
00:04:52

Howie Weinberg, Masterer - Eddie Dixon, Electric Guitar - Julee Cruise, Vocals - Angelo Badalamenti, Composer, Producer, Piano, Synthesizer, MainArtist - Art Pohlemus, Mixer, Recording Engineer - David Lynch, Producer - Kinny Landrum, Synthesizer - Grady Tate, Drums - Eddie Daniels, Clarinet, Flute - Al Regni, Clarinet, Flute, Tenor Saxophone - Vinnie Bell, Electric Guitar

© 1990 Warner Records Inc., 1990 Lynch/Frost Productions Inc. ℗ 1990 Warner Records Inc.

3
Audrey's Dance (Instrumental Album Version)
Angelo Badalamenti
00:05:17

Howie Weinberg, Masterer - Eddie Dixon, Electric Guitar - Julee Cruise, Vocals - Angelo Badalamenti, Composer, Producer, Piano, Synthesizer, MainArtist - Art Pohlemus, Mixer, Recording Engineer - David Lynch, Producer - Kinny Landrum, Synthesizer - Grady Tate, Drums - Eddie Daniels, Clarinet, Flute - Al Regni, Clarinet, Flute, Tenor Saxophone - Vinnie Bell, Electric Guitar

© 1990 Warner Records Inc., 1990 Lynch/Frost Productions Inc. ℗ 1990 Warner Records Inc.

4
The Nightingale (Album Version)
Angelo Badalamenti
00:04:56

Eddie Dixon, Electric Guitar - Time Leitner, Mixer - Julee Cruise, Vocals, MainArtist - Albert Regni, Clarinet, Saxophone - Angelo Badalamenti, Piano, Synthesizer - Art Pohlemus, Engineer - Badalamenti, Writer - David Lynch, Producer - JAY HEALY, Mixer - Kinny Landrum, Synthesizer - Lynch, Writer - Mike Krowiak, Mixer - Stephen Marcussen, Masterer - Vincent Bell, Electric Guitar

© 1990 Warner Records Inc., 1990 Lynch/Frost Productions Inc. ℗ 1989 Warner Records Inc.

5
Freshly Squeezed (Instrumental Album Version)
Angelo Badalamenti
00:03:48

Howie Weinberg, Masterer - Eddie Dixon, Electric Guitar - Julee Cruise, Vocals - Angelo Badalamenti, Composer, Producer, Piano, Synthesizer, MainArtist - Art Pohlemus, Mixer, Recording Engineer - David Lynch, Producer - Kinny Landrum, Synthesizer - Grady Tate, Drums - Eddie Daniels, Clarinet, Flute - Al Regni, Clarinet, Flute, Tenor Saxophone - Vinnie Bell, Electric Guitar

© 1990 Warner Records Inc., 1990 Lynch/Frost Productions Inc. ℗ 1990 Warner Records Inc.

6
The Bookhouse Boys (Instrumental Album Version)
Angelo Badalamenti
00:03:29

Howie Weinberg, Masterer - Eddie Dixon, Electric Guitar - Julee Cruise, Vocals - Angelo Badalamenti, Composer, Producer, Piano, Synthesizer, MainArtist - Art Pohlemus, Mixer, Recording Engineer - David Lynch, Producer - Kinny Landrum, Synthesizer - Grady Tate, Drums - Eddie Daniels, Clarinet, Flute - Al Regni, Clarinet, Flute, Tenor Saxophone - Vinnie Bell, Electric Guitar

© 1990 Warner Records Inc., 1990 Lynch/Frost Productions Inc. ℗ 1990 Warner Records Inc.

7
Into the Night (Album Version)
Angelo Badalamenti
00:04:44

Eddie Dixon, Electric Guitar - Time Leitner, Mixer - Julee Cruise, Vocals, MainArtist - Albert Regni, Clarinet, Saxophone - Angelo Badalamenti, Synthesizer - Badalamenti, Writer - David Lynch, Producer - JAY HEALY, Mixer - Kinny Landrum, Synthesizer - Lynch, Writer - Mike Krowiak, Mixer - Stephen Marcussen, Masterer - Vincent Bell, Electric Guitar

© 1990 Warner Records Inc., 1990 Lynch/Frost Productions Inc. ℗ 1989 Warner Records Inc.

8
Night Life in Twin Peaks (Instrumental Album Version)
Angelo Badalamenti
00:03:27

Howie Weinberg, Masterer - Eddie Dixon, Electric Guitar - Julee Cruise, Vocals - Angelo Badalamenti, Composer, Producer, Piano, Synthesizer, MainArtist - Art Pohlemus, Mixer, Recording Engineer - David Lynch, Producer - Kinny Landrum, Synthesizer - Grady Tate, Drums - Eddie Daniels, Clarinet, Flute - Al Regni, Clarinet, Flute, Tenor Saxophone - Vinnie Bell, Electric Guitar

© 1990 Warner Records Inc., 1990 Lynch/Frost Productions Inc. ℗ 1990 Warner Records Inc.

9
Dance of the Dream Man (Instrumental Album Version)
Angelo Badalamenti
00:03:41

Howie Weinberg, Masterer - Eddie Dixon, Electric Guitar - Julee Cruise, Vocals - Angelo Badalamenti, Composer, Producer, Piano, Synthesizer, MainArtist - Art Pohlemus, Mixer, Recording Engineer - David Lynch, Producer - Kinny Landrum, Synthesizer - Grady Tate, Drums - Eddie Daniels, Clarinet, Flute - Al Regni, Clarinet, Flute, Tenor Saxophone - Vinnie Bell, Electric Guitar

© 1990 Warner Records Inc., 1990 Lynch/Frost Productions Inc. ℗ 1990 Warner Records Inc.

10
Love Theme from Twin Peaks (Instrumental Album Version)
Angelo Badalamenti
00:05:04

Howie Weinberg, Masterer - Eddie Dixon, Electric Guitar - Julee Cruise, Vocals - Angelo Badalamenti, Composer, Producer, Piano, Synthesizer, MainArtist - Art Pohlemus, Mixer, Recording Engineer - David Lynch, Producer - Kinny Landrum, Synthesizer - Grady Tate, Drums - Eddie Daniels, Clarinet, Flute - Al Regni, Clarinet, Flute, Tenor Saxophone - Vinnie Bell, Electric Guitar

© 1990 Warner Records Inc., 1990 Lynch/Frost Productions Inc. ℗ 1990 Warner Records Inc.

11
Falling (Album Version)
Angelo Badalamenti
00:05:21

Eddie Dixon, Electric Guitar - Time Leitner, Mixer - Julee Cruise, Vocals, MainArtist - Albert Regni, Clarinet, Tenor Saxophone - Angelo Badalamenti, Composer, Piano, Writer, Synthesizer - Art Pohlemus, Engineer - David Lynch, Composer, Lyricist, Producer - JAY HEALY, Mixer - Kinny Landrum, Synthesizer - Mike Krowiak, Mixer - Stephen Marcussen, Masterer - Vincent Bell, Electric Guitar

© 1990 Warner Records Inc., 1990 Lynch/Frost Productions Inc. ℗ 1989 Warner Records Inc.

Album Description

Angelo Badalamenti's score for David Lynch's television series Twin Peaks is a model of film music ideally matched to the images and actions it underscores. Lynch's world, in which almost nothing was what it seemed to be, was so devastatingly chilling, mysteriously sinister, and fall-down funny -- so surreal -- that audiences were kept in a state of emotional upheaval that tended to either make them flee or turn them into avid followers. The sometimes overtly and sometimes subliminally creepy music Badalamenti created contributed immeasurably to the deeply unsettling textures of the series. That was largely because of his skill at creating such complexly layered music that, like the drama itself, simultaneously stirred up such a flurry of powerful, conflicting emotions. The theme song "Falling" is a perfect example of the emotional layering Badalamenti used throughout the series. Its words, and even its melody, make it seem like a traditional love ballad, but the accompaniment is so deeply menacing that anyone to whom it might actually be sung as a love song would be hard pressed to keep from jumping up and running like hell. That threatening undercurrent, created by throbbing electric guitars, synthesizers with a vibrato that's off the charts, and a weirdly, relentlessly chugging percussion, subverts whatever style of music it underlies, whether it's the cool jazz of "Audrey's Dance" or the surging romantic passion of "Laura Palmer's Theme." (The spookiest thing about "Laura Palmer's Theme" is that its soaring lyricism evolves out of, and then recedes back into, music that evokes a chillingly dark perversity, an aural analog for Lynch's twisted narrative and visual imagery.) The composer and his ensemble deliver vivid performances of this eccentric music, and Julee Cruise's vocals are hauntingly ethereal. The sound is immaculate: clean, present, and atmospheric.
© TiVo

About the album

Distinctions:

Improve this page

Qobuz logo Why buy on Qobuz...

On sale now...

Aqualung

Jethro Tull

Aqualung Jethro Tull

Thick as a Brick

Jethro Tull

Thick as a Brick Jethro Tull

Source

Nubya Garcia

Source Nubya Garcia

Misplaced Childhood

Marillion

More on Qobuz
By Twin Peaks

Side A

Twin Peaks

Side A Twin Peaks

Lookout Low

Twin Peaks

Lookout Low Twin Peaks

Down In Heaven

Twin Peaks

Down In Heaven Twin Peaks

Sweet '17 Singles

Twin Peaks

Sweet '17 Singles Twin Peaks

Sunken

Twin Peaks

Sunken Twin Peaks
You may also like...

The Dune Sketchbook (Music from the Soundtrack)

Hans Zimmer

TRON: Legacy - The Complete Edition

Daft Punk

Interstellar (Original Motion Picture Soundtrack) [Expanded Edition]

Hans Zimmer

A Star Is Born Soundtrack

Lady Gaga

The Queen's Gambit (Music from the Netflix Limited Series)

Carlos Rafael Rivera

In your panoramas...
The Stylish Henry Mancini

Sophistication, humour, sensitivity… These are the words that often come to mind when describing Henry Mancini’s music. 23 years after his death, he is still seen as a major and influential pop composer. No doubt because, in addition to his glossy and light works for which he is renowned (notably Breakfast at Tiffany’s and The Pink Panther), he also knew how to display the complexity of his musical language in more tormented compositions.

Nils Frahm, an Atypical Piano Master

Hailed by critics of classical music as well as amateurs of the electronic genre, Nils Frahm’s talent has brought harmony between the two worlds for the last ten years. Whether he plays on a church organ or a synthesiser fitted with effect pedals, the German pianist is always looking forward, and that’s what makes him so appealing.

Sofia Coppola on Air

To celebrate 20 years since the release of her film “The Virgin Suicides”, Qobuz takes a look back at some of the top musical moments from the films of Sofia Coppola, like her collaborations with French duo Air or Thomas Mars from the band Phoenix.

In the news...